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After its invention in France in 1838, the saxophone, Vermazen argues, was finally brought to the American public by the Six Brown Brothers, one of the most famous musical stage acts of the early 20th century. This title explores how they turned an instrument once derided as the "Siren of Satan", into the crowning symbol of jazz.
The twentieth century brought enormous change to subjects such as language, metaphysics, ethics and epistemology. This volume covers the major developments in these areas and more.
How the Beatles Destroyed Rock 'n' Roll is an alternative history of American music that, instead of recycling the familiar cliches of jazz and rock, looks at what people were playing, hearing and dancing to over the course of the 20th century, using a wealth of original research, curious quotations, and an irreverent fascination with the oft-despised commercial mainstream.
This is a collection of essays written by Moore which form a thorough examination of the theory of criminal responsibility. The author covers a wide range of topics, giving the book a coherence and unity which is rare in assembled essays. Perhaps the most significant feature of this book isMoore's espousal of a retributivist theory of punishment. This anti-utilitarian standpoint is a common thread throughout the book. It is also a trend which is currently manifesting itself in all areas of moral, political and legal philosophy, but Moore is one of the first to apply such attitudes sosytematically to criminal law theory. As such, this innovative, new book will be of great interest to all scholars in this field.
"Negative actions (intentional omissions, refrainments, etc.) seem to be genuine actions. The standard metaphysical theories of action are event-based: they treat actions as events of a special kind. But it seems that many (and perhaps all) negative actions are, not events, but absences thereof. In this book, I provide a comprehensive treatment of this problem and its solution. I trace the appearance that negative actions are mere absences to the widely-assumed view that negative action sentences (sentences which describe an agent as omitting, refraining, etc.) are negative existentials, reporting the non-occurrence of an event of a certain kind. I argue, on the contrary, that such sentences report the occurrence of an event, not the absence of one. Moreover, I show how these events can be identified with ordinary, positive events of the sort we should already have in our ontology. In developing these views, I provide a comprehensive picture of the metaphysics of negative actions, the nature of our thought and talk about them, and their place in a theory of action and agency"--
"Robert Bellah (1927-2013) was a hugely-influential twentieth-century American social scientist. During an intellectual career that spanned six decades, his work became central in many fields: the sociology of Japanese religion, the relationships between sociology and the humanities, the relationship between American religion and politics, the cultures of modern individualism, and evolution and society. His seminal 1967 essay "Civil Religion in America" created a huge debate across disciplines which continues to this day; his co-authored book Habits of the Heart (1985) was a bestseller (it sold close to 500,000 copies) and became the object of sustained public discussion about the temptation...
Since the beginning of philosophy, philosophers have sought objective knowledge: knowledge of things whose existence does not depend on one's conceiving of them. This book uses lessons from debates over objective knowledge to characterize the kinds of reasons pertinent to philosophical and other theoretical views. It argues that we cannot meet skeptics' typical demands for nonquestion-begging support for claims to objective truth, and that therefore we should not regard our supporting reasons as resistant to skeptical challenges. One key lesson is that a constructive, explanatory approach to philosophy must change the subject from skeptic-resistant reasons to perspectival reasons arising fro...
Each of these 28 essays is part of a comprehensive program to address questions about language, mind, action, and their interconnections. (Philosophy)
Both musicians and laypersons can perceive purely instrumental music without words or an associated story or program as expressing emotions such as happiness and sadness. But how? In this book, Saam Trivedi discusses and critiques the leading philosophical approaches to this question, including formalism, metaphorism, expression theories, arousalism, resemblance theories, and persona theories. Finding these to be inadequate, he advocates an "imaginationist" solution, by which absolute music is not really or literally sad but is only imagined to be so in a variety of ways. In particular, he argues that we as listeners animate the music ourselves, imaginatively projecting life and mental states onto it. Bolstering his argument with empirical data from studies in neuroscience, psychology, and cognitive science, Trivedi also addresses and explores larger philosophical questions such as the nature of emotions, metaphors, and imagination.