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When a reclusive printmaker dies, his friend inherits the thousands of etchings and drawings he has stored in his house over the years. Overwhelmed by the task of sorting and exhibiting this work, she seeks the advice of a curator. What compulsion drove the printmaker to make art for four decades, and why did he so seldom show his prints? When the curator discovers a single, sealed box addressed to a man in Zimbabwe, she feels compelled to go in search of him to present him with the package, hoping to find an answer to the enigma of the printmaker's solitary life. Bronwyn Law-Viljoen’s subtle and sophisticated novel reflects on one man’s obsessive need to make meaning through images and to find, in art, the traces of love and friendship.
Thalia, adrift in a small university town in South Africa in the nineties, heads to New York to study photography and to pick up the faint trail left for her by someone she has never known. The city helps her to find her way as an artist, but it never quite provides the answers she is seeking. Only years later in Johannesburg is she able to make sense of who she is and what her work might mean. Robert is a photographer in New York in the 1970s, desperate to make memorable images in a time of spectacular experimentation in dance, music and theatre. He intuits the importance of what he is photographing, but finds it almost impossible to transcend the troubles of his own life and achieve someth...
William Kentridge Flute is a dense collection of essays, photographs and images tracking the internationally famous South African artist's explorations into and production of Mozart's The Magic Flute. Kentridge's production of the opera premiered in Brussels in 2002, and FLUTE was launched in South Africa to celebrate the opera's African premiere in Cape Town. The book is packed with full color illustrations, photographs from the stage productions, pages from Kentridge's preparatory journals and numerous reproductions of the drawings and print works that spilled out of the artist's studio and onto the stage.
In 2009, William Kentridge and Gerhard Marx were commissioned to make a public sculpture for the City of Johannesburg to be installed in time for the 2010 Soccer World Cup. The sculpture is based on a drawing by Kentridge of a woman street vendor - known colloquially as a fire walker - carrying a burning brazier on her head. The eleven-metre-high striding figure would take her place at the foot of the Queen Elizabeth Bridge on a site formerly used by informal traders and taxi washers. Eschewing the bronze monumentalism of traditional public sculpture, Kentridge and Marx devised a figure made up of steel plates that resolves into a coherent image from one vantage point only. A pedestrian pass...
Title of DVD: Touring the Constitutional Court of South Africa with Justice Albie Sachs
William Kentridge was commissioned in 2006 by the Metropolitan Opera House in New York to design and direct the opera The Nose by Dmitri Shostakovich. In December of the same year, he began collaboration with printmaker Jillian Ross of David Krut Print Workshop, Johannesburg on a suite of etching that would explore some of his many ideas for the opera. The prints were imagined as an adventure with the protagonist of The Nose, through modern Russian history, literature, and art, with side trips into Cervantes, Sterne and Russian film. They demonstrate Kentridge's superb mastery of dry point and etching, his wry, iconoclastic treatment of Western art history, and his ongoing commitment to making limited-edition works on paper an integral part of his substantial oeuvre.
In the wild night hours, or during the heat of the day - whenever man's thoughts whirl feverishly - then truth and fantasy, the past and the future, life and death are indiscriminately mingled on Toorberg, home of the Moolman family. So the magistrate is to learn as he investigates the strange circumstances of the death of little Noah, child of grief, who was not entirely of this world. Every day the case becomes more complex, until it challenges the very foundations of the law. It seems as if the magistrate will have to judge an entire dynasty, both the living and the dead. Everyone's guilt has to be affirmed, or denied, and this means he will have to rip open the lives of all. The Moolmans are a tribe who have long since learned how to deal with their own. Parents cut children out of their lives, shunt them aside to live as stepchildren, scrag-ends of the clan, or as city-dwellers whose names are never uttered. The Moolmans cannot forgive; not when their tribal blood is betrayed.
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Writing the City into Being is Bremner's long-awaited collection of essays, spanning more than a decade of work on Johannesburg. It is both an unflinching analysis of the characteristics of an extraordinary city and a work of imagination - a bringing of the evasive city into being through writing. Johannesburg has become a touchstone in critical thinking on the development of the twenty-first-century city, attracting scholars from around the world who seek to understand how cities are changing in the face of urban migration in all its myriad forms and the inflow of foreign capital and interest. Bremner is at the forefront of this scholarship. Her intimate knowledge of the city makes this a deeply personal but authoritative collection of essays. Writing the City into Being is an important book for those seeking to understand cities in a rapidly changing and fragmenting world. Lindsay Bremner is an extraordinary guide to the city of Johannesburg, and one of its most incisive commentators.
Tim Noakes is one of the world’s leading authorities on the science behind sport and a successful sportsman in his own right. Through a lifetime of research, he has developed key scientific concepts in sport that have not only redefined the way elite athletes and teams approach their professions, but challenged conventional global thinking in these areas. In this new and updated edition of Challenging Beliefs, Noakes shares his views on everything from the myths perpetuated by the sports-drink industry to the prevalence of banned substances, the need to make rugby a safer sport and the benefits of a high-protein, low-carb diet. The teams and athletes with whom Noakes has worked make fascinating backdrops to these topics, highlighting the importance of science in sport in human terms. In providing an intimate look at the golden threads running through Noakes’s life and career, this remarkable book reveals the landmark theories and principles generated by one of the greatest minds in the history of sports science.