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Il Gattopardo, first published in 1958, had a rapid and amazing rise to fame and popularity both within and outside Italy and its controversial interpretation of the Risorgimento has proved to be of enduring interest and relevance. It is studied widely in the UK both at GCE Advanced Level and at University. The language of the novel is extraordinarily rich and complex: on the one hand, the source of the book's perennial fascination, but on the other, a potentially frustrating barrier for the student. This Guide provides students and general readers with essential background historical information, explanations of the many literary and historical allusions in the text and an extensive glossary.
Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey's Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.
This edition of The Lost Girl offers a text corresponding to Lawrence's expectations.
"Seen by Lawrence as his most accomplished book, but subject to the initial prudery and incomprehension that met most of his fiction, Women in Love examines the regenerative and destructive aspects of human passion, as illustrated by its depiction of Ursula and Gudrun Brangwen - who first appeared in The Rainbow - and their relationships with Gerald Crich and Rupert Birkin. Set against the backdrop of a world consuming itself in war, the novel creates an instructive vision of humanity's dance with life and death." "This text is the famous "first" Women in Love, the unexpurgated version preferred by Lawrence himself, which was rejected by every publisher because of the banning of The Rainbow in 1915. More positive in tone than the revised version published in his lifetime, with different central relationships and a radically different ending, it is now viewed by many as Lawrence's masterpiece."--BOOK JACKET.
This is a study of the role of female chacters and feminine imagery in Leopardi. It aims to place his views on women in context, examines thematic concerns, formal practices and ideological positioning of the time, and focuses on the impact of contemporary women writers such as Madame de Stael and Madame de Lambert on Leopardi's philosophical writings and literary theory. It brings together biographical, philosophical and literary aspects of Leopardi's works in relation to the notion, influence and depiction of women and feminine images.
Based on original research using official documents, this illuminating account of the role of the police in the rise to power of Mussolini reveals the internal workings of the Italian Liberal policing system, the tensions between its different branches, and problems related to the shifting demands of its wheeler-dealer political masters. Explanations of the support that the Italian police gave to the fascist movement are to be found not only in the profound social, economic, and political transformations characterizing the years immediately following the First World War, but also in Italy's post-unification administrative system. Police support for the Fascists was often morally, if not phys...
Each story in Love Among the Haystacks appears in a new, authoritative text.
If you accept evolutionary theory, can you also believe in God? Are human beings superior to other animals, or is this just a human prejudice? Does Darwin have implications for heated issues like euthanasia and animal rights? Does evolution tell us the purpose of life, or does it imply that life has no ultimate purpose? Does evolution tell us what is morally right and wrong, or does it imply that ultimately 'nothing' is right or wrong? In this fascinating and intriguing book, Steve Stewart-Williams addresses these and other fundamental philosophical questions raised by evolutionary theory and the exciting new field of evolutionary psychology. Drawing on biology, psychology and philosophy, he argues that Darwinian science supports a view of a godless universe devoid of ultimate purpose or moral structure, but that we can still live a good life and a happy life within the confines of this view.
This second volume of Italian Short Stories, with its parallel translations aims - as the first volume did - to exemplify the richness and variety of Italian writing of the twentieth century. In this volume, however, some of the language used is a little more advanced and the translations slightly less literal. Moravia and Calvino, both well known to British and American readers, appear again along with Italo Svevo, Comisso, Vittorini, Rigoni - Stern, Fenoglio and Pasolini so that the literature of both Rome and the provinces is fully represented. There are also discussions of the less familiar words and dialect expressions in the Italian text.