You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The formation of modern European states during the long 19th century was a complicated process, challenged by the integration of widely different territories and populations. The Science of State Power in the Habsburg Monarchy, 1790-1880 builds on recent research to investigate the history of statistics as an overlooked part of the sciences of the state in Habsburg legal education as well as within the broader public sphere. By exploring the practices and social spaces of statistics, author Borbála Zsuzsanna Török uncovers its central role in imagining the composite Habsburg Monarchy as a modern and unified administrative space.
Presents a dramatic account of how readers across the English-speaking world used history to understand the Age of Enlightenment and Revolutions.
Reveals how European intellectual life was rebuilt after the cataclysm of the First World War.
Situated on the geographic margins of two nations, yet imagined as central to each, Transylvania has long been a site of nationalist struggles. Since the fall of communism, these struggles have been particularly intense in Cluj, Transylvania's cultural and political center. Yet heated nationalist rhetoric has evoked only muted popular response. The citizens of Cluj--the Romanian-speaking majority and the Hungarian-speaking minority--have been largely indifferent to the nationalist claims made in their names. Based on seven years of field research, this book examines not only the sharply polarized fields of nationalist politics--in Cluj, Transylvania, and the wider region--but also the more f...
This is a comprehensive overview of contemporary European theatre and performance as it enters the third decade of the twenty-first century. It combines critical discussions of key concepts, practitioners, and trends within theatre-making, both in particular countries and across borders, that are shaping European stage practice. With the geography, geopolitics, and cultural politics of Europe more unsettled than at any point in recent memory, this book’s combination of national and thematic coverage offers a balanced understanding of the continent’s theatre and performance cultures. Employing a range of methodologies and critical approaches across its three parts and ninety-four chapters...
Popularizing National Pasts is the first truly cross-national and comparative study of popular national histories, their representations, the meanings given to them and their political and societal uses, expanding outside the confines of Western Europe and the US. It draws a picture of popular histories which is European in the full sense of this term, making available to English readers the cutting edge of Eastern European scholarship on popular histories, nationalism, and culture.
This rich, deeply researched study offers the first comprehensive exploration of cross-cultural plant knowledge in eighteenth-century Mauritius. Using the concept of creolisation – the process by which elements of different cultures are brought together to create entangled and evolving new entities – Brixius examines the production of knowledge on an island without long-established traditions of botany as understood by Europeans. Once foreign plants and knowledge arrived in Mauritius, they were adapted to new environmental circumstances and a new socio-cultural space. Brixius explores how French colonists, settlers, mediators, labourers and enslaved people experienced and shaped the island's botanical past, centring the contributions of subaltern actors. By foregrounding neglected non-European actors from both Africa and Asia, within a melting pot of cultivation traditions from around the world, she presents a truly global history of botanical knowledge.
The volume, stemming from the long-term cooperation of scholars working on East Central European intellectual history, discusses the patterns of patriotic and national identification in the light of the multiplicity of levels of ethnic, cultural and political allegiances characterizing this region in the early modern period.
This is a book about economics and racism: During World War I, the liberal global economic system, based on principles of free trade and most-favored nation treatment and negotiated in gold parities, collapsed for good. The disintegration and collapse of commerce eventually led to racist cleansing, expulsion and mass murder. Against this background, this book offers new perspectives on the racist fault-lines that appeared and deepened in European economies after the end of what was regarded as the Great War. At what point did people start to ostracize their neighbors economically because they thought they were of a different ethnic group? Who decided who was to be excluded? Where did the fault-lines open? Where did the boundaries lie? How were they defined – by law, or by common practice? How much extra time and money were people prepared to spend in order to do ostracize their neighbors? And what did that mean for the economy – and society – as such?
This volume critically investigates how art historians writing about Central and Eastern Europe in the late nineteenth and early twentieth centuries engaged with periodization. At the heart of much of their writing lay the ideological project of nation-building. Hence discourses around periodization – such as the mythicizing of certain periods, the invention of historical continuity and the assertion of national specificity – contributed strongly to identity construction. Central to the book’s approach is a transnational exploration of how the art histories of the region not only interacted with established Western periodizations but also resonated and ‘entangled’ with each other. ...