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The Worst It Can Be Is A Disaster
The Worst It Can Be is a Disaster is the autobiography of Braham Murray, founding director of the Royal Exchange Manchester which in 2006 celebrated its thirtieth anniversary. With a foreword by Sir Tom Courtenay. Born into a Jewish family, Braham Murray struggled against his parents' expectations that he should follow them into the world of commerce; instead he became at twenty-two the youngest artistic director in the country when he took over Century Theatre, a theatre company based in Manchester. Detailing his relationships and the theatrical successes and flops along the way, the narrative takes us through his early years with Century Theatre, with the 69 Theatre Company, and the birth ...
The Worst it Can be is a Disaster
The autobiography of Braham Murray, founding director of the Royal Exchange Manchester who, at the age of twenty-two, became the youngest artistic director in the country.
Marivaux: Two Plays
Two tales of multiple misunderstanding by the eighteenth-century master of complex, witty comedies. In the tightly-structured, erotically-charged fable The Triumph of Love, a young princess, conscious that her claim to the throne is less than honourable, disguises herself as a man in order to dupe her enemies and persuade the rightful ruler to return. This faithful and vivid translation by Braham Muray and Katherine Sand was first performed at the Royal Exchange Theatre, Manchester in 2007. In The Game of Love and Chance, a pair of prospective lovers each swap places with their servants, while their relatives, fully apprised of both deceptions, look on in amusement. Neil Bartlett's adaptation, first performed at the Lyric Hammersmith, finds inventive modern equivalents for Marivaux's ludic theatricality and its roots in the Commedia dell'Arte.
What You Will
Braham Murray draws on over half a century of experience in the theatre, to reflect, through the prism of the world's greatest drama and its most insightful philosophers, on what it is to be human.
How to Direct a Play
This practical handbook takes us on a step-by-step journey from pre-production through the rehearsal process, followed by focused advice on each genre from comedy to tragedy, Shakespeare to new plays and musicals. Special chapters offer strategies for dealing with difficult actors, working with producers and taking on the job of an Artistic Director. An indispensable guide to a director’s craft, packed full of advice and peppered with priceless anecdotes about the highs and the lows of a lifetime’s work in the theatre.
The Marriage of Figaro
First produced at the Odéon in 1784 The Marriage of Figaro,the second play of Beaumarchais' trilogy was an instant success and ran for an unprecedented 116 performances. Written six years earlier the play had been subject to the rigorous demands of no fewer than six censors, appointed one after the other by Louis XVI, with the principal purpose of preventing such a seditious piece of work from ever reaching the stage. Perhaps the king was right for Beaumarchais’ revolutionary attitudes towards women and the aristocracy espoused the popular feeling that would turn social order on its head and cause the king to lose his own in the subsequent decade. Figaro, full of an irrepressible joie de vivre remains one of drama’s arch-plotters, determinedly outwitting the cast of villains’ mountebanks and rivals who seek to ensnare him and bring about his downfall. His survival is not simply a testimony to his own endurance and inner strength but a signal to the world that the common man has rights and that the modern world must reform itself or be reformed if he is to be allowed to enjoy them.
Uncle Vanya
THE STORY: The scene is a country estate in the declining days of Czarist Russia, the home of an old and ailing professor, his young wife, and various other family members. For years the estate, under the management of Uncle Vanya, brother of the p
An Inspector Calls
Een geheimzinnige politie-inspecteur ondervraagt een gezin over de zelfmoord van een meisje.
The Last Resistance
In The Last Resistance, Jacqueline Rose explores the power of writing to create and transform our political lives. In particular, she examines the role of literature in the Zionist imagination: here, literature is presented as a unique form of dissidence, with the power to expose the unconscious of nations, and often proposing radical alternatives totheir dominant pathways and beliefs. While Israel-Palestine is the repeated focus, The Last Resistance also turns to post-apartheid South Africa, to American national fantasy post-9/11, and to key moments for the understanding of Jewish culture and memory. Rose also underscores the importance of psychoanalysis, both historically in relation to the unfolding of world events, and as a tool of political understanding. Examining topics ranging from David Grossman, through W.G. Sebald, Freud, Nadine Gordimer, the concept of evil, and suicide bombers, The Last Resistance offers a unique way of responding to the crises of the times.
