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A playful embrace of tall tales and exaggeration, Monumental Lies explores the evolution of folklore in the Wild West. Monumental Lies: Early Nevada Folklore of the Wild West invites readers to explore how legends and traditions emerged during the first decades following the “Rush to Washoe,” which transformed the Nevada Territory after in 1859. During this Wild West period, there was widespread celebration of deceit, manifesting in tall tales, burlesque lies, practical jokes, and journalistic hoaxes. Humor was central, and practitioners easily found themselves scorned if they failed to be adequately funny. The tens of thousands of people who came to the West, attracted by gold and silve...
The Slide Area is a monthly book review column by film historian Anthony Slide which has appeared in Classic Images since January 1989. This anthology collects over 300 reviews published in the column through December 1991. For each book, the reviewer provides bibliographic data, information as to content, and his own inimitable commentary, which combines both a thorough knowledge of the subject to hand and an understanding of each title's relative merit. Lillian Gish has called Slide "Our preeminent historian of the silent film era," and the Los Angeles Times has described him as a "one-man publishing phenomenon." This anthology will be useful both to librarians and to researchers in tracking down film and television books of the past three years, many of which have not been reviewed in library-oriented publications. Indexes.
Not every presidential visit to the theatre is as famous as Lincoln's last night at Ford's, but American presidents attended the theatre long before and long after that ill-fated night. In 1751, George Washington saw his first play, The London Merchant, during a visit to Barbados. John Quincy Adams published dramatic critiques. William McKinley avoided the theatre while in office, on professional as well as moral grounds. Richard Nixon met his wife at a community theatre audition. Surveying 255 years, this volume examines presidential theatre-going as it has reflected shifting popular tastes in America.
Bonanza aired on NBC from September 12, 1959, to January 16, 1973, playing to 480,000,000 viewers in over 97 countries. It was the second longest running western series, surpassed only by Gunsmoke, and continues to provide wholesome entertainment to old and new fans via syndication. This book provides an in-depth chronicle of the series and its stars. A history of the show from its inception to the current made-for-television movies is provided, and an episode guide includes a synopsis of each show and lists such details as the main characters of each episode and the actors who portrayed them, the dates they stayed with the show, date and time of original broadcast, writer, director, producer, executive producer, and supporting cast. Also provided are character sketches for each of the major recurring characters, career biographies of Lorne Green, Pernell Roberts, Dan Blocker, and Michael Landon, brief biographical sketches of the supporting cast, a discography of recordings of the Bonanza theme and recordings of the four major stars, and information on Bonanza television movies.
This reference work on Boris Karloff presents a comprehensive record of the life and career of this famous performer. The volume begins with a biography, which succinctly presents the facts of Karloff's life. A chronology of his significant achievements follows. The remaining chapters overview Karloff's broad career. Chapters document and comment upon his film, stage, radio, and television performances. A discography is included as well. The book concludes with an annotated bibliography of books and articles about Karloff, along with a comprehensive index.
The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier? This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections are devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. The second edition reflects the notable increase in musical theater scholarship since 2000. In addition to printed materials, it includes multimedia and electronic resources.
Michael Anesko explores Henry James's efforts to correct 'mistakes' that he later perceived in his books as first printed. He focuses on two of Henry James's most important texts, The Portrait of a Lady (1881) and The Ambassadors (1903), and the ways in which both betray (in very peculiar ways) the fallibility of James himself.
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