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Two Faces of the Jaguar
Many secrets are hidden within the darkness of the jungle. Behold this one about a man, a woman, a black jaguar, and an ancient Mayan legend. When Andrea Granger was assigned to go to Honduras, ‘get inside and gather evidence’ against the DEA’s main suspect, she was determined to accomplish her mission with the same efficiency as in her previous assignments. But that was before she met her culprit, Brandon Shaw. He melted her heart and her resolve, and so did Naja, Brandon’s 300 pound black jaguar and closest companion. She quickly discovered there was much more to Brandon Shaw than met the eye, and just as quickly, she found her mission in jeopardy. Instead of arresting him, she became determined to rescue the flawed man of the jungle. But could she successfully extricate him from the web he had tangled himself in? As if that weren’t enough, she found that Brandon Shaw was somehow connected to a thousand year old Mayan legend which threatened to destroy everything. Unprepared, she found herself having to deal with an ancient spirit determined to kill her.
The Jaguar's Quest
Many secrets are hidden within the darkness of the jungle. Behold this one about a man, a woman, a black jaguar, and an ancient Mayan legend. When Andrea Granger was assigned to go to Honduras, ‘get inside and gather evidence’ against the DEA’s main suspect, she was determined to accomplish her mission with the same efficiency as in her previous assignments. But that was before she met her culprit, Brandon Shaw. He melted her heart and her resolve, and so did Naja, Brandon’s 300 pound black jaguar and closest companion. She quickly discovered there was much more to Brandon Shaw than met the eye, and just as quickly, she found her mission in jeopardy. Instead of arresting him, she became determined to rescue the flawed man of the jungle. But could she successfully extricate him from the web he had tangled himself in? As if that weren’t enough, she found that Brandon Shaw was somehow connected to a thousand year old Mayan legend which threatened to destroy everything. Unprepared, she found herself having to deal with an ancient spirit determined to kill her.
A Positive Word for Christian Lamenting
One of the most difficult tasks that may confront a pastor is the preaching of a funeral homily. What are the words that will provide comfort and encouragement to the family and friends of the deceased? What words will be faithful to the message of the gospel and the community of faith? William Powell Tuck, author of the practical guide to preaching, Overcoming Sermon Block and Holidays, Holy Days, and Special Days draws on his years of experience, training, and teaching to provide some examples of funeral homilies that can help young pastors to prepare for everything from joyful celebrations of a long life well lived to the memory of life tragically shortened. But this book is not just useful for pastors. Reading these homilies will provide you with insight into understand grief. Whether you are dealing with loss yourself, or looking for ways to help friends or family, you will find insights and encouragement in the homilies in this book.
Hitchcock's Rereleased Films
Features essays from some fifteen authors written about Hitchcock and five of his most significant films: Rear window, Vertigo, The man who knew too much, Rope, and The trouble with Harry.
Hitchcock's Villains
The films of Alfred Hitchcock are appreciated for a variety of reasons, including the many memorable villains who menace the protagonists. Unlike so many of cinema’s wrongdoers, the Hitchcock villain was often a complex individual with a nuanced personality and neuroses the common person might not be able to relate to, but could at least understand. If such figures did not always elicit sympathy from the audience, they still possessed characteristics that were oddly appealing. And frequently, viewers found them more likable than the heroes and heroines whom they victimized. In Hitchcock’s Villains: Murderers, Maniacs, and Mother Issues, authors Eric San Juan and Jim McDevitt explore a nu...
The Intertextual Knot
This book is a thorough analysis of Alfred Hitchcock's Rope (1948) and of its multiple connections with the Leopold and Loeb murder case and the adaptation of Patrick Hamilton’s eponymous play. As an all-encompassing portrait of the movie, the book discusses its aesthetics, style, role within cinema history, challenges in production, innovations introduced and of course Hitchcock’s signature features. However, as the analysis unfolds, the film reveals itself as an actual journey through the nightmares and the hopes that characterized the 20th century. Nazism and anti-Nazism, antisemitism, homophobia, democracy and totalitarianism, capital punishment and second chances, human rights, World War II, misogyny, tolerance and discrimination, Supermanism and humanism, artistic freedom and censorship. Subtly, often between the lines, and with Hitchcock's usual dark humor, Rope is nevertheless a much stronger social and political statement than it was ever given credit for. The Intertextual Knot is aimed at a varied readership, including film scholars, historians, philosophers and film enthusiasts.
The Lost City
How does someone deal with an enraged 2,000 year old Mayan spirit? Brandon and Andrea must find out, an odyssey that returns them to the deepest, darkest recesses of The Mosquitia Jungle with Naja, Brandon’s 300 pound black jaguar, at their side. Brandon Shaw & Andrea Granger must decide how to deal with a furious ancient Mayan spirit, a complicated problem to be sure. Their quest takes them into the high cloud forests of Guatemala where they meet a mysterious old Mayan named Kan Bah. Next, they find themselves returning to a place they never expected to see again, The Lost City of The Monkey God, located in the far eastern section of the Honduran Mosquitia Jungle. It is here that Brandon Shaw discovers what the ancient spirit is angry about, and also learns more about himself than he ever wanted to know. Most women would run. But that never occurs to Andrea Granger whose devout belief is that love is the strongest force on earth. In this tale of supernatural spirits and a possible 2,000 year old reincarnation, that belief is put to the test.
Dancing Shakespeare
Dancing Shakespeare is the first history of ballets based on William Shakespeare’s works from the birth of the dramatic story ballet in the eighteenth century to the present. It focuses on two main questions: "How can Shakespeare be danced?" and "How can dance shed new light on Shakespeare?" The book explores how librettists and choreographers have transposed Shakespeare’s complex storylines, multifaceted protagonists, rhetoric and humour into non-verbal means of expression, often going beyond the texts in order to comment on them or use them as raw material for their own creative purposes. One aim of the monograph is to demonstrate that the study of wordless performances allows us to ga...
Hitchcock at the Source
The adaptation of literary works to the screen has been the subject of increasing, and increasingly sophisticated, critical and scholarly attention in recent years, but most studies of the subject have continued to privilege literature over film by taking the literary sources as their starting point. Rather than examining the processes by which a particular author has been adapted into a diversity of films by different filmmakers, the contributors in Hitchcock at the Source consider the processes by which a varied range of literary sources have been transformed by one filmmaker into an impressive body of work. Throughout his career, Alfred Hitchcock transformed a variety of literary sourcesâ...
