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Open Fields
Science always raises more questions than it can contain. These acclaimed and challenging essays explore how ideas are transformed as they come under the stress of unforeseen readers. Using a wealth of material from diverse nineteenth- and twentieth-century writing, Gillian Beer tracks encounters between science, literature, and other forms of emotional experience. Her analysis discloses issues of chance, gender, nation, and desire. A substantial group of essays centres on Darwin and the incentives of his thinking from language theory to his encounters with Fuegians. Other essays include Hardy, Helmholtz, Hopkins, Clerk Maxwell, and Woolf. The collection throws a different light on Victorian experience and the rise of modernism, and engages with current controversies about the place of science in culture.
Quest for Eros
Students of Browning have long been puzzled by the discrepancies between the dramatic framework of Fifine and its symbolic development, but these difficulties are resolved in Southwell's explication by a biographical hypothesis. The powerful influence of the memory of his beloved wife, Elizabeth, involved Browning in a deep ambivalence, and Fifine at the Fair represents his effort to escape the effects of the profound inhibitions associated with her memory, while at the same time remaining loyal to it. The poem is itself a flawed quest for Eros. Browning's symbolic vision of sexuality as the central vitalizing force in human culture—a supreme achievement of the poem—is followed by a renunciation of the quest, but the validity of the vision is explicitly affirmed and its promise recognized. In Fifine at the Fair Browning's artistic powers are splendidly in evidence. Southwell's fresh examination of the tensions within the poem offers new understanding of its power.
Browning, Victorian Poetics and the Romantic Legacy
Taking an original approach to Robert Browning's poetics, Britta Martens focuses on a corpus of relatively neglected poems in Browning's own voice in which he reflects on his poetry, his self-conceptualization and his place in the poetic tradition. She analyzes his work in relation to Romanticism, Victorian reactions to the Romantic legacy, and wider nineteenth-century changes in poetic taste, to argue that in these poems, as in his more frequently studied dramatic monologues, Browning deploys varied dramatic methods of self-representation, often critically and ironically exposing the biases and limitations of the seemingly authoritative speaker 'Browning'. The poems thus become devices for ...
Beowulf
Beowulf is the oldest and most complete epic poem in any non-Classical European language. Our only manuscript, written in Old English, dates from close to the year 1000. However, the poem remained effectively unknown even to scholars until the year 1815, when it was first published in Copenhagen. This impressive volume selects over one hundred works of critical commentary from the vast body of scholarship on Beowulf - including English translations from German, Danish, Latin and Spanish - from the poem's first mention in 1705 to the Anglophone scholarship of the early twentieth century. Tom Shippey provides both a contextual introduction and a guide to the eighteenth- and nineteenth-century scholarship which generated these Beowulf commentaries. The book is a vital document for the study of one of the major texts of 'the Northern renaissance', in which completely unknown poems and even languages were brought to the attention first of the learned world and then of popular culture. It also acts as a valuable guide to the development of nationalist and racist sentiment, beginning romantically and ending with World War and attempted genocide.
The Artistry of Exile
The Artistry of Exile is a new study of one of the most important myths of nineteenth-century literature. Romantic poetry abounds with allusions to the loss of Eden and the isolation of figures who are 'sick for home'. This book explores the way such thematic preoccupations are modified by the material reality of enforced travel away from home.
Browning's Later Poetry, 1871-1889
Maintaining that Browning's later work has been underestimated, Professor Ryals gives close, sophisticated readings of the individual poems, covering each of the published volumes from Balaustion's Adventure through Asolando. He emphasizes the overall structure of a poem and the manner in which themes and ideas are presented. The later Browning is portrayed as "a poet intent upon discovering forms that would give shape and meaning to thought and experience."
The Female Sublime from Milton to Swinburne
This innovative study of vision, gender and poetry traces Milton's mark on Shelley, Tennyson, Browning and Swinburne to show how the lyric male poet achieves vision at the cost of symbolic blindness and feminisation. Drawing together a wide range of concerns including the use of myth, the gender of the sublime, the lyric fragment, and the relation of pain to creativity, this book is a major re-evaluation of the male poet and the making of the English poetic tradition.The female sublime from Milton to Swinburne examines the feminisation of the post-Miltonic male poet, not through cultural history, but through a series of mythic or classical figures which include Philomela, Orpheus and Sappho. It recovers a disfiguring sublime imagined as an aggressive female force which feminises the male poet in an act that simultaneously deprives and energises him. This book will be required reading for anyone with a serious interest in the English poetic tradition and Victorian poetry.
Gerard Manley HopkinsA Critical Study
The Present Book, Gerard Manley Hopkins: A Critical Study, Aims To Introduce The Readers To The Universally Acknowledged English Poet G.M. Hopkins. Although Not Recognized In His Times, His Popularity Has Increased With The Passing Of Years And Today His Poems Are Held In High Esteem. His Concept Of Poetry And Poetic Diction Distinguished Him From His Contemporary Victorian Poets. He Has Been Held By Many As Belonging More To The Twentieth Century Than The Nineteenth, Owing To His Technical Innovation And Intense Style. In His Poetry, The Rhythm Of The Verse Has Been Perfectly Fused With The Flow And Varying Emphasis Of Spoken Language. In Fact, Hopkins Skilfully United The Rhythmical Freedo...
