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The Printmaker
When a reclusive printmaker dies, his friend inherits the thousands of etchings and drawings he has stored in his house over the years. Overwhelmed by the task of sorting and exhibiting this work, she seeks the advice of a curator. What compulsion drove the printmaker to make art for four decades, and why did he so seldom show his prints? When the curator discovers a single, sealed box addressed to a man in Zimbabwe, she feels compelled to go in search of him to present him with the package, hoping to find an answer to the enigma of the printmaker's solitary life. Bronwyn Law-Viljoen’s subtle and sophisticated novel reflects on one man’s obsessive need to make meaning through images and to find, in art, the traces of love and friendship.
Notes on Falling
Thalia, adrift in a small university town in South Africa in the nineties, heads to New York to study photography and to pick up the faint trail left for her by someone she has never known. The city helps her to find her way as an artist, but it never quite provides the answers she is seeking. Only years later in Johannesburg is she able to make sense of who she is and what her work might mean. Robert is a photographer in New York in the 1970s, desperate to make memorable images in a time of spectacular experimentation in dance, music and theatre. He intuits the importance of what he is photographing, but finds it almost impossible to transcend the troubles of his own life and achieve someth...
Flute
William Kentridge Flute is a dense collection of essays, photographs and images tracking the internationally famous South African artist's explorations into and production of Mozart's The Magic Flute. Kentridge's production of the opera premiered in Brussels in 2002, and FLUTE was launched in South Africa to celebrate the opera's African premiere in Cape Town. The book is packed with full color illustrations, photographs from the stage productions, pages from Kentridge's preparatory journals and numerous reproductions of the drawings and print works that spilled out of the artist's studio and onto the stage.
Light on a Hill
Title of DVD: Touring the Constitutional Court of South Africa with Justice Albie Sachs
I Like My Neighbours
Soweto born Phokela, is a singular artist. Most famous for his reinterpretation of the work of Dutch Old Masters during the Dutch golden age, he is undeniably brilliant at what he does and has redefined the idea of the artist as social commentator. What is most striking, is the layers of narration Johannes Phokela expertly works into his paintings for the viewer to unpack like babushka dolls. He adds perspective to the Dutch Paintings by inserting the head of a black man into a cage of what was a boisterous family gathering in As the Old Ones Sing, so the Young Ones Pipe. He shows the cost to those who were exploited to fund the Golden Age of the colonialists over and over again.
Nose
William Kentridge was commissioned in 2006 by the Metropolitan Opera House in New York to design and direct the opera The Nose by Dmitri Shostakovich. In December of the same year, he began collaboration with printmaker Jillian Ross of David Krut Print Workshop, Johannesburg on a suite of etching that would explore some of his many ideas for the opera. The prints were imagined as an adventure with the protagonist of The Nose, through modern Russian history, literature, and art, with side trips into Cervantes, Sterne and Russian film. They demonstrate Kentridge's superb mastery of dry point and etching, his wry, iconoclastic treatment of Western art history, and his ongoing commitment to making limited-edition works on paper an integral part of his substantial oeuvre.
Dig Your Heels In
Joan Kuhl helps women create a clear vision of what their career path deserves to be and make a convincing business case for equality to their managers and senior leadership. You'll learn strategies for overcoming sexist cultural attitudes about gender and leadership, as well as for dealing with self-limiting behaviors like Imposter's Syndrome (the feeling that you're never good enough despite a track record of success) and the Myth of Meritocracy (the idea that just doing good work is the only way to advance). Because relationships are absolutely crucial, Kuhl describes how to build support networks before you even need them and explains how to get actionable feedback that will help you get...
Umkhonto we Sizwe
The armed struggle waged by the ANC’s military wing, Umkhonto we Sizwe (MK), was the longest sustained insurgency in South African history. This book offers the first full account of the rebellion in its entirety, from its early days in the 1950s to the inauguration of Nelson Mandela as South African president in 1994. Vast in scope, this story traverses every corner of South Africa and extends throughout southern Africa, where MK’s largest campaigns and heaviest engagements occurred, as well as to the solidarity networks that the rebellion mobilised around the world. Drawing principally from previously unpublished writings and testimonies by the men and women who fought the armed strugg...
Writing the City Into Being
Writing the City into Being is Bremner's long-awaited collection of essays, spanning more than a decade of work on Johannesburg. It is both an unflinching analysis of the characteristics of an extraordinary city and a work of imagination - a bringing of the evasive city into being through writing. Johannesburg has become a touchstone in critical thinking on the development of the twenty-first-century city, attracting scholars from around the world who seek to understand how cities are changing in the face of urban migration in all its myriad forms and the inflow of foreign capital and interest. Bremner is at the forefront of this scholarship. Her intimate knowledge of the city makes this a deeply personal but authoritative collection of essays. Writing the City into Being is an important book for those seeking to understand cities in a rapidly changing and fragmenting world. Lindsay Bremner is an extraordinary guide to the city of Johannesburg, and one of its most incisive commentators.
Andrew Tshabangu
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