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The Grass Library
A philosophical and poetic journey recounting the author’s relationship with his four sheep and other animals in his home in the Blue Mountains. Both memoir and eloquent testament to animal rights. 'One of the most beautifully written books about animals I have ever read. I know of nothing else like it published in this or any other country. Deep, sensitive, charming, instructive and above all, humble. I cannot imagine anyone reading it without coming away in some profound sense altered.' — Jeffrey Moussaieff Masson, author of When Elephants Weep '...a gorgeous book. Anyone who loves animals will be enchanted…but it’s a book that will challenge your thinking as well...highly recommended.' — ANZ LitLovers LitBlog
Time Flies
Time Flies is an idiosyncratic memoir with a distinctive voice and a sense of the absurd: a wistful, reflective, sometimes comic view of a childhood in a remote mining village in Southern Spain, the dislocating shock of a Scottish boarding school education, and a remarkable introduction to working life in London at Time Out then at Virgin, both at the peak of their maverick self-confidence. A tireless spokesman for the company, and an improbable mouthpiece for the Sex Pistols at the time of their greatest fame and vilification, he later went on to produce numerous notable films, several classics among them. 'A significant Australian filmmaker, Al Clark is also a superb writer and humorist, as this first volume of memoirs attests. A joyful experience.' — Phillip Adams 'An extraordinary life, observed with humour and fascinating tales of celebrities in the music and movie worlds.' — Bruce Beresford
Turin
'Our lives with non-human animals are characterised by a kind of unremitting contempt. Habits of life, traditions of thought, and failures of imagination have rendered us blind to their invitations to companionship within a shared world. And philosophy, alas, has offered little to assuage our moral incomprehension, our soul blindness, preferring to make what appeal it can through the languid language of ‘rights’ or the calculus of sentient suffering. Over the last few decades, it has fallen increasingly to novelists, like J.M. Coetzee, and poets, like David Brooks – artists whose language has slipped the leash, if you will, of ‘pure reason’ – to awaken us to the possibility of mo...
Love, Death, Chariot of Fire
Reg Mitchell is a modest, decent man with a gift for designing fast aeroplanes. Two horrors seek him out — terminal illness, and Nazi Germany’s predicted invasion of his country. His response will change the course of world history. 'Here is a splendid love story of maker for machine: an inventor’s single-minded devotion to his imperilled country, and to the fighter plane that he hopes will save it. Winton Higgins handles the origin story of the Spitfire with the surefootedness of the historian, and eloquence of the poet. His drama of creation is made all the more poignant by its backdrop of destruction: the collective destruction of war, and the personal destruction of the cancer that...
Mother Tongue
What does it mean when the identity out of which one builds a life turns out to be a lie? What is the impact on one's self and those one loves? Mother Tongue emerges from the fires of shocking loss, betrayal and grief-tested love. 'Mother Tongue is a profound and moving novel that asks complex questions with such crystal clarity they seem simple. Are we formed by our genes? Our history? Or do we make ourselves? How do we lose each other? More importantly: how do we find each other?' — Sophie Cunningham 'Mother Tongue is a tender and sensitive story about family secrets, loss and recovery from loss; a wise and lyrical meditation on the nature of love.' — Gail Jones
The Boy on a Tricycle
The Boy on the Tricycle - Marcel Weyland's extraordinary story, describes the three shapers of his life: a beautiful woman, their witch's castle home and a national epic poem; his life in three continents and his three professions - architecture, law and his multi-award winning English translations of Polish poetry. He describes how he survived World War Two as one of the refugees saved by the Japanese Diplomat, Chiune Sugihara. The memoir is also the tale of a long-lasting love affair which transcended differences of nationality and religion. The culture and history against which this story is played out are dominant themes of the memoir, including vignettes of prewar eastern Europe, pre-war Japan and wartime China, and the post-war innocence of Sydney. Generously illustrated.
The Budapest Job
The Budapest Job is a fast-paced thriller that builds to a dramatic revelation. A young Australian architect arrives in Budapest in 1989 on a project, the year Communism is collapsing. He becomes embroiled in a secret police operation amidst the political turmoil of the times as he tries to track down the person who murdered his father in 1953 during the Stalinist years. When he makes the shocking discovery of the perpetrator’s identity he must decide whether to take revenge or let let justice be delivered. “A thrilling and chilling book about how the past is never passed. Innocent eyes open at discovering betrayal and collaboration when a communist state collapses – a fine novel that is all too true to life.” Geoffrey Robertson QC (human rights barrister, academic, author and broadcaster) “Mysterious, thrilling and dramatic. The Budapest Job is an extraordinary book, a skilful and fast moving, sometimes frightening evocation of the agonies of Hungary under Stalinism and still today.” William Shawcross (writer, journalist, broadcaster, author of The Queen Mother, Allies, Queen and Country, Murdoch, The Shah's Last Ride, and many more)
The Glebe Point Road Blues
The Glebe Point Road Blues depicts the quirky microcosm of social outcasts and eccentric individuals with a metaphysical twist. The Glebe Point Road Blues is the imaginative recreation of the experience of living on Glebe Point Road, in Sydney for over thirty years in prose and verse. Through the encounters of the unidentified writer with actual individuals, the narrative evokes unsuspected episodes and quirky moments from the lives of countless ordinary or sometimes extraordinary people, as fleeting snapshots depicting moments of compassion, love, evil and despair as well as death.
The Islands
A moving and original debut novel. Observant, warm and extraordinary. 'There is an other-worldly quality about the Abrolhos which is beyond the reach of ordinary storytelling. Emily Brugman has captured them, staked them to the page in all their isolation and aridity and scoured indifference, because her storytelling is extraordinary.' Jock Serong, bestselling author of Preservation 'Strongly written, deeply felt, original.' Tegan Bennett Daylight 'Beautiful, fresh, wise and true - startlingly good.' - Robert Drewe, award-winning author of Whipbird In the mid-1950s, a small group of Finnish migrants set up camp on Little Rat, a tiny island in an archipelago off the coast of Western Australia...
The Dealer is the Devil
Adrian Newstead’s explosive memoir lifts the lid on what Robert Hughes once described as “the last great art movement of the 20th century.” After thirty years sitting round campfires with Aboriginal artists all over Australia, Newstead has produced the definitive expose of “the first great art movement of the 21st century”. From remote indigenous communities with their dispossessed populations of tribal elders and troubled youth, to the gleaming white box galleries, high powered auction houses, and formidable art institutions of major cities all over the world, Newstead combines personal anecdotes with an insider’s grasp of the inter national art market. With vivid portraits of artists, dealers and scamsters, the book races from pre-contact and colonial days to the heady celebrations of the Sydney Olympics and the devastating impact of the global financial crisis. Newstead’s humour, love and respect for his subjects produces a story that reads at times like a thriller and also a lament for a lost world. WBN reviewers gave five stars to The Dealer is the Devil, Adrian Newstead’s ‘personal and encyclopaedic’ examination of the Indigenous art industry
