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Global Identities in Transit: The Ethics and Politics of Representation in World Literatures and Cultures explores the myriad aspects of identity formation and identity representation in an increasingly globalized world. Covering a variety of cultural and historical experiences in addition to several texts of world literatures, the contributors discuss the configurations of transnationality and transculturality in our postcolonial and globalized world. Acknowledging that nationality, ethnicity, gender, and class are continually shaped by historical processes, the contributors hone in on the ways that the increase in mobility via migration, diaspora, and exile render identities always in transit In the face of structural inequalities and social injustices predominant in this context, the chapters reflect on the moral obligations of representation. This collection will be of interest to scholars of cultural studies, postcolonial studies, and world literature.
This book offers a unique exploration of the work of Paul Bowles and Ibrahim Alkoni, and reveals timely insights into the relationship between the West and the Orient, showing that they both challenge and extend existing scholarship on this subject. It builds on a sound theoretical platform which serves as a solid foundation for the analysis of the overarching theme. Theories of place, representation, Orientalism and post-colonialism are discussed in depth and are linked to the deconstruction and analysis of the selected literary texts, helping the reader understand the various quests and motivations of the protagonists of the works of Bowles and Alkoni. The first part of the book looks into...
This study argues that Paul Bowles is more perceptive than many American travelers in Morocco. The book provides us with what are perhaps the most sustained meditations to date on Bowles’s translation work and his autobiography, as well as perceptive analyses of key stories such as “A Distant Episode” and “Here to Learn” and his second novel, Let It Come Down, set primarily in Tangier. The chapter on translation dwells on the complex interactions between Moroccan storytellers and Bowles. The work considers translation as a site where the oral and written, colonial and post-colonial scene, and English and Maghrebi come face to face; it is a place where things are worked out in dynam...
Many American writers visited Morocco. Paul Bowles ended up living there for fifty-two years. This book looks at how Bowles's preoccupation with Moroccan customs, specifically "meditations and a state of being 'in-between'" permeated his work.
Few, if any, U.S. writers are as important to the history of world literature as Edgar Allan Poe, and few, if any, U.S. authors owe so much of their current reputations to the process of translation. Translated Poe brings together 31 essays from 19 different national/literary traditions to demonstrate Poe’s extensive influence on world literature and thought while revealing the importance of the vehicle that delivers Poe to the world—translation. Translated Poe is not preoccupied with judging the “quality” of any given Poe translation nor with assessing what a specific translation of Poe must or should have done. Rather, the volume demonstrates how Poe’s translations constitute mul...
Exploring the cultural politics of Cuba's epic military engagement in the Angolan civil war, this book narrates the transformation of Cuban national identity from Latin African to Caribbean through the experience of internationalism in Angola.
The poetic memorialization of the Maghribī city illuminates the ways in which exilic Maghribī poets constructed idealized images of their native cities from the ninth to nineteenth centuries CE. The first work of its kind in English, Of Lost Cities explores the poetics and politics of elegiac and nostalgic representations of the Maghribī city and sheds light on the ingeniously indigenous and indigenously ingenious manipulation of the classical Arabic subgenres of city elegy and nostalgia for one’s homeland. Often overlooked, these poems – distinctively Maghribī, both classical and vernacular, and written in Arabic and Tamazight – deserve wider recognition in the broader tradition a...
This volume includes twenty-five interdisciplinary essays on Paul Bowles’s literary and musical work. The legendary author – a North-American expatriate writer and composer, and a cult figure who, according to Norman Mailer “... let in the murder, the drugs, the incest, the death of the square, the end of civilization” – and his artistic output, are explored here by leading contemporary scholars. They seek alternative and multiple perspectives of his work through the dynamics of music and literature, avant-garde film and the No wave scene, torture studies and security, Islamic studies, modernism and surrealism. Following the international conference “Do You Bowles?” held in Lisbon, in 2010, which celebrated Paul Bowles’s 100th birthday, this collection shows how Bowles’s work engages creatively with his predecessors and a variety of perspectives, by rethinking modes of consciousness and of artistic and cross-cultural potential that still inspire todays’ artists and scholars, both as a writer as well as a composer. The editor set up a webpage dedicated to the book: http://www.doyoubowles.org/
Global Identities in Transit: The Ethics and Politics of Representation in World Literatures and Cultures explores ways in which the impact of (post)colonial and global conditions on individual and group identities is reflected in different cultures and represented in world literary texts.
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