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Boris Pilniak
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Boris Pilniak
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The Naked Year
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Mahogany and Other Stories
An important stylistic force in twentieth-century Russian literature, Boris Pilnyak never shied from controversy.
Boris Pil'niak
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Ivan Moscow
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Writers at Work
The cost of constructing Envy: Iurii Olesha and the Soviet production novel -- How she worked on Hydrocentral: Marietta Shaginian and the changing Soviet author -- Building "Novye Vaiuki": Ilf and Petrov map the production novel -- (Re)constructing the production novel: Boris Pilniak, Mahogany, and The Volga Falls to the Caspian Sea -- Finding space in Time, forward! Kataev and writers at work -- Deconstructing Soviet work: Andrei Platonov and the end of the production novel.
The Naked Year
“One of the earliest . . . attempts to create a paradigm of ‘the new prose’ about the [Russian] Revolution . . . self-consciously experimental, openly modernist.” —The Cambridge Companion to Twentieth-Century Russian Literature The Naked Year, a flinchingly honest portrayal of life in post-Revolutionary Russia, catapulted author Boris Pilnyak into notoriety. The Naked Year follows the provincial town of Ordinin through 1919, a year of war, illness, and tumultuous change. The village and its inhabitants—merchants, nobles, peasants, and communists alike—experience firsthand the impact of the violent revolutionary struggle of the Reds, Whites, Blacks, and Greens, until their world eventually dissolves into chaos. So lyrical and surreal that it has been called the “anti-novel,” The Naked Year captures the emotional heart of a land trapped in the horrific gap year between frenzied Revolution and rigid Soviet control.
Golyi god
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Telling Stories
The contributions in this volume are all related to one of Ulrich Broich's main fields of research and teaching, the way stories are told in the various literary genres. The papers range from Chaucer to 20th-century literature; they discuss poems, prologues, plays and novels, French philosophers and English sermons, the Anglo-Boer War and totalitarianism.
