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Writing Resistance in Northern Ireland
Writing Resistance in Northern Ireland is an examination of feminist republicanism(s) in the north of Ireland between 1975 and 1986. Republican prison protest was rife during this period, and fractures opened up between the feminist and republican movements. Despite their shared objective of self-determination, the two movements did not achieve a natural or total congruence. While it has been argued that there is a disjuncture between feminism and nationalism, this book argues for a new perspective on feminist republicanism(s) in the north and tells the story of a niche collective of republican feminists who came to the fore during the Troubles and sought bodily, political and economic auton...
On the Square
Dropped from her television show after a very public split with her cheating ex, celebrity chef Mai Li wants nothing more than to reopen her parents' shuttered restaurant and make a fresh start in her former hometown. So what if twenty years of neglect has left the building in need of a major renovation? Seduced by Mai's charm and determination, hard-edged contractor Dale Miller agrees to take on her renovation project. After a spring storm causes significant damage to the building and renovation costs exceed Mai's budget, Dale offers her a deal, but is it a price Mai is willing to pay?
The Cambridge Companion to David Mamet
This collection of specially written essays offers both student and theatregoer a guide to one of the most celebrated American dramatists working today. Readers will find the general and accessible descriptions and analyses provide the perfect introduction to Mamet's work. The volume covers the full range of Mamet's writing, including now classic plays such as American Buffalo and Glengarry Glen Ross, and his more recent work, Boston Marriage, among others, as well as his films, such as The Verdict and Wag the Dog. Additional chapters also explore Mamet and acting, Mamet as director, his fiction, and a survey of Mamet criticism. The Companion to David Mamet is an introduction which will prepare the reader for future work by this important and influential writer.
Miller: Death of a Salesman
The first critical history of one of American theatre's most famous plays, Death of a Salesman.
Tennessee Williams and Elia Kazan
This is a book-length study of the intense creative relationship between Tennessee Williams and Elia Kazan.
American Realism and American Drama, 1880-1940
The importance of Native American realism is traced through a study of the evolution of dramatic theory from the early 1890s through World War I and the uniquely American innovations in realistic drama between world wars.
Congressional Theatre
Discusses plays, films, and teleplays responding to the House Committee on Un-American Activities hearings.
Children of the Troubles
In this remarkable second book in the Children of Conflict series, Laurel Holliday presents a powerful collection of young people's memories of growing up in the midst of the violence in Northern Ireland known as "The Troubles." "All my life I have been afraid. When it would get dark I would lie in bed and be frightened to move in case men would be outside who were going to smash the doors in with a sledge hammer and then shoot whoever is in the house as they have done before." -- Bridie Murphy, age twelve More than sixty Catholic and Protestant children, teenagers, and adults chronicle their coming-of-age experiences in the war zone, from bomb-devastated Belfast to the terrorist-ridden countryside. "It was like my head exploded. It's an experience you can't really understand -- getting shot in the head -- unless it's happened to you. -- Stephen Robinson, wounded while walking home from secondary school For the first time in thirty years there is some hope for an end to the murders and bombings that have wounded more than 40,000. But the ravages of war remain indelibly etched on the minds and souls of the generation known as children of "The Troubles."
The Cambridge Companion to American Women Playwrights
This volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930.
