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Death from the Woods
A beautiful young French girl, Elise Andrioli, is caught in a terrorist bomb leaving her fiance dead and her life in tatters. Although she escapes with her life, she is left in a 'locked-in' state - blind, mute and quadriplegic. But when a little girl approaches her wheelchair and tells her that she has been witness to a recent series of grisly murders in the woods, Elise - despite her disabilities - gets drawn into solving the increasingly haunting murders...
Death from the Snows
Elise Andrioli is back on the case. Having solved the mystery of the child serial killings outside Paris, Elise has become sort of a minor celebrity, selling the rights to her story to a mystery writer named Brigitte Aubert.
Mostly French
This book, which was inspired by a conference on plural conjugations of Frenchness (La France au pluriel) held in 2007 at the Universities of Technology, Sydney and Newcastle, focuses on the concept of national belonging as it pertains to detective fiction, with particular emphasis on French and Australian detective fictions and the encounter and crossing over between them. The objective is not only to use the concepts of 'French' and 'Australian' detective fiction productively, via the analysis of French and Australian detective-fiction novels, but also to challenge and undermine the very notion of national detective fictions, which are so often assumed to be transparently meaningful. The c...
Death from the Woods
A beautiful young French girl, Elise Andrioli, is caught in a terrorist bomb leaving her fiance dead and her life in tatters. Although she escapes with her life, she is left blind, mute and quadriplegic. But when a little girl approaches her wheelchair and tells her that she has been witness to a recent series of grisly murders in the woods, Elise is drawn into solving the increasingly haunting murders.
The Roman Noir in Post-war French Culture
All the novelists studied were published initially in popular collections, such as the Serie noire, but they have been chosen for the innovation of their work and the exciting ways in which they resist tired conventions and offer new ways of representing social reality." "One of the first English-language studies of this popular genre, The Roman Noir in Post-War French Culture offers much more than close readings of these fascinating texts; it demonstrates the important contribution of the roman noir to the cultural histories of post-war France."--Jacket.
A Thousand Screenplays
In 1991, French public television held an amateur screenwriting contest. When Sabine Chalvon-Demersay, a French sociologist, examined the roughly 1,000 entries, she had hoped to analyze their differences. What she found, however, surprised her. Although the entrants covered nearly every social demographic, their screenplays presented similar characters in similar situations confronting similar problems. The time of crisis presented by the amateur writers was not one of war, famine, or disease—it was the millennial dilemma of representation. In a world plagued by alienation, individualization, and a lack of mobility, how can members of a society combat their declining senses of self? Although the contestants wrote about life in France, their concerns and struggles have a distinctly universal ring. A lucid, witty writer, Chalvon-Demersay offers a clear, if still developing, photograph of the contemporary imagination.
Out of Deadlock
Sara Paretsky is a world-renowned author, highly regarded for her V.I. Warshawski series, which has revolutionized the conventions of the crime fiction genre by presenting a feminist perspective. The notion that crime fiction is merely a popular genre meant for pure ""entertainment"" has particularly been reconsidered, as Paretsky's novels serve a pedagogical purpose in capturing the reader's awareness of different social concerns. It has become evident that various female authors of crime fict ...
French Queer Cinema
A full account of the formation and reception of contemporary queer film in France.
Contemporary French Women's Writing
In the 1990s the French literary arena was enlivened by the emergence of a new generation of women writers. This book selects six of its most distinctive voices and addresses important questions about the very new in French women's writing. What are young women choosing to write about? What do they tell us about changing perceptions of feminine identities? What does it mean to write (and to read) as women at the start of the new millennium? An introductory chapter explores key issues such as the woman writer in the public imagination and continuity and change within French women's writing since the 1970s. It also highlights thematic threads which recur across the work of the authors studied:...
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