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. . . the book differs from the norm in addressing issues not conventionally found in the more standard trade mark works and in dealing with the subject not in the traditional textbook manner but in a series of contributions from a panel of distinguished international experts. . . While there will always be a need for the detailed and comprehensive academic and practitioner tomes, books such as this give the reader access to the cutting-edge minds of a number of leading experts in their fields. Books of this nature encourage the reader to question and challenge the current status of the law the only way law can evolve. In both its structure and its content this book is highly commended. Coli...
"I am the last of a dying breed. I have the capacity to dramatically alter your life; I also have the ability to take your life at my leisure. At the minimum, I have the power to do so." Sebastian Alzmek has it all influence, power, beauty, and AIDS. When he emotionally died a decade ago, he buried an insecure, unattractive individual and erased his past. Now he lives a second life based on society's perception, using his silence to mark his victims and make them part of his secret society of the undead. Sebastian is on a one-man campaign to remind the world that AIDS is still alive. No one can stop him from his hunt-not the law, the CDC or even the victims themselves. His charisma not only intoxicates them, but also fools them into believing he is "normal." His past soon catches up with him, and he is reminded that life itself is beautiful, even though it is too late. At the end of the journey, Sebastian asks the ultimate question: was it worth the fight, or will history repeat itself?
Announcements for the following year included in some vols.
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This book charts the development of the multiplex cinema as the pre-eminent form of film exhibition across the world. Going from its origins in the USA in the 1960s to its expansion overseas from the mid-1980s across Europe, Australia and other parts of Asia-Pacific, the book considers the emergence of a series of initially regional, then national and then international exhibition circuits. However, more than a consideration of US overseas expansion on the part of companies, this book examines the hegemony of the multiplex as a cultural and business form, arguing for its significance as a phenomenon that has transcended national and global boundaries and which has become the predominant venu...
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