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Pleskit and Tim swap lunches, leading to unforeseen consequences in this fourth book of the hilarious, fast-paced, and accessible sci-fi series Sixth-Grade Alien from the bestselling author of Aliens Ate My Homework, Bruce Coville. When Tim has a peanut butter sandwich packed yet again, he and Pleskit decide to swap lunches. Tim is pleasantly surprised to find that while Pleskit’s squambul smells terrible, it tastes like chicken. But Pleskit has an altogether different experience when he eats peanut butter for the first time. Turns out, he’s allergic! And Pleskit’s reaction can’t be solved by a trip to the nurse’s office—he is absolutely, hopelessly lovestruck! Not in his right mind, Pleskit quickly gets into trouble. If he doesn’t find a way to fix things, he may have to find a new school—or a new planet!
Pleskit, a sixth-grade student from another planet, tries peanut butter, which makes him romantic.
On the eve of the inauguration, Kent Davidson and the members of his Sunday school class realize their concerns about the future of America are very real possibilities. They expect the reckless actions of the federal government to bring about a collapse of the country's economic and social structure. Likewise, they believe the direction in which the country is going will embolden the terrorists to resume attacks on U.S. soil. When Kent takes action to protect his family from the impending chaos, his friends are intrigued. Many view him as a right wing enthusiast, especially former classmate Senator Bailey Beauregard Bates, but a few join in with Kent's plan to Escape to Haven. After the fede...
'These highbrows must remember that there is a demand for little things as well as for big things'George Bernard Shaw was one of the leading playwrights and public intellectuals of the nineteenth and twentieth centuries. He helped propel drama towards the unexpected, into a realm where it might shock audiences into new viewpoints and into fresh understandings of society. Throughout his longwriting career Shaw wrote short plays, ranging in length from 1000-word puppet play, Shakes Versus Shav, to the 12,000-word suffragette comedy, Press Cuttings. These plays can be taken to illuminate Shaw's life and legacy, from ideas about war and patriotism in O'Flaherty, V.C. to censorship in TheShewing ...
This book examines the topic of excess in modern Irish writing in terms of mysticism, materialism, myth and language. The study engages ideas of excess as they appear in works by major thinkers from Hegel, Kierkegaard and Marx through to Nietzsche, Bataille, Derrida and, more recently, Badiou. Poems, plays and fiction by a wide range of Irish authors are considered. These include works by Oscar Wilde, W. B. Yeats, G. B. Shaw, Patrick Pearse, James Joyce, Sean O’Casey, Louis MacNeice, Samuel Beckett, Elizabeth Bowen, Roddy Doyle, Seamus Heaney, Marina Carr and Medbh McGuckian. The readings presented illustrate how Matthew Arnold’s nineteenth-century idea of the excessive character of the Celt is itself exceeded within the modernity of twentieth-century Irish writing.
As publishers in private printing presses, as writers of dissident texts and as political campaigners against censorship and for intellectual freedom, a radical group of twentieth-century Irish women formed a female-only coterie to foster women’s writing and maintain a public space for professional writers. This book documents the activities of the Women Writers’ Club (1933–1958), exploring its ethos, social and political struggles, and the body of works created and celebrated by its members. Examining the period through a history of the book approach, it covers social events, reading committees, literary prizes, publishing histories, modernist printing presses, book fairs, reading pra...