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Brian Castner served three tours of duty in the Middle East, two of them as the commander of an Explosive Ordnance Disposal unit in Iraq. He and his team âe" his brothers âe" disarmed bombs. Sometimes they used robots and remote controls. Sometimes they set off controlled explosions. Sometimes one of the team would have to put on the eighty-pound Kevlar suit, take the Long Walk, and disarm the device by hand. Often they were simply too late; arriving just in time to pick up the pieces. In a hailstorm of bullets, bomb fragments, body parts and the endless wailing of innocent civilians, the days rolled into nights, yesterday turned into tomorrow, and today never even happened. But after the tour, the celebrations and the long plane ride home, the real war was just beginning. The war against the fear, the confusion, the guilt and the memory loss. The war against the Crazy. This exhilarating, heartbreaking, searingly honest memoir exposes two harrowing and simultaneous realities: the terror, excitement and camaraderie of combat, and the lonely battle against the enemy within.
A gripping and wholly original account of the epic human tragedy that was the great Klondike Gold Rush of 1897-98. One hundred thousand men and women rushed heedlessly north to make their fortunes; very few did, but many thousands of them (and their pack animals) died in the attempt. The electrifying announcement in 1897 that gold was to be found in wildly enriching quantities in the Klondike River region in remote Alaska was demonically well-timed to attract an exodus of economically desperate Americans. Within weeks, tens of thousands of them were embarking from western ports to throw themselves at some of the harshest terrain on the planet--in winter, yet--woefully unprepared, with no experience at all in mining or mountaineering. It was a mass delusion that quickly proved deadly. Brian Castner tells the unvarnished yet always striking and often amazing truth of this greed-fuelled migration.
“Masterful.” Disappointment River is a historical narrative and travel memoir that at once transports readers back to the heroic age of North American exploration and places them in a still rugged but increasingly fragile Arctic wilderness in the process of profound change. Fourteen years before Lewis and Clark, Mackenzie set off to cross the continent of North America with a team of voyageurs and Chipewyan guides in an attempt to find a trade route to the riches of the East. What he found was a river that he named “Disappointment.” Mackenzie died thinking he had failed. He was wrong. In this book, Brian Castner not only retells the story of Mackenzie's epic voyages in vivid prose, he personally retraces his travels, battling exhaustion, exposure, mosquitoes, white-water rapids and the threat of bears. He transports readers to a world rarely glimpsed in the media, of tar sands, thawing permafrost, remote indigenous villages and, at the end, a wide-open Arctic Ocean that could become a far-northern Mississippi of barges and pipelines and oil money. What he reveals is a world that Alexander Mackenzie dreamed of but could never have fully imagined.
In 1789, Alexander Mackenzie traveled 1200 miles on the immense river in Canada that now bears his name, in search of the fabled Northwest Passage that had eluded mariners for hundreds of years. In 2016, the acclaimed memoirist Brian Castner retraced Mackenzie's route by canoe in a grueling journey -- and discovered the Passage he could not find. Disappointment River is a dual historical narrative and travel memoir that at once transports readers back to the heroic age of North American exploration and places them in a still rugged but increasingly fragile Arctic wilderness in the process of profound alteration by the dual forces of globalization and climate change. Fourteen years before Lew...
The search for a friend’s killer is a riveting lesson in the way war has changed. The EOD—explosive ordnance disposal—community is tight-knit, and when one of their own is hurt, an alarm goes out. When Brian Castner, an Iraq War vet, learns that his friend and EOD brother Matt has been killed by an IED in Afghanistan, he goes to console Matt's widow, but he also begins a personal investigation. Is the bomb maker who killed Matt the same man American forces have been hunting since Iraq, known as the Engineer? In this nonfiction thriller Castner takes us inside the manhunt for this elusive figure, meeting maimed survivors, interviewing the forensics teams who gather post-blast evidence, ...
The search for a friend’s killer is a riveting lesson in the ways war has changed The EOD—explosive ordnance disposal—community is tight-knit, and when one of their own is hurt, an alarm goes out. When Brian Castner, an Iraq War vet, learns that his friend and EOD brother Matt has been killed by an IED in Afghanistan, he goes to console Matt's widow, but he also begins a personal investigation. Is the bomb maker who killed Matt the same man American forces have been hunting since Iraq, known as the Engineer? In this nonfiction thriller Castner takes us inside the manhunt for this elusive figure, meeting maimed survivors, interviewing the forensics teams who gather post-blast evidence, ...
Jellyfish have been swimming in our oceans for over half a billion years, longer than any other animal that lives on the planet. Their sting is the fastest known motion in the animal kingdom, their venom so toxic it can kill a human in three minutes. Made of roughly 95 percent water, some jellies are barely perceptible virtuosos of disguise, while others’ luminescent glow has revolutionized biotechnology. Yet until recently, jellyfish were largely ignored by science, and they remain among the most poorly understood of ocean dwellers. Over a decade ago, ocean scientist Juli Berwald left her career to raise a family in landlocked Austin, Texas, but jellyfish drew her back to the sea. Driven ...
A blistering debut that does for the Iraqi perspective on the wars in Iraq and Afghanistan what Phil Klay’s Redeployment does for the American perspective “[A] wonderful collection.” —George Saunders, The New York Times Book Review The first major literary work about the Iraq War from an Iraqi perspective—by an explosive new voice hailed as “perhaps the best writer of Arabic fiction alive” (The Guardian)—The Corpse Exhibition shows us the war as we have never seen it before. Here is a world not only of soldiers and assassins, hostages and car bombers, refugees and terrorists, but also of madmen and prophets, angels and djinni, sorcerers and spirits. Blending shocking realism with flights of fantasy, The Corpse Exhibition offers us a pageant of horrors, as haunting as the photos of Abu Ghraib and as difficult to look away from, but shot through with a gallows humor that yields an unflinching comedy of the macabre. Gripping and hallucinatory, this is a new kind of storytelling forged in the crucible of war.
The Backwash of War - Ellen N. La Motte - First published in the year 1916; the present book 'The Backwash of War' was written by the famous writer Ellen N. La Motte. This book is a collection of the author's memoirs which sheds light on the events that took place during the World War 1. "We are witnessing a phase in the evolution of humanity, a phase called War—and the slow, onward progress stirs up the slime in the shallows, and this is the Backwash of War. It is very ugly."—Ellen N. La MotteIn September 1916, as World War I advanced into a third deadly year, an American woman named Ellen N. La Motte published a collection of stories about her experience as a war nurse. Deemed damaging...
These masterfully crafted stories from writers who have served reflect the entire breadth of human emotion–loss, anger, joy, love, fear, and courage—and the evolving nature of what has become America's "Forever War." From debut writers to experienced contributors whose work has been featured in the New York Times, the Atlantic, and the New Yorker, this exceptional collection promises to be the definitive fictional look at the aftereffects of the Iraq and Afghan Wars and will resonate with the reader long after the final page.