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He began attending local government meetings across the country, interviewing council members, staffers, activists and other citizens, using an ethnographic method. Out of this initial investigation, Landsman and director Mallory Catlett developed a participatory theater piece called City Council Meeting in five US cities-from New York City to Houston, Keene New Hampshire to San Francisco. They worked with local partners to create endings in each city about issues on the ground and trained local staffers to take audiences through the experience. Along the way they got some things right, made mistakes and learned ways to approach community engagement across geographic, racial and class lines. Five years later Catlett and Landsman returned to local partners in each city to reflect together on what the impact of the project was, how it could have been better, and what they got right. .
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In Ciudad Juárez, Mexico, people disappear, their bodies dumped in deserted city lots or jettisoned in the unforgiving desert. All too many of them are women. More or Less Dead analyzes how such violence against women has been represented in news media, books, films, photography, and art. Alice Driver argues that the various cultural reports often express anxiety or criticism about how women traverse and inhabit the geography of Ciudad Juárez and further the idea of the public female body as hypersexualized. Rather than searching for justice, the various media—art, photography, and even graffiti—often reuse victimized bodies in sensationalist, attention-grabbing ways. In order to count...
One might believe that museum studies is a stable field of academic inquiry based on a set of familiar institutional forms and functions. But as institutions museums have never been stable or singular, and neither has the discipline of museum studies. Museum studies as a field of academic inquiry has received little critical attention. One result of this neglect has arguably been a lack of invention in museum studies; another is the distancing of academic museum studies from museum practice. Doing Museology Differently charts a different course. A critical‐creative reflection on academic practice, the book takes the form of a narrative account of museological fieldwork. A research story un...
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Live. Laugh. Move on. Madeline Moving to the small town beachside of Hope Bay couldn’t have come at a better time after my separation. What I didn’t count on living next door to my sister was dog-sitting her naughty beagle and the catastrophe he causes. Nor did I count on a handsome man coming to my rescue and the instant attraction between us. But then he introduced himself as my new contractor to help renovate my newly acquired house. I can’t date my employee no matter how much my feelings for Nate grow. Nate Working construction wasn’t where I’d originally planned to be, but here I was about to start a new job in Hope Bay when the owner literally fell into my arms. It’d been a long time since I’d felt an instant attraction to a woman, and now I had to work for her. She has a no-dating-an-employee policy, but I find ways to spend more time with Madeline without crossing her boundaries. The problem is, I’ve fallen in love with her. And if she discovers who I really am, then I might lose her before I’ve even had her.
Edited by Rachel L. Hooper, Nancy L. Zastudil.
A comprehensive survey of American artist Mark Dion, examining three decades of his critically engaged practice interrogating our relationship with nature The first book in two decades to consider the entire oeuvre of Mark Dion (b. 1961), this volume examines thirty years of the American artist's pioneering inquiries into how we collect, interpret, and display nature. Part of a generation of artists expanding institutional critique in the 1990s, Dion adopted the methods of the archaeologist or the natural history museum, juxtaposing natural objects, taxidermy, books, and more to reorganize the natural and the manmade in poetic, witty ways. These sculptures, installations, and interventions o...
Even before the 2016 presidential election took place, groups and individuals angry at Donald Trump, and frightened about what a Trump presidency could mean, were taking to the streets. After the election, and particularly after he inaugural, the protests continued. Over time, the Resistance was joined by a broad variety of groups and embraced an increasing diversity of tactics. In The Resistance, David S. Meyer and Sidney Tarrow have gathered together a cast of eminent scholars to tackle the emergence of a volatile and diverse movement directed against the Trump presidency. Collectively, the contributors examine the origins and concerns of different factions of this movement, and evaluate their prospects for surviving and exercising political influence. Through a range of analytical and methodological approaches, The Resistance offers both an overview of the broad scope of the emerging movement and sharp analyses of the campaign as it works through the numerous crises that the Trump era has introduced.
AFL Football is the most competitive sport in Australia and the Collingwood Football Club is the most famous sporting club in that competition.Peter Ryan has spent the 2009 season within the inner sanctum of the Collingwood and has witnessed firsthand the reality behind the headlines. This book describes that reality: the pressure, the emotion and the personalities that make AFL football our addictive winter passion. It is a wild ride as Collingwood chases its first premiership since 1990, a test of character, brains and strength. It is both a human story and a sporting story of the inner workings of Australia's most famous sporting club.We haven't a title or a final cover image confirmed because we're waiting for the final chapter. In this year-long story, can Collingwood win the 2009 AFL premiership