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Letters exchanged between Pasternak and his cousin chronicle their personal lives and the suffering of Russia during the Stalin era.
Leven en werk van de Russische schrijver Boris Leonidovič Pasternak (1890-1960).
In celebration of the 40th anniversary of its original publication, here is the only paperback edition now available of the classic story of the life and loves of a poet/physician during the turmoil of the Russian Revolution.
This concluding volume of Christopher Barnes's acclaimed biography of the Russian poet and prose-writer Boris Pasternak covers the period from 1928 to his death, during which he wrote the famous Dr Zhivago and was awarded the Nobel Prize for Literature. Drawing on archive material (including the Pasternak family archive), eyewitness accounts and a huge range of biographical and background information, Barnes brings to light many aspects of Pasternak's personality and private life, while illuminating his relations with the Communist régime and the literary establishment. There is a detailed discussion of Pasternak's original writing (with ample quotation in English translation), and his translations of Goethe, Shakespeare and others. The growth story of Dr Zhivago is traced, and the personal and political implications of the novel's controversial publication explored. The biography concludes with a discussion of Pasternak's Nobel Prize award, final years and death, with a brief account of his posthumous and artistic legacy.
An enthralling novelette by Boris Pasternak, the author of Dr. Zhivago, The Adolescence of Zhenya Luvers explores how a thirteen-year-old girl ceases to be a child and becomes a woman in Russia just before the Communist Revolution. The story examines the world through the reminiscences of a young girl and explores such themes as nature and how we are able to shape the world around us by how we perceive it. The novelette gives readers a prime example of Pasternak’s signature style and use of poetics, imagery, and lyricism in prose. The Adolescence of Zhenya Luvers is one of Pasternak’s very first stories, and it originally appeared in a collection by the same name, published in 1925.
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Boris Pasternak has generally been regarded as an artist who was indifferent to the literary and political storms of his time. Lazar Fleishman gives the great writer's life a new perspective. He shows that Pasternak's entire literary career should be regarded as a complex and passionate response to constant changes in Russian cultural and social life. Drawing on a vast array of sources, Fleishman's chronicle encompasses both the familiar and the little-known aspects of the poet's life and work. He describes the formative role played by Pasternak's father, a prominent Russian painter, and the intellectual endeavors of the young man before his literary debut. He explores the intricate relation...
Author's reminiscences of infancy and youth, impressions of outstanding Russian artists, musicians and writers from the 1890's through the 1930's, and critical comments on Shakespeare's plays.