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Monster Child
In a powerful debut novel author Rahela Nayebzadah introduces three unforgettable characters, Beh, Shabnam and Alif. In a world swirling with secrets, racism and a touch of magic we watch through the eyes of these three children as Nayebzadah's family of Afghan immigrants try to find their way in an often uncaring society. But as a sexual assault on thirteen-year-old Beh unleashes the past and destroys the family the reader is left wondering who is the monster child? Is it Beh, who says she is called a disease? Is it Shabnam, who cries tears of blood? Is it Alif, who in the end declares We are a family of monsters? Or are the monsters all around us?
How a Poem Moves
A collection of playfully elucidating essays to help reluctant poetry readers become well-versed in verse Developed from Adam Sol’s popular blog, How a Poem Moves is a collection of 35 short essays that walks readers through an array of contemporary poems. Sol is a dynamic teacher, and in these essays, he has captured the humor and engaging intelligence for which he is known in the classroom. With a breezy style, Sol delivers essays that are perfect for a quick read or to be grouped together as a curriculum. Though How a Poem Moves is not a textbook, it demonstrates poetry’s range and pleasures through encounters with individual poems that span traditions, techniques, and ambitions. This illuminating book is for readers who are afraid they “don’t get” poetry but who believe that, with a welcoming guide, they might conquer their fear and cultivate a new appreciation.
This One Wild Life
From the author of Canada Reads finalist The Bone Cage. Includes research on the shy child, parent-child bonding, social media issues, and the benefits of outdoor activity and nature immersion. Disillusioned with overly competitive organized sports and concerned about her lively daughter’s growing shyness, author Angie Abdou sets herself a challenge: to hike a peak a week over the summer holidays with Katie. They will bond in nature and discover the glories of outdoor activity. What could go wrong? Well, among other things, it turns out that Angie loves hiking but Katie doesn’t. Hilarious, poignant, and deeply felt, This One Wild Life explores parenting and marriage in a summer of unexpected outcomes and growth for both mother and daughter.
Self-Defence for the Brave and Happy
It is the Third Millennium. The 20th century is a memory. Humans no longer walk on the moon. Passenger planes no longer fly at supersonic speeds. Disinformation overwhelms the legitimate news. The signs of our civilization’s demise are all around us, but hope is not lost. In these poems, you will find a map through our dystopia and protection from all manner of monsters, both natural and human made. Only the products of our imaginations — buildings and movies, daydreams and wondrous machines — can show us how to transform our lives. Self-Defence for the Brave and Happy is a survival guide for the Dark Age that lies ahead.
The Canadian Guide to Creative Writing and Publishing
The essential guide for Canadian writers seeking to have their work published today. How do you get your writing published in Canada? What are the industry standards for publishable work and how do you reach them? This lively, practical guide shows you how to think more creatively, cultivate a strong writing voice, and make your sentences powerful. It explains the elements of style and offers writing prompts to help you apply what you learn. It gives strategies for finding critique partners and beta readers and for getting useful feedback before you send your drafts to agents or editors. The chapters are packed with up-to-date information about the publishing industry, including how to find an agent, how to submit manuscripts to literary journals, how to query independent presses, and how to apply for writing grants. The Canadian Guide to Creative Writing & Publishing confidently leads you through the process of polishing your writing and finding an audience for your work.
Entangled Future Im/mobilities
How are im/mobilities articulated, imagined and practiced in relation to multiple futures? A critical examination of im/mobilities raises questions as to how power relations and crisis-driven futures enable, inhibit or prevent mobility, what meanings are culturally constructed around im/mobilities and how they are experienced. The contributors to this volume look at entangled future mobilities and immobilities using humanities and social science approaches in diverse examples: Afrofuturist poetry, de-extinction projects, dystopian novels, a Uruguayan planned relocation program, lives of rural Zambian women, climate adaptation in Morocco and Austrian financial literacy policy.
Prism International
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Everyone is CO2
David James Brock writes poem to entertain the contemporary pop-cultural intellectual. His subject matter is wide ranging, addressing the things that influence our private mythologies, from television to space exploration, from heavy metal to the epic of Gilgamesh. What distinguishes his work is his knack for compressed narrative, lyrical inventiveness, and surprising detail--he brings together all his experience as a dramatist, lyricist, and genuine fanboy.
Everything Turns Away
On September 11, 2001, the world changed. For Sophie and Paul, it started with a disastrous dinner party. For the babysitter, it started with waking in a dark kitchen and recognizing the smell of blood. For everyone else it started with a plane flying into the World Trade Center. In this tautly written domestic thriller set in Toronto, Michelle Berry weaves together the story of two couples whose lives are about to be unravelled by the murder of a neighbour, a babysitter that has gone missing and the aftermath of the collapse of the World Trade Center. It is a haunting exploration of marriages and what tears them apart, of what happens to people during shocking events and of how everything can change in an instant. Filled with richly drawn characters, a web of thwarted desires and multiple motives, Everything Turns Away is riveting until the very end.
John Clare
This book investigates what it is that makes John Clare’s poetic vision so unique, and asks how we use Clare for contemporary ends. It explores much of the criticism that has appeared in response to his life and work, and asks hard questions about the modes and motivations of critics and editors. Clare is increasingly regarded as having been an environmentalist long before the word appeared; this book investigates whether this ‘green’ rush to place him as a radical proto-ecologist does any disservice to his complex positions in relation to social class, work, agriculture, poverty and women. This book attempts to unlock Clare’s own theorisations and practices of what we might now call an ‘ecological consciousness’, and works out how his ‘ecocentric’ mode might relate to that of other Romantic poets. Finally, this book asks how we might treat Clare as our contemporary while still being attentive to the peculiarities of his unique historical circumstances.
