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Brewing Identities
Brewing Identities is unique in that, while it focuses on the (re)production of a specific kind of ethno-national identity - Irishness - it is simultaneously transnational in scope, as the author maps the trails of products, people and symbolic constructs through a globalised world.
On the Square
Dropped from her television show after a very public split with her cheating ex, celebrity chef Mai Li wants nothing more than to reopen her parents' shuttered restaurant and make a fresh start in her former hometown. So what if twenty years of neglect has left the building in need of a major renovation? Seduced by Mai's charm and determination, hard-edged contractor Dale Miller agrees to take on her renovation project. After a spring storm causes significant damage to the building and renovation costs exceed Mai's budget, Dale offers her a deal, but is it a price Mai is willing to pay?
Writing Resistance in Northern Ireland
Writing Resistance in Northern Ireland is an examination of feminist republicanism(s) in the north of Ireland between 1975 and 1986. Republican prison protest was rife during this period, and fractures opened up between the feminist and republican movements. Despite their shared objective of self-determination, the two movements did not achieve a natural or total congruence. While it has been argued that there is a disjuncture between feminism and nationalism, this book argues for a new perspective on feminist republicanism(s) in the north and tells the story of a niche collective of republican feminists who came to the fore during the Troubles and sought bodily, political and economic auton...
The Cambridge Companion to David Mamet
This collection of specially written essays offers both student and theatregoer a guide to one of the most celebrated American dramatists working today. Readers will find the general and accessible descriptions and analyses provide the perfect introduction to Mamet's work. The volume covers the full range of Mamet's writing, including now classic plays such as American Buffalo and Glengarry Glen Ross, and his more recent work, Boston Marriage, among others, as well as his films, such as The Verdict and Wag the Dog. Additional chapters also explore Mamet and acting, Mamet as director, his fiction, and a survey of Mamet criticism. The Companion to David Mamet is an introduction which will prepare the reader for future work by this important and influential writer.
Congressional Theatre
Discusses plays, films, and teleplays responding to the House Committee on Un-American Activities hearings.
Tennessee Williams and Elia Kazan
This is a book-length study of the intense creative relationship between Tennessee Williams and Elia Kazan.
Miller: Death of a Salesman
The first critical history of one of American theatre's most famous plays, Death of a Salesman.
Bookends
The life of university librarian, Amari Foster, is neatly cataloged. Work, home, and securing a future for her daughter are her focus. Hard-edged and handsome, she manages her private life with ruthless precision, cutting ties, and maintaining distance to protect her battered heart. Plumber Thalia Makris has given up her dream of long-term love after a series of bad relationships. Desperate to have her own business, Thalia fills her days working overtime and her nights with fantasy novels. After a chance encounter leaves both women wanting more than a one-night stand, they find themselves on the precipice of love. Will they take the plunge?
The Cambridge Companion to American Women Playwrights
This volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930.
