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It is perhaps one of the best known and most influential novels in all of literature: 1897's Dracula didn't merely inspire countless adaptations for stage and film, it invented an entire genre of horror: the vampire story, which continues to evolve today into wildly varied directions, from noir detective pastiches (the vampire as night-owl P.I.) to tween romances (the vampire as dreamy but distant boyfriend). Anyone who wants to know where it all began must read this 1897 work, still startling and still terrifying even today. The story of English solicitor Jonathan Harker and his strange new client, Transylvanian aristocrat Count Dracula, this is the classic work of Victorian gothic horror, the continuing eerie wellspring of many of our cultural fantasies and nightmares. Irish author ABRAHAM STOKER (1847-1912) worked for more than a quarter of a century as manager of the West End's Lyceum Theatre, which drew him into London's literary and artists circles; he was a friend of such luminaries as writer Sir Arthur Conan Doyle and painter James Abbott McNeill Whistler. Stoker is also the author of The Lair of the White Worm (1911), among other books.
It is one of the great ironies of literary history that the author of arguably the world's bestselling work of fiction remains little known. This book seeks to redress the balance and to articulate a new vision of Bram Stoker, relating the creator to his most famous creation. Paul Murray has examined important primary sources, such as Stoker's working notes for DRACULA, and his extensive correspondence, which shed an entirely new light on Stoker's life. He places Stoker in the context of Victorian Ireland and the literary and theatrical circles in which he moved. Bram Stoker was immersed in the Dublin literary scene and was involved with the great theatrical, literary and artistic figures of...
This comprehensive study of the life and times of Bram Stoker draws on unpublished archival material to explore the links between the reticent author's life, his vampire tale, and the political, occult and sexual concerns of the 1890s.
To borrow a phrase used by one of the characters in the novel, Dracula is “nineteenth century up-to-date with a vengeance.” In her introduction to this edition Glennis Byron first discusses the famous novel as an expression not of universal fears and desires, but of specifically late nineteenth-century concerns. And she discusses too the ways in which to the modern reader it is not Transylvania but London that is the location of the monstrosity in Dracula. The many appendices include contemporary reviews; source materials drawn on by Stoker; documents expressing contemporary views on trances, sleepwalking and hypnotism; and other relevant writing by Stoker, including “the censorship of Fiction,” in which he expresses his belief in the need to defend the social and moral purity of the nation.
This book charts the major events of Stoker's life, including friendships with many of the major figures of the age and as manager of Henry Irving's Lyceum, with his literary career. It offers critical evaluation of Dracula and of Stoker's lesser-known works, yielding much interest when reinserted into their original cultural contexts.
Presented here, for the first time since their publication over a century ago, are twelve previously unknown published works of fiction, poetry, and journalistic writing by Bram Stoker (1847-1912), three works never before reprinted, twelve period writings about Stoker, and the rare 1913 estate sale catalogue of his personal library.
String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.
This accessible book offers an introduction to a range of Bram Stoker's work - novels, short stories, biography, and criticism. It provides a discussion of recent scholarship on Stoker including the many attempts to write his life and find the 'real' Bram Stoker, and the lurid speculation this provokes.
"Bram Stoker's initial notes and outlines for his landmark horror novel Dracula were auctioned at Sotheby's in London in 1913 and eventually made their way to the Rosenbach Museum and Library, where they are housed today. This comprehensive work reproduces the handwritten notes both in facsimile and in annotated transcription. It also includes Stoker's typewritten research notes"--Provided by publisher.