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Carlito's Way
The unforgettable novel—and the basis for the feature film—about Carlito Brigante, a Harlem drug dealer in the 1960s, and his rise to the top. Carlito Brigante is just another Spanish Harlem street punk with a poor boy’s dream of flash and fast money. But as he gets older he determines that it’s either take or be taken, and he knows which role he intends to play. Soon he’s a mob-connected professional with an easy charm, joie de vivre, stubborn pride, and hair-trigger temper. But the rules change rapidly in a sudden-death world of scams, sell-outs, and payback, where only the strongest and smartest predator can be king of the barrio. And when there’s a major changing of the guard in the top echelons of the mob, Carlito will have some hard choices to make. Taut, thrilling, and a joy to read, Carlito’s Way established a voice that has lost none of its vivid color or power to enthrall. “Exhilarating . . . Boils with raw energy.” —Newsweek
After Hours
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American Gangster Cinema
Much analysis of gangster movies has been based upon a study of the gangster as a malign figuration of the American Dream, originally set in the era of the Depression. This text extends previous analysis of the genre by examining the evolution of gangster movies from the 1930s to the contemporary period and by placing them in the context of cultural and cinematic issues such as masculinity, consumerism and technology. With a close examination of many films from Scarface and Public Enemy to Reservoir Dogs and Pulp Fiction , this book provides a fascinating insight into a topical and popular subject.
Women and the Mafia
The insightful essays in this book shine a new light on the roles of women within criminal networks, roles that in reality are often less traditional than researchers used to think. The book seeks to answer questions from a wide range of academic disciplines and traces the portrait of women tied to organized crime in Italy and around the world. The book offers up accounts of mafia women, and also tales of severe abuse and violence against women.
Screening the Mafia
The "post-classic" era of American gangster films began in 1967 with the release of Bonnie and Clyde, achieving a milestone five years later with the popular and highly influential The Godfather. This historical study explores the structure, myths and intertextual narratives found in the gangster films produced since The Godfather. The intense relationship between masculinity and ethnicity in the gangster film, especially within the movie-generated mythology of the Mafia, is carefully analyzed, and the book tracks the trends in the genre up to and including the landmark HBO television series The Sopranos (1999-2007). A selected filmography is included. Instructors considering this book for use in a course may request an examination copy here.
Gang Nation
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Actions and Goals
How is A Game of Thrones the same story as The Lego Movie? How is the mind-bending plot of Inception identical to the terse narrative of Gravity? In what way is Clarice Starling's struggle to silence the lambs indistinguishable from Harry Potter's pursuit of the philosopher's stone? Despite the striking difference in these stories, they share a less conspicuous similarity: they're all structured on a universal pattern of actions undertaken by their characters.This sequence of six Actions and Goals is the hidden foundation of modern story structure. By aligning the unique actions your characters takes with these universal story actions, you can create propulsive narratives that grab your audi...
Q & A
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A Huge Revolution of Theatrical Commerce
In the first third of the twentieth century, South America became the most important market for many European theatrical companies. When Italy found itself in various theatrical crises, Walter Mocchi created a transoceanic theatrical empire, using his business acumen to craft viable solutions. While his efforts were most visible in the sphere of opera, he played an extremely significant role in the promotion and circulation of popular forms of musical theatre (such as operetta) and staged world premieres of works by Italian superstars in Argentina (such as Mascagni's Isabeau), thus offering an early example of what Stephen Greenblatt calls 'cultural mobility'.
Greasers and Gringos
A lawyer criticizes media portrayals of latino/as because it leads to unfair judgements in the court system.This is an important look at stereotyping in American culture.
