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An Enemy of the People ; The Wild Duck ; Rosmersholm
The three plays in this volume all deal with the moral courage needed to tell the truth. They are peopled by complex individuals pitted against, or part, of a society that Ibsen felt was morally abhorrent.
English Literature, Volume 1
This is the first of two volumes which will make available in convenient form the annual bibliographies of 18th century scholarship published for the past 25 years in the Philological Quarterly. Volume 1 includes the years 1926-1938. By means of lithography the original issues are exactly reproduced with retention of all critical annotations. Originally published in 1950. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Oscar Wilde's Elegant Republic
Why was Paris so popular as a place of both innovation and exile in the late nineteenth century? Using French, English and American sources, this first volume of a trilogy provides a possible answer with a detailed exploration of both the city and its communities, who, forming a varied cast of colourful characters from duchesses to telephonists, artists to beggars, and dancers to diplomats, crowd the stage. Through the throng moves Oscar Wilde as the connecting thread: Wilde exploratory, Wilde triumphant, Wilde ruined. This use of Wilde as a central figure provides both a cultural history of Paris and a view of how he assimilated himself there. By interweaving fictional representations of Paris and Parisians with historical narrative, Paris of the imagination is blended with the topography of the city described by Victor Hugo as ‘this great phantom composed of darkness and light’. This original treatment of the belle époque is couched in language accessible to all who wish to explore Paris on foot or from an armchair.
Grandison's Heirs
This book traces the progressive influence and changing manifestations of the Grandisonian hero through important late eighteenth-century novels: Frances Sheridan's Sidney Bidulph, Fanny Burney's Evelina, Elizabeth Inchbald's A Simple Story, William Godwin's Caleb Williams, Thomas Holcroft's Anna St. Ives, and Jane Austen's Pride and Prejudice.
Functional Rhinoplasty, An Issue of Facial Plastic Surgery Clinics of North America
This issue of Facial Plastic Surgery Clinics, guest edited by Dr. Benjamin C. Marcus, is devoted to Functional Rhinoplasty. Articles in this outstanding issue include: Essential Anatomy and Evaluation for Functional Rhinoplasty; Septoplasty: Basic and Advanced Techniques; The Role of the Inferior Turbinate in Rhinoplasty; The External Nasal Valve; The Internal Valve: Dynamic and Static Repairs; The Art of Osteotomies; Repair of Nasal Septum Perforations; Management of Pediatric Rhinoplasty; Cleft Septorhinoplasty: Form and Function; The Saddle Deformity: Camouflage and Reconstruction; Revision Functional Surgery: Salvaging Function; and Advances in Technology for Functional Rhinoplasty.
Four Major Plays
This collection of plays is taken from the Oxford Ibsen, James McFarlane's acclaimed scholarly edition.
The Lamp and the Lute
This book includes literary criticisms by Bonamy Dobree on seven authors and also explains how criticis should go about analyzing literature.
Norway's Christiania Theatre, 1827-1867
Norway's struggle to assert an independent cultural and political identity in the nineteenth century was played out with particular fervor at the Christiania Theatre in Christiania (now Oslo). Until the 1860s the Danish actors and directors dominated the Christiania Theatre, and even plays written by Norwegian authors were performed in Danish. This study examines the intellectual campaigns that transformed the Christiania Theatre from a Danish stage into the forerunner of Norway's National Theatre. It focuses on the culture wars between the Norwegian nationalists and the so-called Danomanians in the 1830s; the promotion of the Hegelian and national romantic cultural agenda in the 1840s and 1850s; Bjornson's and Ibsen's rejection of both radical nationalism and the entrenched Danishness of the theater in the 1850s' and Bjornson's ambitious attempt to reform the theater in the mid-1860s. It is illustrated. Ann Schmiesing is an Associate Professor of Scandinavian and German literature and culture at the University of Colorado at Boulder.
