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"A short history of the British school at Athens. 1886-1911", by G. A. Macmillan: no. 17, p. [ix]-xxxviii.
Uplifting and engaging, this story recounts the life and career of a rebellious 20th-century British artist Born into a large, musical, and bohemian family in London, the British artist John Craxton (1922–2009) has been described as a Neo-Romantic, but he called himself a “kind of Arcadian”. His early art was influenced by Blake, Palmer, Miró, and Picasso. After achieving a dream of moving to Greece, his work evolved as a personal response to Byzantine mosaics, El Greco, and the art of Greek life. This book tells his adventurous story for the first time. At turns exciting, funny, and poignant, the saga is enlivened by Craxton’s ebullient pictures. Ian Collins expands our understanding of the artist greatly—including an in-depth exploration of the storied, complicated friendship between Craxton and Lucian Freud, drawing on letters and memories that Craxton wanted to remain private until after his death.
This study of the archaeology and history of Scythia and its contact with Greek culture was first published in 1913.
"Excavations at the early Greek city of Old Smyrna were carried out jointly by British and Turkish teams. This volume presents a detailed account of the temples themselves, as cleared by the British team. The most important was that under construction c. 610-600 BC, though this was never completed; most of its superstructure apparently ended up in emergency walling, evidently constructed during the siege and sack of the city by Alyattes of Lydia in c. 600 BC. Nevertheless it was already a monumental Aeolic stone temple of superb quality, and it is of the greatest importance for our understanding of the emergence of East Greek architecture. The evidence for its increasingly ambitious predecessors and, mostly more modest, successors is also presented."--Jacket.
The diverse forms of regional connectivity in the ancient world have recently become an important focus for those interested in the deep history of globalisation. This volume represents a significant contribution to this new trend as it engages thematically with a wide range of connectivities in the later prehistory of the Mediterranean, from the later Neolithic of northern Greece to the Levantine Iron Age, and with diverse forms of materiality, from pottery and metal to stone and glass. With theoretical overviews from leading thinkers in prehistoric mobilities, and commentaries from top specialists in neighbouring domains, the volume integrates detailed case studies within a comparative framework. The result is a thorough treatment of many of the key issues of regional interaction and technological diversity facing archaeologists working across diverse places and periods. As this book presents key case studies for human and technological mobility across the eastern Mediterranean in later prehistory, it will be of interest primarily to Mediterranean archaeologists, though also to historians and anthropologists.
This volume focuses on a formative period in the history and archaeology of northern Greece. The decade following 1912, when Thessaloniki became part of Greece, was a period marked by an extraordinary internationalism as a result of the population movements caused by the shifting of national borders and the troop movements which accompanied the First World War. The papers collected here look primarily at the impact of the discoveries of the Army of the Orient on the archaeological study of the region of Macedonia. Resulting collections of antiquities are now held in Thessaloniki, London, Paris, Edinburgh and Oxford. Various specialists examine each of these collections, bringing the archaeol...
Until his premature death in 1984 at the age of 45, Mark Cameron made a unique contribution to the study of Minoan wall painting; his published articles continue to inspire a new generation of Aegean wall painting and have expanded our perception of the Aegean and its relations with the neighboring cultures during the second millennium BC. This volume, dedicated to the memory of Mark Cameron, now brings together leading scholars in a presentation of some of the latest ideas in the field of Aegean painting. Contributors include: M. Bietak, A. Chapin, S. Hood, S. Immerwahr, R. Jones, N. Marinatos, L. Morgan, M. Shaw, C. Palyvou, E. Photos-Jones, I. Tzachili and P. Warren.
In recognition of the outstanding contribution made by Peter Warren to Aegean archaeology - and in particular to Cretan studies - this volume presents a collection of 36 papers reflecting his wide-ranging research interests. Among the topics addressed are material culture and iconography, including frescoes, pottery, seals and stone vases; chronology, inter-site relationships, overseas connections and religion; Knossos and the legacy of Sir Arthur Evans; and the natural world, Minoan and modern. While some papers present unpublished material for the first time, others reflect on broader themes, offering important new insights into perennial problems of Minoan archaeology. Thus, as a whole, the volume serves as an important overview of current research into Bronze Age Crete and its wider relations, both spatially and temporally.