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The Parthenon sculptures in the British Museum are unrivaled examples of classical Greek art, an inspiration to artists and writers since their creation in the fifth century bce. A superb visual introduction to these wonders of antiquity, this book offers a photographic tour of the most famous of the surviving sculptures from ancient Greece, viewed within their cultural and art-historical context. Ian Jenkins offers an account of the history of the Parthenon and its architectural refinements. He introduces the sculptures as architecture--pediments, metopes, Ionic frieze--and provides an overview of their subject matter and possible meaning for the people of ancient Athens. Accompanying photo...
The Museum of Mankind was an innovative and popular showcase for minority cultures from around the non-Western world from 1970 to 1997. This memoir is a critical appreciation of its achievements in the various roles of a national museum, of the personalities of its staff and of the issues raised in the representation of exotic cultures. Issues of changing museum theory and practice are raised in a detailed case-study that also focuses on the social life of the museum community. This is the first history of a remarkable museum and a memorable interlude in the long history of one of the world’s oldest and greatest museums. Although not presented as an academic study, it should be useful for museum and cultural studies as a well as a wider readership interested in the British Museum.
A key publication on the British Museum's approach to the ethical issues surrounding the inclusion of human remains in museum collections and possible solutions to the dilemmas relating to their curation, storage, access management and display.
Listing of fishes in the British Museum of Natural History and some species known to exist in other museums. Arranged taxonomically, with descriptions and references to citations containing original desription. Alphabetic and systematic indexes.
The British Museum is the oldest publicly funded museum in the world. This volume tells the story of the collections, the buildings that house them, and the people who have administered and curated them since its foundation in 1753.