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Der dem klassischen Schauerroman zugrunde liegende Diskurs von »Selbst« und »Anderem« wurde schnell auf die Gegebenheiten der kolonialen Situation angewandt und auf das Verhältnis zwischen Kolonialherr und kolonialem Subjekt projiziert. Zeitgenössische schwarzaustralische Künstler nehmen sich dieses kolonialen Schauerdiskurses an, reißen ihn durch ihre scharfe Perspektive in Stücke und transformieren ihn schließlich zu einem Diskurs des »Aboriginal Gothic«.Die vorliegende Studie erarbeitet die theoretischen Grundlagen des »Aboriginal Gothic« und benutzt den so konkretisierten Begriff, um Romane von Vivienne Cleven, Mudrooroo, Kim Scott, Sam Watson und Alexis Wright sowie Filme von Beck Cole und Tracey Moffatt zu analysieren. Im Zentrum der Untersuchung steht dabei die Frage, inwieweit der traditionell europäische Schauerdiskurs mit Elementen indigener australischer Kultur durch- bzw. zersetzt ist, um die aktuelle Situation australischer Aborigines darzustellen und eine wiedererlangte kulturelle Identität zu beschreiben.
More than any other event in Australia’s legal, political and cultural history, the High Court of Australia’s 1992 Mabo decision challenged previous ways of thinking about land, identity, belonging, the nation and history. Now, more than a quarter of a century after Mabo, this book examines the broader impacts of this landmark legal decision on various forms of Australian culture and cultural practice. How is Australia’s post-Mabo imaginary being reflected, refracted and articulated in contemporary film, fiction, poetry, biography and other forms of cultural expression? To what extent has the discussion and practice of history, linguistics, anthropology and other branches of the humani...
In this inspiring biography, discover the true story of Harriet the Spy author Louise Fitzhugh -- and learn about the woman behind one of literature's most beloved heroines. Harriet the Spy, first published in 1964, has mesmerized generations of readers and launched a million diarists. Its beloved antiheroine, Harriet, is erratic, unsentimental, and endearing -- very much like the woman who created her, Louise Fitzhugh. Born in 1928, Fitzhugh was raised in segregated Memphis, but she soon escaped her cloistered world and headed for New York, where her expanded milieu stretched from the lesbian bars of Greenwich Village to the art world of postwar Europe, and her circle of friends included me...
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'TENSE AND SHOCKING' Renee Knight 'A PAGE-TURNER OF A THRILLER' Saskia Sarginson 'GRIPPING, TENSE AND MOVING' Claire McGowan 'I WAS ABSOLUTLEY GRIPPED' Karen Dionne ________ Clare and Lorraine have been friends since college and trust each other with their lives. So when Lorraine, a single mother, needs a much-needed night away without her children, she calls on Clare and her husband Sam to look after them. They're godparents - what could go wrong? While Clare and Sam believe the children to be asleep, the unimaginable happens and Clare finds baby Theo lifeless in his room. The police are called. Statements are taken. But the biggest nightmare for any parent is about to spiral out of control...
The lives of the Brody family have been devastated by a shark of relentless fury. To Ellen Brody it is evil incarnate and it must be destroyed.
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Join us for book 5 in this thrilling series. Author Note: This is book 1 of a 6 book murder mystery series. The books cannot standalone, so please be warned that you'd need to read all 6 to get the full story. Each book will release the last Thurs of the month! The town in the story is fictional, so the coordinates on the cover do NOT correlate to the murder locations. Hope you love the story.
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