You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The proliferation of Virginia Woolfs in both high and popular culture, she argues, has transformed the writer into a "star" whose image and authority are persistently claimed or challenged in debates about art, politics, gender, the canon, class, feminism, and fashion."--BOOK JACKET.
Rape does not have to happen. The fact that it does--and in the United States a rape is reported every six minutes--indicates that we live in a rape-prone culture where rape or the threat of rape functions as a tool for enforcing sexual difference and hierarchy. Rape and Representation explores how cultural forms construct and reenforce social attitudes and behaviors that perpetuate sexual violence. The essays proceed from the observation that literature not only reflects but also contributes to what a society believes about itself. Fourteen essays by authors in the fields of English, American and African-American, German, African, Brazilian, Classical, and French literatures and film presen...
This book includes essays on writers from the 1840s to the 1890s, well known writers such as Anne Bronte, Wilkie Collins and Bram Stoker, lesser known writers such as Geraldine Jewsbury, Charles Reade, Margaret Oliphant, George Moore, Sarah Grand and Mary Ward. The contributors explore important thematic concerns: the relation between private and public realms; gender and social class; sexuality and the marketplace; and male and female cultural identity.
This volume combines two books by Virginia Woolf which are among the greatest contributions to feminist literature this century. They consider the implications of the historical exclusion of women from education and from economic independence.
These essays challenge the positivist, patriarchal assumptions of earlier approaches to textual criticism.
A celebration of the centenary of the founding of Leonard and Virginia Woolf’s Hogarth Press.
"For decades, Virginia Woolf's work has been seen as part of the "women's writing" canon. Elizabeth Abel extracts Woolf from this women's tradition to position her in a different light, one that shows Woolf's role in a far-reaching modernist genealogy. Abel traces the strong echoes of Woolf in the work of four major writers from diverse cultural contexts: Nella Larsen, James Baldwin, Roland Barthes, and W. G. Sebald. As Abel shows, what Woolf called the "odd affinities" between herself and these successors give us an altogether different picture of the development of transnational modernism, with Woolf as a shadowy but important connection among disparate writers. By charting new pathways of twentieth-century literary transmission, Odd Affinities will appeal to students and scholars working in New Modernist studies, comparative literature, and African American studies"--
Thirteen original essays on Gertrude Stein, H. D., Marianne Moore, Edna St. Vincent Millay, Laura (Riding) Jackson, Elizabeth Bishop, Muriel Rukeyser, and Gwendolyn Brooks demonstrate how these women expand the social, textual, and political boundaries of modernism. The collection places these poets in the context of their times, examining the conditions that helped shape their vivid and diverse poetic careers and reconsidering some of the assumptions that have led to their exclusion from the main narratives of modernist poetry. Ultimately, the aim is to enlarge the literary history of the movement—for gendered, modernism extends backward to the first years of the century, and forward to the beginnings of postmodernism in the 1960s.
Textual Studies and the Common Reader collects eleven original essays by editors of literary texts and theorists concerned about the implications of what such editors do. The volume's organizing theme is textual studies, the domain of which, in one contributor’s words, is the "genesis, transmission, and editing of texts." The contributors seek to extend the discussion about textual studies beyond any narrow professional scope; thus, none of the essays assumes any training in textual studies. Also, the focus of the book is on the literary genre most familiar to most readers: the novel. Authors discussed include Willa Cather, Joseph Conrad, Theodore Dreiser, William Faulkner, D. H. Lawrence, William Makepeace Thackeray, and Mary Wollstonecraft Shelley. Many people read literary works, but few do so with a steady sense of their constructedness as texts--of the ways in which "genesis, transmission, and editing" have shaped them as conveyors of meaning. This book shows that the experience of reading is more rewarding for such awareness.
This book traces a literary and cultural history of interviews from the 1860s to today; it reveals the ways in which writers have been interview subjects, interviewers and have used interviews creatively in their fiction and non-fiction.