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After Jubilee
Poetry. Brionne Janae's AFTER JUBILEE is a collection of finely-tuned narratives presenting characters in a precarious balance between love and hate. Many voices collude to answer for both the jubilation and horror that has plagued black people from the beginning, including the black man with the white father, the parents donating their infant son's organs to save other lives, and those ignored and forgotten in the massacre at Slocum, Texas in 1910.
Because You Were Mine
In their latest collection of poems, Cave Canem Poetry Prize winner Brionne Janae dives into the deep, unsettled waters of intimate partner violence, queerness, grief, and survival. "I've decided I can't trust anyone who uses darkness as a metaphor for what they fear," poet Brionne Janae writes in this stunning new collection, in which the speaker navigates past and present traumas and interrogates familial and artistic lineages, queer relationships, positions of power, and community. Because You Were Mine is an intimate look at love, loneliness, and what it costs to survive abuse at the hands of those meant to be "protectors." In raw, confessional, image-heavy poems, Janae explores the aftershocks of the dangerous entanglement of love and possession in parent-child relationships. Through this difficult but necessary examination, the collection speaks on behalf of children who were left or harmed as a result of the failures of their parents, their states, and their gods. Survivors, queer folks, and readers of poetry will find recognition and solace in these hard-wrought poems--poems that honor survivorship, queer love, parent wounds, trauma, and the complexities of familial blood.
Ordinary Cruelty
In her debut poetry collection, Ordinary Cruelty, Amber Flame spells out rituals in everyday decisions to hold on or let go. While questioning the role of elder, mentor, mother in the face of losing those figures, Flame details the unrelenting nature of parenthood through the cycles of grief. Her poems exuberantly rejoice in the brown skin of the female body, while soberly acknowledging the societal dangers of claiming such skin as home. Flame takes the reader through a visceral examination of the body's processes of both dying and continuing to live and the joy to be found while we do.
Incorrect Merciful Impulses
"A poet to watch."—O Magazine "I tell the truth, but I try to be kind about it."—Camille Rankine in 12 Questions Named "a poet to watch" by O Magazine, Camille Rankine's debut collection is a series of provocations and explorations. Rankine's short, lyric poems are sharp, agonized, and exquisite, exploring themes of doubt and identity. The collection's sense of continuity and coherence comes through recurring poem types, including "still lifes," "instructions," and "symptoms." From "Symptoms of Aftermath": …When I am saved, a slim nurse leans out of the white light. I need to hear your voice, sweetheart. I see my escape. I walk into the water. The sky is blue like the ocean, which is blue like the sky. Camille Rankine is the author of the chapbook Slow Dance with Trip Wire, selected by Cornelius Eady for the Poetry Society of America's Chapbook Fellowship. The recipient of a 2010 "Discovery" / Boston Review Poetry Prize and a MacDowell fellowship, her poetry appears in Boston Review, Denver Quarterly, Tin House, and other publications. Currently, she is assistant director of the MFA program in creative writing at Manhattanville College and lives in Harlem.
The New Century
"Although Lipska's poems reveal an acute awareness of history and politics, she's primarily concerned with individual experience and the most difficult philosophical questions of evil. Lipska is awed by beauty despite the deep skepticism that permeates her poems, countering corruption with an unflinching commitment to conveying truth without sentimentality." --Book Jacket.
Ordinary Beast
ONE OF PUBLISHERS WEEKLY'S TOP 10 POETRY BOOKS OF FALL 2017 NPR'S MOST ANTICIPATED POETRY BOOKS OF 2017 A striking, full-length debut collection from Virgin Islands-born poet Nicole Sealey The existential magnitude, deep intellect, and playful subversion of St. Thomas-born, Florida-raised poet Nicole Sealey’s work is restless in its empathic, succinct examination and lucid awareness of what it means to be human. The ranging scope of inquiry undertaken in Ordinary Beast—at times philosophical, emotional, and experiential—is evident in each thrilling twist of image by the poet. In brilliant, often ironic lines that move from meditation to matter of fact in a single beat, Sealey’s voice is always awake to the natural world, to the pain and punishment of existence, to the origins and demises of humanity. Exploring notions of race, sexuality, gender, myth, history, and embodiment with profound understanding, Sealey’s is a poetry that refuses to turn a blind eye or deny. It is a poetry of daunting knowledge.
Maroon
Presents a collection of poems that explore the author's experiences as a Haitian immigrant in America.
A Little Piece of Light
Random Family meets Orange Is the New Black in A Little Piece of Light, a memoir of survival, redemption, hope, and sisterhood from a bold new voice on the front lines of the criminal justice reform movement. Like so many women before her and so many women yet to come, Donna Hylton's early life was a nightmare of abuse that left her feeling alone and convinced of her worthlessness. In 1986, she took part in a horrific act and was sentenced to 25 years to life for kidnapping and second-degree murder. It seemed that Donna had reached the end--at age 19, due to her own mistakes and bad choices, her life was over. A Little Piece of Light tells the heartfelt, often harrowing tale of Donna's journ...
Peripheries: a Journal of Word, Image, and Sound, No. 6
The Center for the Study of World Religions Peripheries Poetry Series publishes contemporary poetry, alongside fiction, visual art, sound works, and archival material. Peripheries 6 includes a folio, "Anti-Letters," as well as works by Victoria Chang, Aracelis Girmay, Joanna Klink, and Tracy K. Smith, among others.
Mother Tongues
Mother Tongue is the third collection of poems by Zimbabwean poet and writer Tsitsi Ella Jaji, whose previous work includes the poetry collections Beating the Graves and Carnaval and the book Africa in Stereo: Modernism, Music, and Pan-African Solidarity.
