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The conviction that Nature was God's second revelation played a crucial role in early modern Dutch culture. This book offers a fascinating account on how Dutch intellectuals contemplated, investigated, represented and collected natural objects, and how the notion of the 'Book of Nature' was transformed.
Pieter Bruegel the Elder and Religion offers new insight into the religious dimension of Bruegel’s art. With a number of highly original and thorough case studies, the volume illuminates Bruegel’s inventive and multifaceted engagement with the contemporary religious concepts and practices of his day and age. Religion remains a vital question in the life and career of Bruegel, because it was so long believed to be more or less absent from his work. As a pioneer of the new genres of landscape and peasant scenes, Bruegel was heralded as a ground-breaking “secular” painter. This volume highlights the most recent scholarship on the artist, offering a much more nuanced portrait of Bruegel’s engagement with the dynamic religious landscape of the mid-sixteenth century. Contributors are: Jessica Buskirk, Ralph Dekoninck, Bertram Kaschek, Walter S. Melion, Jürgen Müller, Anna Pawlak, Gerd Schwerhoff, Larry Silver, and Michel Weemans.
This is the first modern study of Agrippa's occult philosophy, revealing it to be a coherent part of his intellectual work. It analyzes the text of "De occulta philosophia," explicating the sophisticated structure and argument of the work.
This volume contains more than twenty essays in the history of modern philosophy and history of religion by R.H. Popkin. Several of the essays have not been published before. Thinkers discussed include Hobbes, Henry More, Pascal, Spinoza, Cudworth, Newton, Hume, Condorcet, and Moritz Schlick.
From Mythos to Logos: Andrea Palladio, Freemasonry and the Triumph of Minerva explores how myth was used to encode architecture and frescoed interiors with insights that promote peace, freedom and kindness as ways of being in the world. The author, Michael Trevor Coughlin argues that Freemasonry took root in the Italian city of Vicenza as early as 1546, and that its precepts, conveyed through the intersection of myth and philosophy, were disseminated widely in buildings and images, as well as texts, prescribing tolerance and an understanding of the divine that exists in each and everyone.
This study reexamines the invention of the emblem book and discusses the novel textual and pictorial means that applied to the task of transmitting knowledge. It offers a fresh analysis of Alciato’s Emblematum liber, focusing on his poetics of the emblem, and on how he actually construed emblems. It demonstrates that the “father of emblematics” had vernacular forebears, most importantly Johann von Schwarzenberg who composed two illustrated emblem books between 1510 and 1520. The study sheds light on the early development of the Latin emblem book 1531–1610, with special emphasis on the invention of the emblematic commentary, on natural history, and on advanced methods of conveying emblematic knowledge, from Junius to Vaenius.
This study is concerned with the topographical layout of Bernard of Clairvaux's "Parables," It examines his treatment of such locations as Paradise, Egypt, and the bridegroom's chamber, and his reformulation of central monastic issues as navigations within spiritual landscapes.
Drawing on the fifteenth century theology of Saint Joseph, classical visual sources, Ficinoa (TM)s commentary on the "Phaedrus" and "Symposium," and Dantea (TM)s "rime petrose," this book interprets Michelangeloa (TM)s Tondo Doni as a model of Ephesiansa (TM) a ~great sacramenta (TM) of marriage for the new Florentine republic.
This book presents an overview of the later medieval trinitarian theology of the rival Franciscan and Dominican intellectual traditions, and includes detailed studies of thinkers such as Thomas Aquinas, Henry of Ghent, John Duns Scotus, William Ockham, and Gregory of Rimini.
It is too often assumed that religious heterodoxy before the Enlightenment led inexorably to intellectual secularisation. Challenging that assumption, this book expands the scope of the enquiry, hitherto concentrated on the relation between heterodoxy and natural philosophy, to include political thought, moral philosophy and the writing of history. Individual chapters are devoted to Grotius, the Dutch Remonstrants and Socinianism, to Hobbes, Robert Boyle, Robert Hooke, Dutch Collegiants and English Unitarians, Giambattista Vico, Conyers Middleton, and David Hume. In their opening essay the editors argue that the critical problems for both Protestants and Catholics arose from destabilising the relation between the spheres of Nature and Revelation, and the adoption of an increasingly historical approach both to natural religion and to the Scriptual basis of Revelation. Contributors include: Hans Blom, Justin Champion, Jonathan Israel, Martin Mulsow, Enrico Nuzzo, William Poole, Sami-Juhani Savonius, Richard Serjeantson, and Brian Young.