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In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists...
From artists to art workers -- Carl Andre's work ethic -- Robert Morris's art strike -- Lucy Lippard's feminist labor -- Hans Haacke's paperwork.
'My life has been written about over and over again, and that's mostly okay with me. Other people can talk about my life. Sometimes they'll get it right and sometimes they'll get it wrong. For me, when I think back across my own life, there are so many things that are painful. Sometimes I don't like discussing them. Sometimes I don't even like remembering them. But as I get older, the shape of that pain has changed. Sometimes memories come back to me when I least expect them. Maybe that's the only way it works when you've lived the life I've lived: starting a band with my brothers that was managed by my father, watching my father become difficult and then impossible, watching myself become d...
A reissue Religion in Secular Society (1966) by Bryan Wilson (1926-2004), a Fellow of All Souls College, Oxford for thirty years and one of the leading sociologists of religion of the twentieth century.
The first book to address the significance of the materials and methods used to make contemporary artworks Today, artists are able to create using multiple methods of production—from painting to digital technologies to crowdsourcing—some of which would have been unheard of just a few decades ago. Yet, even as our means of making art become more extraordinary and diverse, they are almost never addressed in their specificity. While critics and viewers tend to focus on the finished products we see in museums and galleries, authors Glenn Adamson and Julia Bryan-Wilson argue that the materials and processes behind the scenes used to make artworks are also vital to current considerations of au...
Less likely a hoax, more likely an hallucination, but Key has amazing stories to tell in this revised edition of The clam-plate orgy (1980). Annotation copyright Book News, Inc. Portland, Or.
Texts and images largely reproduced in digital facsimile from the artist's handwritten, typescript and stenciled archival materials and her drawings and other original visual works. Eight items are printed on Gampi paper and mounted.
In this book, based on lectures that the author was invited to deliver in Japan, Bryan Wilson traces the dominant contours of religion as perceived by the sociologist. His themes range from the study of sectarianism, on which he is one of the relationship between religion and culture in modern societies of the West and the East.
Review: "Detailed and useful history of US intervention in Haiti (1915-34); originally published in 1971, and re-released in 1995 at the time of the US invasion of Haiti. Contains many interesting insights"--Handbook of Latin American Studies, v. 57. http://www.loc.gov/hlas/