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Masculinity in Breaking Bad
Following on author Peter Rollins' motto "If it isn't popular, it isn't culture," this collection of new essays considers Vince Gilligan's award-winning television series Breaking Bad as a landmark of Western culture--comparable to the works of Shakespeare and Dickens in their time--that merits scholarly attention from those who would understand early the 21st century zeitgeist. The essayists explore the series as a critique of American concepts of masculinity, with Walter White discussed as a father archetype--provider, protector, author of a legacy--and as a Machiavellian warrior on the capitalist battleground. Other topics include the mutual exclusivity of intellect and masculinity in American culture, and the dramatic irony as White's rationales for his criminal life are gradually revealed as a lie. In "round table" chapters, contributors discuss the show's reception, fans who root for "Team Walt," "Skyler-hating" and Breaking Bad as a feminist text.
Masculinity in Breaking Bad
Following on author Peter Rollins' motto "If it isn't popular, it isn't culture," this collection of new essays considers Vince Gilligan's award-winning television series Breaking Bad as a landmark of Western culture--comparable to the works of Shakespeare and Dickens in their time--that merits scholarly attention from those who would understand early the 21st century zeitgeist. The essayists explore the series as a critique of American concepts of masculinity, with Walter White discussed as a father archetype--provider, protector, author of a legacy--and as a Machiavellian warrior on the capitalist battleground. Other topics include the mutual exclusivity of intellect and masculinity in American culture, and the dramatic irony as White's rationales for his criminal life are gradually revealed as a lie. In "round table" chapters, contributors discuss the show's reception, fans who root for "Team Walt," "Skyler-hating" and Breaking Bad as a feminist text.
Watching Sympathetic Perpetrators on Italian Television
This book offers the first comprehensive study of recent, popular Italian television. Building on work in American television studies, audience and reception theory, and masculinity studies, Sympathetic Perpetrators and their Audiences on Italian Television examines how and why viewers are positioned to engage emotionally with—and root for—Italian television antiheroes. Italy’s most popular exported series feature alluring and attractive criminal antiheroes, offer fictionalized accounts of historical events or figures, and highlight the routine violence of daily life in the mafia, the police force, and the political sphere. Renga argues that Italian broadcasters have made an international name for themselves by presenting dark and violent subjects in formats that are visually pleasurable and, for many across the globe, highly addictive. Taken as a whole, this book investigates what recent Italian perpetrator television can teach us about television audiences, and our viewing habits and preferences.
Political Pathologies from The Sopranos to Succession
Political Pathologies from The Sopranos to Succession argues that highly praised prestige TV shows reveal the underlying fantasies and contradictions of uppermiddle-class political centrists. Through a psychoanalytic interpretation of The Sopranos, Breaking Bad, The Wire, House of Cards, Dexter, Game of Thrones, and Succession, Robert Samuels uncovers how moderate “liberals” have helped to produce and maintain the libertarian Right. Samuels’ analysis explores the difference between contemporary centrists and the foundations of liberal democracy, exposing the myth of the “liberal media” and considers the consequences of these celebrated series, including the undermining of trust in modern liberal democratic institutions. Political Pathologies from The Sopranos to Succession contributes to a greater understanding of the ways media and political ideology can circulate on a global level through the psychopathology of class consciousness. This book will be of great interest to academics and scholars considering intersections of psychoanalytic studies, television studies, and politics.
Marking Feminist Times
With its challenge to nearly every facet of Australian society and culture, the Australian women's movement has achieved much in a short period of time. And it has attracted controversy: fiery denunciation and equally passionate loyalty. This book explores how such a revolutionary social movement remembers its past. The women's movement has always recognised the political importance of history, narrative, and language to changing the way we think, and hence to changing the world. How then does feminism mark its own past times, and what stories does it tell of the campaigns, struggles, defeats, victories, and activists? What is remembered and what is forgotten? How do its narratives of its recent history counter those told by the mainstream culture? By reading novels, film, television, autobiographies, newspaper and magazine articles, and academic histories Marking Feminist Times traces the making of a feminist collective memory: the reasons for its emergence, the shapes taken, and the narratives that recur. And in so doing, this book reveals a feminist collective memory haunted by the early loss of an authentically revolutionary movement.
The Bible in Crime Fiction and Drama
The Bible has always enjoyed notoriety within the genres of crime fiction and drama; numerous authors have explicitly drawn on biblical traditions as thematic foci to explore social anxieties about violence, religion, and the search for justice and truth. The Bible in Crime Fiction and Drama brings together a multi-disciplinary scholarship from the fields of biblical interpretation, literary criticism, criminology, and studies in film and television to discuss international texts and media spanning the beginning of the 20th century to the present day. The volume concludes with an afterword by crime writer and academic, Liam McIvanney. These essays explore both explicit and implicit engagemen...
Contemporary Authors
These exciting and unique author profiles are essential to your holdings because sketches are entirely revised and up-to-date, and completely replace the original Contemporary Authors entries. A softcover cumulative index is published twice per year (included in subscription).
Contemporary Culture and Media in Asia
The study of Asian culture, media and communications is an area that has developed rapidly over the past two decades. This rapid development has led to the deployment of diverse scholarly approaches while simultaneously raising important questions regarding the extent to which the use of key terms such as “nation”, “citizenship” and “modernity” must be modified to reflect the specificity of an Asian context. Furthermore, the irrepressible flows of popular cultural forms and the enthusiastic adoption of new communications technologies across the region demand approaches that can accommodate the dynamism and diversity of Asian culture and media. Contemporary Culture and Media in Asia brings together leading scholars from Asia, North America and Australia to address questions related to these challenges, producing new insights and frameworks that can be productively utilized by students and scholars working in the field.
Decolonizing Latinx Masculinities
Latinx hypersexualized lovers or kingpin predators pulsate from our TVs, smartphones, and Hollywood movie screens. Tweets from the executive office brand Latinxs as bad-hombre hordes and marauding rapists and traffickers. A-list Anglo historical figures like Billy the Kid haunt us with their toxic masculinities. These are the themes creatively explored by the eighteen contributors in Decolonizing Latinx Masculinities. Together they explore how legacies of colonization and capitalist exploitation and oppression have created toxic forms of masculinity that continue to suffocate our existence as Latinxs. And while the authors seek to identify all cultural phenomena that collectively create redu...
Anxiety in Middle-Class America
Showing how Americans have massively turned to a self-help empowerment model to manage chronic feelings of insecurity, Anxiety in Middle-Class America explains why no group has ever been as anxious about anxiety and interested in tackling it as a moral and personal problem. Anxiety is the focus of increasing preoccupation and intervention in middle-class America and the late modern world. It is reportedly the most common mental illness in the United States, affecting almost a quarter of its adult population every year. Views diverge on what this means. This work is for readers who are intrigued by the exponential rise in reported rates of anxiety across the lifespan and by all the talk about...
