Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Traces of Trauma
How do the people of a morally shattered culture and nation find ways to go on living? Cambodians confronted this challenge following the collective disasters of the American bombing, the civil war, and the Khmer Rouge genocide. The magnitude of violence and human loss, the execution of artists and intellectuals, the erasure of individual and institutional cultural memory all caused great damage to Cambodian arts, culture, and society. Author Boreth Ly explores the “traces” of this haunting past in order to understand how Cambodians at home and in the diasporas deal with trauma on such a vast scale. Ly maintains that the production of visual culture by contemporary Cambodian artists and ...
Modern and Contemporary Southeast Asian Art
This anthology explores artistic practices and works from a diverse and vibrant region. Scholars, critics, and curators offer their perspectives on Southeast Asian art and artists, aiming not to define the field but to Illuminate its changing nature and Its Interactions with creative endeavors and histories originating elsewhere. These essays examine a range of new and modern work, from sculptures that Invoke post-conflict trauma In Cambodia to Thai art Installations that Invite audience participation and thereby challenge traditional definitions of the "art obJect." In this way, the authors not only provide a lively stUdy of regional art, but challenge and expand broad debates about international and transnational art.
Traces of Trauma
How do the people of a morally shattered culture and nation find ways to go on living? Cambodians confronted this challenge following the collective disasters of the American bombing, the civil war, and the Khmer Rouge genocide. The magnitude of violence and human loss, the execution of artists and intellectuals, the erasure of individual and institutional cultural memory all caused great damage to Cambodian arts, culture, and society. Author Boreth Ly explores the “traces” of this haunting past in order to understand how Cambodians at home and in the diasporas deal with trauma on such a vast scale. Ly maintains that the production of visual culture by contemporary Cambodian artists and ...
Early Interactions Between South and Southeast Asia
This book takes stock of the results of some two decades of intensive archaeological research carried out on both sides of the Bay of Bengal, in combination with renewed approaches to textual sources and to art history. To improve our understanding of the trans-cultural process commonly referred to as Indianisation, it brings together specialists of both India and Southeast Asia, in a fertile inter-disciplinary confrontation. Most of the essays reappraise the millennium-long historiographic no-man's land during which exchanges between the two shores of the Bay of Bengal led, among other processes, to the Indianisation of those parts of the region that straddled the main routes of exchange. Some essays follow up these processes into better known "classical" times or even into modern times, showing that the localisation process of Indian themes has long remained at work, allowing local societies to produce their own social space and express their own ethos.
Film in Contemporary Southeast Asia
This book discusses contemporary film in all the main countries of Southeast Asia, and the social practices and ideologies which films either represent or oppose. It shows how film acquires signification through cultural interpretation, and how film also serves as a site of contestations between social and political agents seeking to promote, challenge, or erase certain meanings, messages or ideas from public circulation. A unique feature of the book is that it focuses as much on films as it does on the societies from which these films emerge: it considers the reasons for film-makers taking the positions they take; the positions and counter-positions taken; the response of different communit...
The Cinema of Rithy Panh
Born in 1964, Cambodian filmmaker Rithy Panh grew up in the midst of the Khmer Rouge’s genocidal reign of terror, which claimed the lives of many of his relatives. After escaping to France, where he attended film school, he returned to his homeland in the late 1980s and began work on the documentaries and fiction films that have made him Cambodia’s most celebrated living director. The fourteen essays in The Cinema of Rithy Panh explore the filmmaker’s unique aesthetic sensibility, examining the dynamic and sensuous images through which he suggests that “everything has a soul.” They consider how Panh represents Cambodia’s traumatic past, combining forms of individual and collectiv...
Ferryman of Memories
Ferryman of Memories: The Films of Rithy Panh is an unconventional book about an unconventional filmmaker. Rithy Panh survived the Cambodian genocide and found refuge in France where he discovered in film a language that allowed him to tell what happened to the two million souls who suffered hunger, overwork, disease, and death at the hands of the Khmer Rouge. His innovative cinema is made with people, not about them—even those guilty of crimes against humanity. Whether he is directing Isabelle Huppert in The Sea Wall, following laborers digging trenches, or interrogating the infamous director of S-21 prison, aesthetics and ethics inform all he does. With remarkable access to the director and his work, Deirdre Boyle introduces readers to Panh’s groundbreaking approach to perpetrator cinema and dazzling critique of colonialism, globalization, and the refugee crisis. Ferryman of Memories reveals the art of one of the masters of world cinema today, focusing on nineteen of his award-winning films, including Rice People, The Land of Wandering Souls, S-21: The Khmer Rouge Killing Machine, and The Missing Picture.
Almost Futures
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Almost Futures looks to the people who pay the heaviest price exacted by war and capitalist globalization—particularly Vietnamese citizens and refugees—for glimpses of ways to exist at the end of our future’s promise. In order to learn from the lives destroyed (and lived) amid our inheritance of modern humanism and its uses of time, Almost Futures asks us to recognize new spectrums of feeling: the poetic, in the grief of protesters dispossessed by land speculation; the allegorical, in assembly line workers’ laughter and sorrow; the iterant and intimate, in the visual witnessing of revolutionary and state killing; the haunting, in refugees’ writing on the death of their nation; and the irreconcilable, in refugees’ inhabitation of history.
The Migrant's Time
The conditions of alienation and exclusion are inextricably linked to the experience of the migrant. This volume explores both the increasing emergence of the theme of migration as a dominant subject matter in art as well as the ways in which the varied mobilities of a globalized world have radically reshaped art's conditions of production, reception, and display. In a selection of essays, fourteen distinguished scholars explore the universality of conditions of global migration and interdependence, inviting a rethinking of existing perspectives in postcolonial, transnational, and diaspora studies, and laying the foundation for empirical and theoretical directions beyond the terms of these traditional frameworks.
Early Interactions Between South and Southeast Asia
This book takes stock of the results of some two decades of intensive archaeological research carried out on both sides of the Bay of Bengal, in combination with renewed approaches to textual sources and to art history. To improve our understanding of the trans-cultural process commonly referred to as Indianisation, it brings together specialists of both India and Southeast Asia, in a fertile inter-disciplinary confrontation. Most of the essays reappraise the millennium-long historiographic no-man's land during which exchanges between the two shores of the Bay of Bengal led, among other processes, to the Indianisation of those parts of the region that straddled the main routes of exchange. Some essays follow up these processes into better known "classical" times or even into modern times, showing that the localisation process of Indian themes has long remained at work, allowing local societies to produce their own social space and express their own ethos.
