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"This book tells a story about community activism in Vancouver’s Downtown East Side (DTES) that culminated in a social justice movement to open the first official safe injection site. This story is unique: it is told from the point of view of drug users -- those most affected by drug policy, political decisions and policing. It provides a montage of poetry, photos, early Vancouver Area Network of Drug Users (VANDU) meetings, journal entries from the Back Alley, the “unofficial” safe injection site, and excerpts from significant health and media reports. The harms of prohibition, and resistance, hope, kindness, awakening and collective action are chronicled in these pages."--pub. website.
Bud Osborn's point of reference is the street of the disenfranchised – literally, the street corners bordered by Main and Hastings on Vancouver's notorious East Side, known as "Hundred Block Rock"--the poorest neighbourhood in Canada. While this area is well-known for its drug users, criminals, and prostitutes, it is also home to recovering addicts, single mothers, and those whom society has cast aside. As a poet who has known the nightmare of addiction and poverty himself, Bud Osborn sheds light on the unforgiving darkness of Hundred Block Rock, putting faces and names to those who somehow find ways and means to survive there. These poems are direct confessionals that speak valiantly and movingly of the community of the street: from detox centres and the wail of ambulance sirens to the poignant instances of junkies dancing in alleys, or the sound of jazz after midnight. They bring to life the squalid intensity of Hundred Block Rock, while at the same time articulating the redemptive spirit of survival that nurtures and sustains its habitués. Many of the poems in Hundred Block Rock are also featured on a CD available from Festival Distribution.
Winner, George Ryga Award for Social Awareness in Literature Finalist, Roderick Haig-Brown Regional Prize (BC Book Prizes) Finalist, Vancouver Book Award North America is in the grips of a drug epidemic. While deaths across the continent soar, Travis Lupick's Fighting for Space explains the concept of harm reduction as a crucial component of a city's response to the drug crisis. It tells the story of a grassroots group of addicts in Vancouver's Downtown Eastside who waged a political street fight for two decades to transform how the city treats its most marginalized citizens. Throughout the 1990s and 2000s, this group of residents from Canada's poorest neighbourhood organized themselves in r...
THE NEW YORK TIMES BESTSELLER THE INSPIRATION FOR THE FEATURE FILM THE UNITED STATES VS. BILLIE HOLIDAY 'Screamingly addictive' STEPHEN FRY 'Superb ... Thrilling story-telling' NAOMI KLEIN 'A powerful contribution to an urgent debate' GUARDIAN What if everything we've been told about addiction is wrong? One of Johann Hari's earliest memories is of trying to wake up one of his relatives and not being able to. As he grew older, he realised there was addiction in his family. Confused, he set out on a three-year, thirty-thousand mile journey to discover what really causes addiction – and how to solve it. Told through a series of gripping human stories, this book was the basis of a TED talk and animation that have been viewed more than twenty million times. It has transformed the global debate about addiction.
'Lonesome Monsters' is a collection of prose and poetry from Vancouver writer Bud Osborn. Mr. Osborn's writing is as much chronicle, confession, testimony, as it is poetry-an unwavering account of inner-city struggle and the tenacity of the human spirit."Speaking of jarring but effective writing, Bud Osborn's 'Lonesome Monsters' successfully dramatizes the harsher side of urban life." - Geist Magazine
Liberating Biblical Study is a unique collaboration of pioneering biblical scholars, social-change activists, and movement-based artists. Well known and unknown, veterans and newcomers, these diverse practitioners of justice engage in a lively and critical conversation at the intersection of seminary, sanctuary, and street. The book is divided into eight sections; in each, a scholar, activist, and artist explore the justice issues related to a biblical text or idea, such as exodus, creation, jubilee, and sanctuary. Beyond the emerging themes (e.g., empire, resistance movements, identity, race, gender, and economics), the book raises essential questions at another level: What is the role of art in social-change movements? How can scholars be accountable beyond the academy, and activists encouraged to study? How are resistance movements nurtured and sustained? This volume is an accessible invitation to action that will appeal to all who love and strive for justice--whatever their discipline, and whatever their familiarity with the Bible, scholarship, art, and activist communities.
Collects Ravencroft (2020) #1-5. Ravencroft’s history has been shrouded in mystery for years — but no longer! In the wake of ABSOLUTE CARNAGE, the past of the Ravencroft Institute for the Criminally Insane has started to unravel — revealing hidden chapters in the lives of some of the Marvel Universe’s most recognizable heroes and villains! Efforts to reconstruct Ravencroft are well underway, but the ruins of its history are there to be explored — by Misty Knight, John Jameson, Mister Fantastic…and Mayor Wilson Fisk, the onetime Kingpin of Crime! Prepare to learn how the Institute cast its dark shadow over the villains called Carnage and Sabretooth — not to mention the lord of the undead, Dracula himself! But what does Ravencroft’s hidden history have to do with a sinister scientist named Nathaniel Essex?
Libby Davies has worked steadfastly for social justice both inside parliament and out on the streets for more than four decades. At nine-teen, Davies became a community organizer in Vancouver’s Downtown Eastside. She went on to serve in municipal and then federal politics, advancing to the role of Deputy Leader of the New Democratic Party. Davies looks back on her remarkable life and career with candid humour and heart-rending honesty. She addresses the challenges of her work on homelessness, sex workers’ rights, and ending drug prohibition. She illuminates the human strengths and foibles at the core of each issue, her own as well as those of her colleagues and activist allies. Davies’ astute political analysis offers an insider’s perspective that never loses touch with the people she fights alongside. Outside In is both a political and personal memoir of Davies’ forty years of work at the intersection of politics and social movements.
Long-listed for the George Ryga Award. Canada’s drug laws are constantly changing. But what does Canada’s history of drug prohibition say about its future? Busted is an illustrated history of Canadian drug prohibition and resistance to that prohibition. Reproducing over 170 archival and contemporary drawings, paintings, photographs, film stills and official documents from the 1700s to the present, Susan Boyd shows how Canada’s drug prohibition policies evolved and were shaped by white supremacy, colonization, race, class and gender discrimination. This history demonstrates that prohibition and criminalization produces harm rather than benefits, including the arrest of thousands of Canadians each year for cannabis-related offences, and the current drug overdose crisis. . Visually engaging and approachably written, Busted is a timely examination of Canada’s history of drug control and movements against that control. Susan Boyd argues that in order to chart the future, it is worthwhile for us as Canadians to know our history of prohibition and how it continues to intersects with colonization and race, class, and gender injustice.
Pointing out striking correlations between the catastrophe of 9/11 and the destruction of ancient Jerusalem, Brueggemann shows how the prophetic biblical response to that crisis was truth-telling in the face of ideology, grief in the face of denial, and hope in the face of despair. He argues that the same prophetic responses are urgently required from us now if we are to escape the deathliness of denial and despair. --from publisher description.