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Abbas Kiarostami
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Conversations on Cinema
Eleven conversations taken from as many issues of Fata Morgana. Eleven conversations which synthesize the project behind the journal which was born in spring 2006. At the time it was decided against having an editorial comment because of the conviction that if the journal was going to succeed it would speak for itself. However, the time has come to say a few words. A journal is first and foremost a collective gesture whose outline creates a field. The gesture made by Fata Morgana, which at the beginning was only an intuition and then it slowly developed, is the same one that makes cinema a place and an opportunity to think about contemporaneity. It is not simply about what happens around us;...
Computer Science – CACIC 2022
This book constitutes the refereed proceedings of the 28th Argentine Congress on Computer Science, CACIC 2022, held in La Rioja, Argentina, during October 3–6, 2022. The 20 full papers included in this book were carefully reviewed and selected from 184 submissions. They were organized in topical sections as follows: Agents and Systems; Technology Applied to Education; Graphic Computation, Images and Visualization; Software Engineering; Databases and Data Mining; Hardware Architectures, Networks, and Operating Systems; Innovation in Software Systems; Signal Processing and Real-Time Systems; Innovation in Computer Science Education; and Digital Goverance and Smart Cities.
Io, un altro
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Italian Film in the Present Tense
For observers of the European film scene, Federico Fellini’s death in 1993 came to stand for the demise of Italian cinema as a whole. Exploring an eclectic sampling of works from the new millennium, Italian Film in the Present Tense confronts this narrative of decline with strong evidence to the contrary. Millicent Marcus highlights Italian cinema’s new sources of industrial strength, its re-placement of the Rome-centred studio system with regional film commissions, its contemporary breakthroughs on the aesthetic front, and its vital engagement with the changing economic and socio-political circumstances in twenty-first-century Italian life. Examining works that stand out for their forma...
Mathematics, Art, Technology and Cinema
This book is about mathematics. But also about art, technology and images. And above all, about cinema, which in the past years, together with theater, has discovered mathematics and mathematicians. It was conceived as a contribution to the World Year on Mathematics. The authors argue that the discussion about the differences between the so called two cultures of science and humanism is a thing of the past. They hold that both cultures are truly linked through ideas and creativity, not only through technology. In doing so, they succeed in reaching out to non-mathematicians, and those who are not particularly fond of mathematics. An insightful book for mathematicians, film lovers, those who feel passionate about images, and those with a questioning mind.
Beyond the Subtitle
Examining European art films of the 1950s and 1960s, Mark Betz argues that it istime for film analysis to move beyond prevailing New Wave historiography, mired in outdated notions of nationalism and dragged down by decades of auteurist criticism. Focusing on the cinemas of France and Italy, Betz reveals how the flowering of European art films in the postwar era is inseparable from the complex historical and political frameworks of the time.
New Neapolitan Cinema
The New Neapolitan Cinema provides close analysis of the whole of this movement, which stands as one of the most vital and stimulating currents in contemporary European Cinema.
Benjamin. Il cinema e i media
“Trasferire piante dal giardino dell`arte alla terra straniera del sapere, per poter individuare i piccoli cambiamenti di colore e di forma che in tal modo si manifestano. La cosa più importante è la delicatezza nell`afferrare, la cautela con cui l`opera viene rimossa con le sue radici, che poi vanno ad arricchire il terreno del sapere. Il resto viene da sè, poiché nell`opera stessa sono contenuti quei pregi che dovrebbero chiamarsi critica nel solo senso più alto” (Walter Benjamin). Scritti di Theodor W. Adorno, Marcello Walter Bruno, Vincenzo Cuomo, Monica Dall`Asta, Roberto De Gaetano, Daniele Dottorini, Paolo Jedlowski, Suzanne Liandrat-Guigues, Bruno Roberti.
