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Because of its virtual absence in the long tradition of biblical study, the Gospel of Mark offers an extraordinary case history of how changing cultural circumstances influence biblical reception. Brenda Deen Schildgen examines what characteristics of Mark led to its being included in the canon of Scriptures and then explores the history of its reception. While focusing primarily on this single gospel, Schildgen examines numerous other works in the periods under consideration in order to provide a context for her discussion. Ultimately, observes Schildgen, we can see that when Mark receives attention, the form that its reception takes is an indicator of new historical forces at work. Multidisciplinary in approach, her work will be of interest not only to biblical scholars but to all those interested in hermeneutics, literary and critical theory, and the relationship between historical and literary studies.
Looks at the influence of Orosius and Augustine, as well as of the Bible and Virgil, on Dante's view of the notion of providential history.
"In Dante and the Orient, Schildgen argues that Dante's treatment of the East enabled him to use the rhetoric employed in crusade narratives and other travel literature to oppose the military and polemic goals of the Crusades and to plead for the reformation of both church and state."--BOOK JACKET.
Other Renaissances is a collection of twelve essays discussing renaissances outside the Italian and Italian prompted European Renaissance of the fifteenth and sixteenth centuries. The collection proposes an approach to reframing the Renaissance in which the European Renaissance becomes an imaginative idea, rather than a particular moment in time
"Schildgen reads the Canterbury Tales as a work of complex speculation about identity, values, and social arrangements. Her book focuses on the margins where these concerns emerge with special clarity and urgency--in the tales conspicuously located outside a Christianized Western Europe."--Robert R. Edwards, Pennsylvania State University Brenda Deen Schildgen takes a new path in Chaucer studies by examining the Canterbury Tales set outside a Christian-dominated world--tales that pit Christian teleological ethics and history against the imagined beliefs and practices of Moslems, Jews, pagans, and Chaucer's contemporaries, the Tartars. Schildgen contends that these tales--for example, the Knig...
This sixth volume of the Romans through History and Culture series consists of 14 contributions by North-American and European medievalists and Pauline scholars who discuss significant readings of Romans through the twelfth and thirteenth centuries to the eve of the Reformation. The commentaries of Abelard, William of St. Thierry, Thomas Aquinas, and Nicolas of Lyra, and the wider influence of Romans as reflected in the letters of Heloise and the works of Dante demonstrate the reception of Romans at this period. Starting with an introduction inviting the reader to into the biblical environment of the Middle Ages and suggesting the varied ways in which Paul was understood in both high clerical culture and among the people; it also offers a summary of the work done by each of the authors. This volume attests the dominant role of scripture in communal life and witnesses to the pervasive influence of Paul's letter to the Romans in the flourishing discussions on Scripture and theology.
This important collection reveals that Augustine's political thought drew on and diverged from the classical tradition, contributing to the study of questions at the center of all Western political thought.
Dante put Muhammad in one of the lowest circles of Hell. At the same time, the medieval Christian poet placed several Islamic philosophers much more honorably in Limbo. Furthermore, it has long been suggested that for much of the basic framework of the Divine Comedy Dante was indebted to apocryphal traditions about a “night journey” taken by Muhammad. Dante scholars have increasingly returned to the question of Islam to explore the often surprising encounters among religious traditions that the Middle Ages afforded. This collection of essays works through what was known of the Qur’an and of Islamic philosophy and science in Dante’s day and explores the bases for Dante’s images of Muhammad and Ali. It further compels us to look at key instances of engagement among Muslims, Jews, and Christians.
This study explores how Dante represents violence in the Comedy and reveals the connection between contemporary private and public violence and civic and canon law violations. Although a number of articles have addressed particular aspects of violence in discreet parts of Dante's oeuvre, a systematic treatment of violence in the Commedia is lacking. This ambitious overview of violence in Dante's literary works and his world examines cases of violence in the domestic, communal, and cosmic spheres while taking into account medieval legal approaches to rights and human freedom that resonate with the economy of justice developed in the Commedia. Exploring medieval concerns with violence both in ...