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Hermenegildo and the Jesuits
This book explores the cultural conditions that led to the emergence and proliferation of Saint Hermenegildo as a stage character in the sixteenth and seventeenth centuries. It considers how this saint became a theatrical trope enabling the Society of Jesus to address religious and secular concerns of the post-Tridentine Church, and to discuss political issues such as the supremacy of the pope over the monarch and the legitimacy of regicide. The book goes on to explain how the Hermenegildo narrative developed outside of Jesuit colleges, through works by professional dramatist Lope de Vega and Mexican nun Juana Inés de la Cruz. Stefano Muneroni takes a global approach to the staging of Hermenegildo, tracing the character’s journey from Europe to the Americas, from male to female authors, and from a sacrificial to a sacramental paradigm where the emphasis shifts from bloodletting to spiritual salvation. Given its interdisciplinary approach, this book is geared toward scholars and students of theatre history, religion and drama, early modern theology, cultural studies, romance languages and literature, and the history of the Society of Jesus..
East and West in the Early Middle Ages
This interdisciplinary volume re-evaluates the interconnectedness of the Merovingian world with its Mediterranean surroundings.
The Lives of the Fathers, Martyrs, and other principal Saints
Reprint of the original, first published in 1866.
Vrbes Extinctae
Core tourist sites for the classical world are the ruins of those many and scattered examples of 'lost' and abandoned towns - from Pompeii to Timgad to Ephesus and Petra. Usually studied for their peaks and growth, rarely are their ends explored in detail, to consider the processes of loss and also to trace their 'afterlives', when they were often robbed for materials even if still hosting remnant populations.This volume breaks new ground by examining the phenomenon of urban loss and abandonment from Roman to medieval times across the former Roman Empire. Through a series of case studies two main aspects are examined: firstly, the sequences and chronologies of loss of sites, roles, structure...
Evergreen
None
The Saints Collection [2,428 Saints]
THE SAINTS COLLECTION [2,428 SAINTS] CATHOLIC WAY PUBLISHING — 2,428 Hagiographies of the Saints! — 400 Original Illustrations of the Saints — 18 Volumes in One — Over 3.13 Million Words — Includes Over 5,300 Active Linked Endnotes — Includes an Active Index, 42 Table of Contents and Layered NCX Navigation — Includes Illustrations by Gustave Dore PUBLISHER: LARGE E-BOOK. INCLUDED BOOKS ON SAINTS: THE LIVES OF THE SAINTS: COMPLETE EDITION By Reverend Alban Butler — 1,458 Saint Biographies THE GOLDEN LEGEND By Jacobus de Voragine — 170 Lives of the Saints PICTORIAL LIVES OF THE SAINTS: WITH REFLECTIONS FOR EVERY DAY IN THE YEAR By John Gilmary Shea — 400 Original Illustrations of the Saints THE LIVES OF THE SAINTS: WITH REFLECTIONS FOR EVERY DAY IN THE YEAR By Reverend Alban Butler — 400 Lives of the Saints PUBLISHER: CATHOLIC WAY PUBLISHING
Between Two Worlds: The autos sacramentales of Sor Juana Inés de la Cruz
The seventeenth-century Mexican poet, playwright and nun, Sor Juana Inés de la Cruz, is best known for her secular works, most notably her damning indictment of male double standards, Hombres necios (Stupid Men). However, her autos sacramentales (allegorical one-act plays on the Eucharist) have received little attention, and have only been discussed individually and out of sequence. By examining them as a collection, in their original order, their meaning and importance are revealed. The autos combine Christian and classical ‘pagan’ imagery from the ‘Old World’ with the conquest and conversion of the ‘New World’. As the plays progress, the mystery of Christ’s ‘greatest gi ft’ to mankind is deciphered and is mirrored in Spain’s gi ft of the True Faith to the indigenous Mexicans. Sor Juana’s own image is also situated within this baroque landscape: presented as a triumph of Spanish imperialism, an exotic muse between two worlds.
The Melancholy Void
At the turn of the seventeenth century, Spanish lyric underwent a notable development. Several Spanish poets reinvented lyric as a melancholy and masculinist discourse that sang of and perpetrated symbolic violence against the female beloved. This shift emerged in response to the rising prestige and commercial success of the epic and was enabled by the rich discourse on the link between melancholy and creativity in men. In The Melancholy Void Felipe Valencia examines this reconstruction of the lyric in key texts of Spanish poetry from 1580 to 1620. Through a study of canonical and influential texts, such as the major poems by Luis de Góngora and the epic of Alonso de Ercilla, but also lesse...
The Evergreen
Vols. 1-7 include music.
