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Family Matters
"Traces the changes in government child welfare services from 1902 until 1992"--Back cover.
Going Public
This is a collection of essays in the rapidly growing field of public history. The essays are short think-pieces by leading writers and scholars, which explore the connections between specific aspects of public history and the broader field of New Zealand history in general and show some new and challenging ways of looking at the past. The contributions cover new media, academic vs public history, the Waitangi Tribunal, Treaty claims research, official war history, government history, the origins of public history, museums, heritage, freelance research and writing, public history in popular culture, and state-funded reference histories.
A Voice for Mothers
The Plunket Society, founded in 1907, has been heralded as New Zealand's most successful and famous voluntary organisation. Run by women for women, it played a vital role in the care of mothers and babies for most of the twentieth century, becoming a national and international icon. A Voice for Mothers, this comprehensive history of Plunket, covers three broad themes: the relationship between the voluntary sector and the State in the provision of welfare, the development of paediatrics, and the relationship between health providers and their clients, the mothers. Bryder stresses, in particular, infant health and welfare, the political pressures applied by the government and medical profession, the influence of the remarkable women who shaped the fortunes of the society, and its diminishing impact in recent years. She also compares New Zealand's experience with other countries like Australia and Britain, and outlines the philosophy behind the organisation.
‘My own sort of heaven’
Widely regarded as a major Australian artist, Rosalie Gascoigne first exhibited in 1974 at the age of fifty-seven. She rapidly achieved critical acclaim for her assemblages which were her response to the Monaro landscape surrounding Canberra. The great blonde paddocks, vast skies and big raucous birds contrasted with the familiar lush green harbour city of Auckland she had left behind. Her medium: weathered discards from the landscape. By her death in 1999, her work had been purchased for major public art collections in Australia, Aotearoa New Zealand and New York, and had been exhibited across Europe and Asia. Gascoigne’s story is often cast in simple terms—an inspirational tale of an o...
Supporting Adult Care-Leavers
Growing up in care is not just a part of childhood, but can have ongoing impacts across a person's life. Organised thematically to allow comparison of different initiatives, this book considers the range of responses to adult care-leavers in Australia, Canada, Ireland, New Zealand and the UK. Initiatives examined include public inquiries, acknowledgements, redress schemes, specialist support services, and access to personal records and family reunification programs. Featuring detailed case studies, this is an excellent international source book for practitioners and policy makers in social work and social care.
Women Together
"132 short histories of organisations, grouped in thirteen sections"--Introduction.
East by South
At a time when China is being seen as the next superpower, both sweatshop and powerhouse for the global economy, political courtship on the part of interested governments is accompanied by grassroots hostility. Such ambivalence is not new.
The Fabric of Welfare
Throughout history, the 'welfare of the people' has been a contested area. Is it the responsibility of the state? The churches? The extended family? Organised charities or informal community groups? The Fabric of Welfare is about the many points of contact between voluntary welfare and government social services, and the complex pattern woven by these different threads. The country's welfare history is shaped by its colonial past, with the predominantly British influences transmitted by an immigrant society in the nineteenth century; by its Maori population, with a strong communal ethos; by the shaping forces of the welfare state; by two world wars and economic depression; and by both free-m...
Blood and Dirt
Picture, for a minute, every artwork of colonial New Zealand you can think of. Now add a chain gang. Hard-labour men guarded by other men with guns. Men moving heavy metal. Men picking at the earth. Over and over again. This was the reality of nineteenth-century New Zealand. Forced labour haunts the streets we walk today and the spaces we take for granted. The unfree work of prisoners has shaped New Zealand's urban centres and rural landscapes, and Te Moana-nui-a-Kiwa – the Pacific – in profound and unsettling ways. Yet these stories are largely unknown: a hidden history in plain sight. Blood and Dirt explains, for the first time, the making of New Zealand and its Pacific empire through the prism of prison labour. Jared Davidson asks us to look beyond the walls of our nineteenth- and early twentieth-century prisons to see penal practice as playing an active, central role in the creation of modern New Zealand. Journeying from the Hohi mission station in the Bay of Islands through to Milford Sound, vast forest plantations, and on to Parliament itself, this vivid and engaging book will change the way you view New Zealand.
A History of New Zealand Women
What would a history of New Zealand look like that rejected Thomas Carlyle’s definition of history as ‘the biography of great men’, and focused instead on the experiences of women? One that shifted the angle of vision and examined the stages of this country’s development from the points of view of wives, daughters, mothers, grandmothers, sisters, and aunts? That considered their lives as distinct from (though often unwillingly influenced by) those of history’s ‘great men’? In her ground-breaking History of New Zealand Women, Barbara Brookes provides just such a history. This is more than an account of women in New Zealand, from those who arrived on the first waka to the Grammy ...
