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Savage Rage
"Transferred to 53 Division--a sleepy, neighbourhood of Toronto--Officer Jack Warren yearns to return to 51, the gritty downtown core where catching murderers and drug dealers is an average day's work. Someone named Randall Kayne has been committing violent, bloody crimes yet he has managed to stay a step ahead of the cops. Jack gets dragged back into the Kayne case, ultimately forcing a confrontation that only one of them can win."--Page [4] of jacket.
Sexuality and Gender at Home
Sexuality and Gender at Home is the first book to explore the meanings and experiences of home through the framework of sexuality. Looking at a broad spectrum of sexuality, gender and domesticity, it examines the many ways in which home is constructed, performed and experienced in relation to sexuality and gender. Considering identity issues such as age, class, ethnicity and gender, the authors problematize intimacy and question conventional ways of thinking about allegedly ‘private’ home space. Comprehensive introductions to each of the book’s three sections – on Intimacy and Home, Queering Home, Beyond Home – provide a coherent overview of the existing literature as well as addit...
The Rage Mystery Series
In these two crime novels, a veteran Toronto cop puts his firsthand experience on the page—“characters ring true, and the gritty side of Toronto shows” (Library Journal). Lethal Rage New to Toronto’s infamous 51 Division, officer Jack Warren finds himself thrown into a brutal war against a crack-cocaine dealer determined to dominate the city’s drug trade. Working with the division’s elite major-crime unit, Jack soon learns the unspoken difference between law and justice—and how cops manage to survive in the 51. Savage Rage Transferred to 53 Division—known as the “Sleepy Hollow of Toronto”—after the murder of his partner, Jack is desperate to return to 51 Division, where his former colleagues are battling a criminal mastermind. Randall Kayne’s bloody crimes are hitting close to home in 51 Division, yet he manages to stay just one step ahead of the police. Although Jack’s wife wants him to leave the force entirely, an old enemy soon drags him into the Kayne case—and a deadly confrontation that will either change his life or end it.
Art and Masculinity in Post-war Britain
List of Figures -- Acknowledgements -- Series preface -- Introduction: 'Shaken by the Spirit of Reconstruction' -- 1. John Bratby: Masculinity and Violence in the Post-War Home -- 2. Francis Bacon: Queer Intimacy and Queer Spaces of Home -- 3. Keith Vaughan: Bodies and Memories of Home -- 4. Francis Newton Souza: Masculinity, Migration, and Home -- 5. Victor Pasmore: Abstraction and the Post-War Landscape of Home -- Conclusion: Gilbert & George and the Persistence of Reconstruction Notes Bibliography -- Index.
Sexuality and Gender at Home
Sexuality and Gender at Home is the first book to explore the meanings and experiences of home through the framework of sexuality. Looking at a broad spectrum of sexuality, gender and domesticity, it examines the many ways in which home is constructed, performed and experienced in relation to sexuality and gender. Considering identity issues such as age, class, ethnicity and gender, the authors problematize intimacy and question conventional ways of thinking about allegedly ‘private’ home space. Comprehensive introductions to each of the book’s three sections – on Intimacy and Home, Queering Home, Beyond Home – provide a coherent overview of the existing literature as well as addit...
Home and International Law
This book is about home and international law. More specifically, it is about the profound, and frequently devastating, transformations of home that are happening almost everywhere in the world today and what international law has to do with them. Through three stories of home – the desert home, the lake home and the city home – this book traces how the everyday operations of international law shape the material, affective and imaginative experience of home. It argues that international law’s ‘homemaking work’ is characterised by acts of domination, practices of resistance and the production of unhomely spaces. However, the book also considers whether and how the liberatory potenti...
Digital Poetics
Digital Poetics celebrates the architectural design exuberance made possible by new digital modelling techniques and fabrication technologies. By presenting an unconventional and original ’humanistic’ theory of CAD (computer-aided design), the author suggests that beyond the generation of innovative engineering forms, digital design has the potential to affect the wider complex cultural landscape of today in profound ways. The book is organised around a synthetic and hybrid research methodology: a contemporary, propositional and theoretical discursive investigation and a design-led empirical research. Both methods inform a critical construct that deals with the nature, forms, and laws of...
Queering the Interior
Queering the Interior problematizes the familiar space of ‘home’. It deploys a queer lens to view domestic interiors and conventions and uncovers some of the complexities of homemaking for queer people.Each of the book’s six sections focuses on a different room or space inside the home. The journey starts with entryways, and continues through kitchens, living spaces, bedrooms, bathrooms, and finally, closets and studies. In each case up to three specialists bring their disciplinary expertise and queer perspectives to bear. The result is a fascinating collection of essays by scholars from literary studies, geography, sociology, anthropology, history and art history. The contributors use historical and sociological case studies; spatial, art and literary analyses; interviews; and experimental visual approaches to deliver fresh, detailed and grounded perspectives on the home and its queer dimensions. A highly creative approach to the analysis of domestic spaces, Queering the Interior makes an important contribution to the fields of gender studies, social and cultural history, cultural studies, design, architecture, anthropology, sociology, and cultural geography.
The Domestic Interior and the Self in Contemporary Photography
By carefully conceptualising the domestic in relation to the self and the photographic, this book offers a unique contribution to both photography theory and criticism, and life-narrative studies. Jane Simon brings together two critical practices into a new conversation, arguing that artists who harness domestic photography can advance a more expansive understanding of the autobiographical. Exploring the idea that self-representation need not equate to self-portraiture or involve the human form, artists from around the globe are examined, including Rinko Kawauchi, Catherine Opie, Dayanita Singh, Moyra Davey, and Elina Brotherus, who maintain a personal gaze at domestic detail. By treating the representation of interiors, domestic objects, and the very practice of photographic seeing and framing as autobiographical gestures, this book reframes the relationship between interiors and exteriors, public and private, and insists on the importance of domestic interiors to understandings of the self and photography. The book will be of interest to scholars working in photographic history and theory, art history, and visual studies.
Architecture and Affect
Architecture and Affect is motivated by two questions: Why does dismissed affective evidence trouble us? What would it mean for architecture to assemble such discrepant evidence into its discourse? Arguing that the persistent refrains of lived affect dwell in architecture, this book traces such refrains to a concept of architecture wedged in the middle ground—jammed amidst life, things and events. Rather than being aloof from its surrounds, architecture-in-the-midst challenges an autonomous epistemology. Beyond accounting for the vivid but excluded, this book develops a frame and a disposition for thinking critically about, speculatively through, and being grounded by, encounter. Examining affect through a constellation of spaces in contemporary Singapore, it details architecture’s uneasy but inextricable relationship with key subjects relegated to the incommensurate, the peripheral, the scenic and the decorative. The outcome is a politicized architectural discourse simultaneously grounded and speculative; bridging depth and intuition, thinking and feeling.
