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Bruno Jasienski
Bruno Jasieński was a bilingual Polish-Russian writer who died in exile in Siberia in 1939. This volume traces his literary evolution. The introductory biographical sketch is followed by a discussion of Jasieński's contribution to Polish poetry, specifically the Futurist movement which, like its parallels in Russia and Italy, revolutionized poetic language. An analysis and evaluation of Jasieński's prose work sheds light on the relationship between politics and literature in early twentieth-century Poland and Russia. Most of Jasieński's novels and short stories were written in the approved Soviet tradition of Socialist Realism. His Man Changes His Skin is considered one of the best Sovie...
I Burn Paris
I Burn Paris has remained one of Poland's most uncomfortable masterstrokes of literature since its initial and controversial serialization by Henri Barbusse in 1928 in L'Humanite (for which Jasienski was deported for disseminating subversive literature). It tells the story of a disgruntled factory worker who, finding himself on the streets, takes the opportunity to poison Paris's water supply. With the deaths piling up, we encounter Chinese communists, rabbis, disillusioned scientists, embittered Russian emigres, French communards and royalists, American millionaires and a host of others as the city sections off into ethnic enclaves and everyone plots their route of escape. At the heart of t...
I Burn Paris
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The Mannequins' Ball
This play, by Futurist poet Bruno Jasienski, is an outstanding example of the joining of left-wing politics and avant-garde interest in human mechanization that characterized the experimental theatre of Poland in the inter-war years. Stalinism and the purges cut short Jasienski's career and prevented productions of his play for many years - except for a brilliant constructivist staging in Prague in 1933. The Mannequins' Ball can now take its place along with Capek's R.U.R. as one of the major twentieth-century dramas making use of the themes and techniques of human automata. Reproduced in this volume are the eight woodcuts by Moor which accompanied the original Moscow publication in 1931.
2022
The first part of the yearbook contains ten essays on Futurist art and literature in Italy, France, Russia, Poland, Portugal and the former colony of Goa. Among other things, early Futurist publishing and propaganda initiatives by means of manifestos, press releases, and newssheets are examined, as well as Athos Casarini's artistic and political work undertaken in Italy and the USA. Articles in the second part deal with the 30th anniversary of the international Academy of Zaum as well as various conferences, exhibitions and publications celebrating the centenary of Zenitism in Serbia and Croatia. Critical responses to exhibitions, conferences and publications as well as a bibliographical section with information on 139 recent book publications on Futurism conclude the yearbook.
The Use and Abuse of Sovietology
"This is a work by a fighter, a thinker, and an idealist. Leo Labedz is a fighter who minces no words in his contempt for the apologists of totalitarianism. He never rests in his efforts to enlarge the scope of human freedom, and many have felt the sharp edge of his political scalpel. He is a thinker with a penetrating mind and en-cyclopedic knowledge. He is an idealist who believes in sacrificing for the just cause to which he has dedicated his life." With these words of extraordinary praise, Zbigniew Brzezinski opens this volume of critical and polemical essays by Leopold Labedz. His knowledge of Soviet affairs, as seen through the eyes of the crusaders and critics of the Modern Russian St...
The Street of Crocodiles
The Street of Crocodiles in the Polish city of Drogobych is a street of memories and dreams where recollections of Bruno Schulz's uncommon boyhood and of the eerie side of his merchant family's life are evoked in a startling blend of the real and the fantastic. Most memorable - and most chilling - is the portrait of the author's father, a maddened shopkeeper who imports rare birds' eggs to hatch in his attic, who believes tailors' dummies should be treated like people, and whose obsessive fear of cockroaches causes him to resemble one. Bruno Schulz, a Polish Jew killed by the Nazis in 1942, is considered by many to have been the leading Polish writer between the two world wars.
The Routledge World Companion to Polish Literature
The Routledge World Companion to Polish Literature offers an introduction to Polish literature through thirty-three case studies, covering works from the Middle Ages up to the present day. Each chapter draws on a text or body of work, examining its historical context, as well as its international reception and position within world literature. The book presents a dual perspective on Polish literature, combining original readings of key texts with discussions of their two-way connections with other literatures across the globe. With a detailed introduction offering a narrative overview, the book is divided into six sections offering a chronological pathway through the material. Contributors f...
Aspasia
Aspasia is an international peer-reviewed yearbook that brings out the best scholarship in the field of interdisciplinary women's and gender historyfocused on - and produced in - Central, Eastern, and Southeastern Europe. In this region the field of women's and gender history has developed uevenly and has remained only marginally represented in the "international" canon.
Jacques the Frenchman
Jacques Rossi was one of the most astute observers of the Stalinist system, in addition to being one of its victims.
