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The City We Make Together
"In 2009, theater artist Aaron Landsman was dragged by a friend to a city council meeting in Portland, Oregon. At first he was bored, but when a citizen dumped trash in front of the council in order to show how the city needed cleaning up, he was rapt. He saw for the first time how our civic bodies often result in a performance of democracy as much as the real thing. He began attending local government meetings across the country, interviewing council members, staffers, activists and other citizens, using an ethnographic method. Out of this initial investigation, Landsman and director Mallory Catlett developed a participatory theater piece called City Council Meeting in five US cities. ... T...
Catalogue
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More or Less Dead
In Ciudad Juárez, Mexico, people disappear, their bodies dumped in deserted city lots or jettisoned in the unforgiving desert. All too many of them are women. More or Less Dead analyzes how such violence against women has been represented in news media, books, films, photography, and art. Alice Driver argues that the various cultural reports often express anxiety or criticism about how women traverse and inhabit the geography of Ciudad Juárez and further the idea of the public female body as hypersexualized. Rather than searching for justice, the various media—art, photography, and even graffiti—often reuse victimized bodies in sensationalist, attention-grabbing ways. In order to count...
Doing Museology Differently
One might believe that museum studies is a stable field of academic inquiry based on a set of familiar institutional forms and functions. But as institutions museums have never been stable or singular, and neither has the discipline of museum studies. Museum studies as a field of academic inquiry has received little critical attention. One result of this neglect has arguably been a lack of invention in museum studies; another is the distancing of academic museum studies from museum practice. Doing Museology Differently charts a different course. A critical‐creative reflection on academic practice, the book takes the form of a narrative account of museological fieldwork. A research story un...
On the Banks of Bayou City
Edited by Rachel L. Hooper, Nancy L. Zastudil.
Bruin Life
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The Resistance
Even before the 2016 presidential election took place, groups and individuals angry at Donald Trump, and frightened about what a Trump presidency could mean, were taking to the streets. After the election, and particularly after he inaugural, the protests continued. Over time, the Resistance was joined by a broad variety of groups and embraced an increasing diversity of tactics. In The Resistance, David S. Meyer and Sidney Tarrow have gathered together a cast of eminent scholars to tackle the emergence of a volatile and diverse movement directed against the Trump presidency. Collectively, the contributors examine the origins and concerns of different factions of this movement, and evaluate their prospects for surviving and exercising political influence. Through a range of analytical and methodological approaches, The Resistance offers both an overview of the broad scope of the emerging movement and sharp analyses of the campaign as it works through the numerous crises that the Trump era has introduced.
Mark Dion
A comprehensive survey of American artist Mark Dion, examining three decades of his critically engaged practice interrogating our relationship with nature The first book in two decades to consider the entire oeuvre of Mark Dion (b. 1961), this volume examines thirty years of the American artist's pioneering inquiries into how we collect, interpret, and display nature. Part of a generation of artists expanding institutional critique in the 1990s, Dion adopted the methods of the archaeologist or the natural history museum, juxtaposing natural objects, taxidermy, books, and more to reorganize the natural and the manmade in poetic, witty ways. These sculptures, installations, and interventions o...
