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Monte Cassino in the Middle Ages
The monastery of Monte Cassino, founded by St. Benedict in the sixth century, was the cradle of Western monasticism. It became one of the vital centers of culture and learning in Europe. At the height of its influence, in the eleventh and early twelfth centuries, two of its abbots (including Desiderius) and one of its monks became popes, and it controlled a vast network of dependencies--churches, monasteries, villages, and farms--especially in central and southern Italy. Herbert Bloch's study, the product of forty years of research, takes as its starting point the twelfth-century bronze doors of the basilica of the abbey, the most significant relic of the medieval structure. The panels of th...
Bona Dea
Preliminary material -- SUMMARY OF THE SOURCES -- THE ARCHAEOLOGICAL AND EPIGRAPHIC SOURCES -- THE LITERARY SOURCES -- THE GODDESS -- THE WORSHIPPERS -- THE PROPAGATION OF THE CULT -- THE GODDESS AND HER CULT -- FINDINGS FOR THE CULT BASED ON THE ARCHAEOLOGICAL REMAINS COMPARED WITH OTHER DATA -- GENERAL INDEX -- EPIGRAPHICAL INDEX -- LITERARY INDEX -- ACKNOWLEDGMENTS OF THE PLATES -- Plates I-LII and 5 maps.
Building the Body of Christ
In Building the Body of Christ, Daniel C. Cochran argues that monumental Christian art and architecture played a crucial role in the formation of individual and communal identities in late antique Italy. The ecclesiastical buildings and artistic programs that emerged during the fourth and fifth centuries not only reflected Christianity’s changing status within the Roman Empire but also actively shaped those who used them. Emphasizing the importance of materiality and the body in early Christian thought and practice, Cochran shows how bishops and their supporters employed the visual arts to present a Christian identity rooted in the sacred past but expressed in the present through church un...
Venice
Venice, one of the world's most storied cities, has a long and remarkable history, told here in its full scope from its founding in the early Middle Ages to the present day. A place whose fortunes and livelihoods have been shaped to a large degree by its relationship with water, Venice is seen in Dennis Romano's account as a terrestrial and maritime power, whose religious, social, architectural, economic, and political histories have been determined by its unique geography.
The Rare Art Traditions
A cultural and social history of art collecting, art history, and the art market In The Rare Art Traditions, Joseph Alsop offers a wide-ranging cultural and social history of art collecting, art history, and the art market. He argues that art collecting is the basic element in a remarkably complex and historically rare behavioral system, which includes the historical study of art, the market for buying and selling art, museums, forgery, and the astonishing prices commanded by some works of art. The Rare Art Traditions tells the story of three important traditions of art collecting: the classical tradition that began in Greece, the Chinese tradition, and the Western tradition. The result is a major original contribution to art history.
The Eighteenth Century in Italy
"This is the third in a series of catalogues published jointly by The Metropolitan Museum of Art and The Pierpont Morgan Library to record exhibitions of drawings from the two institutions and from distinguished private collections. The exhibitions and the books that illustrate them will ultimately document the finest traditions of European draughtsmanship, from the Renaissance through the nineteenth century. The Eighteenth Century in Italy, which follows The Italian Renaissance and The Seventeenth Century in Italy, contains reproductions of 300 drawings, presented one to a page. The book brings together, chronologically, brilliant works by G. B. Tiepolo, Canaletto, Francesco Guardi, Giovann...
Chromatius of Aquileia and the Making of a Christian City
Chromatius of Aquileia and the Making of a Christian City examines how the increasing authority of institutionalized churches changed late antique urban environments. Aquileia, the third largest city in Italy during late antiquity, presents a case study in the transformation of elite Roman practices in relation to the urban environment. Through the archaeological remains, the sermons of the city’s bishop, Chromatius, and the artwork and epigraphic evidence in the sacred buildings, the city and its inhabitants leave insights into a reshaping of the urban environment and its institutions which occurred at the beginning of the 5th century. The words of the bishop attacking heretics and Jews presaged a shift in patronage by rich donors from the city as a whole to only the Christian church. The city, both as an ideal and a physical reality, changed with the growing dominance of the Church, creating a Christian city.
Excavating Modernity
The cultural and material legacies of the Roman Republic and Empire in evidence throughout Rome have made it the "Eternal City." Too often, however, this patrimony has caused Rome to be seen as static and antique, insulated from the transformations of the modern world. In Excavating Modernity, Joshua Arthurs dramatically revises this perception, arguing that as both place and idea, Rome was strongly shaped by a radical vision of modernity imposed by Mussolini’s regime between the two world wars. Italian Fascism’s appropriation of the Roman past—the idea of Rome, or romanità— encapsulated the Fascist virtues of discipline, hierarchy, and order; the Fascist "new man" was modeled on th...
Looking at Laughter
In this fresh, accessible, and beautifully illustrated book, his third to examine an aspect of Roman visual culture, John R. Clarke explores the question, "What made Romans laugh?" Looking at Laughter examines a heterogeneous corpus of visual material, from the crudely obscene to the exquisitely sophisticated and from the playful to the deadly serious—everything from street theater to erudite paintings parodying the emperor. Nine chapters, organized under the rubrics of Visual Humor, Social Humor, and Sexual Humor, analyze a wide range of visual art, including wall painting, sculpture, mosaics, and ceramics. Archaeological sites, as well as a range of ancient texts, inscriptions, and graffiti, provide the background for understanding the how and why of humorous imagery. This entertaining study offers fascinating insights into the mentality of Roman patrons and viewers who enjoyed laughing at the gods, the powers-that-be, and themselves.
Picturing the Bible
Published on the occasion of the exhibition organized by the Kimbell Art Museum and shown there November 18, 2007 - March 30, 2008.
