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This title documents the burgeoning eco art movement from A to Z, presenting a panorama of artistic responses to environmental concerns, from Ant Farms anti-consumer antics in the 1970s to Marina Zurkows 2007 animation that anticipates the havoc wreaked upon the planet by global warming.
'Art Practice as Research' presents a compelling argument that the creative and cultural inquiry undertaken by artists is a form of research. The text explores themes, practice, and contexts of artistic inquiry and positions them within the discourse of research.
"New Art/Science Affinities" was written and designed in one week by four authors (Andrea Grover, Régine Debatty, Claire Evans, and Pablo Garcia) and two designers (Thumb), using a rapid collaborative authoring process known as a "book sprint." The topic of "New Art/Science Affinities" is contemporary artists working at the intersection of art, science, and technology, with explorations into maker culture, hacking, artist research, distributed creativity, and technological and speculative design. Chapters include: Program Art or Be Programmed, Subvert!, Citizen Science, Artists in White Coats and Latex Gloves, The Maker Moment, and The Overview Effect. 60 international artists and art collaboratives are featured, including Agnes Meyer-Brandis, Atelier Van Lieshout, Brandon Ballengée, Free Art and Technology (F.A.T.), Rafael Lozano-Hemmer, Openframeworks, C.E.B. Reas, Philip Ross, Tomás Saraceno, SymbioticA, Jer Thorp and Marius Watz. ISBN# 0977205347. Details: www.cmu.edu/millergallery/nasabook
Explores the implications of our animal origins and posthuman futures for our understanding of our humanity and our relations with other species.
For more than two centuries after the Dutch settled its meandering shores, Jamaica Bay was little more than a watery expanse broken by small islands and a handful of mills. Rapid growth after the Civil War transformed the bay into a microcosm of a developing nation, as meadows gave way to houses and factories, and giant steamers and locomotives appeared. Plans to create the world's largest deepwater port here were never realized, yet Jamaica Bay did emerge as a hub for aviation; the first successful transatlantic flight departed over the bayfollowed by millions of flights that have taken off from John F. Kennedy International Airport ever since. Through historic photographs, Jamaica Bay illustrates the bay's transformation into a shellfishing haven, a recreational playground with hotels and casinos, and now the focus of a longterm environmental rehabilitation.
Exploring censorship imposed by corporate wealth and power, this book focuses on the energy industry in Wyoming, where coal, oil, and gas are pillars of the economy. The author examines how governmental bodies and public institutions have suppressed the expression of ideas that conflict with the financial interests of those who profit from fossil fuels. He reveals the ways in which university administrations, art museums, education boards, and research institutes have been coerced into destroying artwork, abandoning studies, modifying curricula, and firing employees. His book is an eloquent story of the conflict between private wealth and free speech. Providing more of the nation's energy than any other state, Wyoming is a sociopolitical lens that magnifies the conflicts in the American West. But the issues are relevant to any community that is dependent on a dominant industry--and wherever the liberties of citizens and the ethics of public officials are at risk.
What is socially engaged art history? Art history is typically understood as a discipline in which academics produce scholarship for consumption by other academics. Today however, an increasing number of art historians are seeking to broaden their understanding of art historical praxis and look beyond the academy and towards socially engaged art history. This is the first book-length study to focus on these growing and significant trends. It presents various arguments for the social, pedagogical, and scholarly benefits of alternative, community-engaged, public-facing, applied, and socially engaged art history. The international line up of contributors includes academics, museum and gallery c...
Helen Mayer Harrison and Newton Harrison, known as ‘the Harrisons’, dedicated five decades to exploring and demonstrating a new approach to artistic practice, centred on “doing no work that does not attend to the wellbeing of the web of life.” Their collaborative practice pioneered a way of drawing together art and ecology. They closely observed, often with irony and humour, how human intervention disrupts the dynamics of life as a web of interrelationships. The authors of this book ‘think with’ the Harrisons, critically tracing their poetics as a reimaging and reconfiguring of the arts in response to the unfolding planetary crisis. They draw parallels between the artists’ poet...
This book offers innovative investigations of the concept of life in art and in theory. It features essays that explore biopoetics and look at how insights from the natural sciences shape research within the humanities. Since literature, works of art, and other cultural products decisively shape our ideas of what it means to be human, the contributors to this volume examine the question of what literature, literary and cultural criticism, and philosophy contribute to the distinctions (or non-distinctions) between human, animal, and vegetal existence. Coverage combines different methodological aspects and addresses a wide field of comparative literary studies. The essays consider the question...