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Over 150 color photographs from temples, museums, historical sites, and private collections enhance this attractive survey of the Buddhist art of India, Central Asia, China, Korea, Japan, Nepal, Tibet, Sri Lanka, Burma (Myanmar), Indonesia, Cambodia, Thailand, and Vietnam. It presents the life story and teachings of Sakyamuni Buddha, founder of Buddhism, as shown in paintings, sculptures, and other works of art, and explores the major schools of Buddhism--Theravada, Mahayana, Vajrayana, Zen--and the styles and characteristics of the Buddhas, bodhisattvas, deities, and other images seen in their art. Everyone interested in Buddhist art and its enduring significance will find this volume a useful reference for the study and appreciation of the various gestures, poses, and artistic elements seen in Buddhist art though the ages.
On its broadest level, this book contributes to an ongoing expansion of both the history of religions and Buddhist studies by focusing on what is a far too frequently ignored aspect of religious experience: visual images. This is a study that is intended to speak to, and be relevant for, not only those interested specifically in Buddhism, but also scholars and students in the field of religion at large who are interested in the dialectical ways abstract, abstruse and even rarified textual discourses interact with devotional practices 'on the ground'. The specific focus of this book is on the Buddhist visual practices surrounding the visual representation of a single, central concept, prajna,...
As belief in the Buddha grew and his teachings were transmitted across Asia, Buddhist images, scriptures, and relics were duplicated and reduplicated to satisfy the needs of increasing numbers of the faithful. Yet how were these countless copies of sacred objects able to retain their authenticity and efficacy? Authentic Replicas explores how Buddhists in medieval China (seventh to twelfth centuries) solved this conundrum through the use of traditional methods of replication such as stamping, mold casting, and woodblock printing to create objects that fulfilled the spiritual aspirations of those who possessed them. Setting aside Western notions about the relative value of copies versus the â€...
"This interdisciplinary study on the development of Buddhist art and architecture in China from the early period till the Qing Dynasty is in a 8 11 format with 50 photo illustrations, the majority of which have never been shown or introduced to the Western world. This book has been organized so that a brief biography of Prince Gautama (later the Buddha), is first presented, followed by an explanation of the Four Noble Beliefs, and the Eightfold Path which a Buddhist must follow to reach the enlightenment, and finally the Nirvana."
What was the function of Buddhist art at the time Buddhism was at its height in Asia? These questions are discussed in a volume about 'Function and Meaning of Buddhist Art' which contains the papers from a workshop at Leiden University.
More than two hundred photographs-most in stunning full color-provide the visual context for this tour of the world of Buddhist art. From the earliest second-century b.c.e. archaeological evidence to the nineteenth century this book showcases the marvelous variety of Buddhist art through the ages, from every country and region where Buddhism has influenced the culture in a significant way, including India, Afghanistan, Central Asia, China, Korea, Japan, Tibet, Sri Lanka, Myanmar, and all the regions of Southeast Asia. Included in the rich variety of forms are architecture and monumental art, statuary, paintings, calligraphy, fresco, brushwork, and textile arts.
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This Volume Explores The Relation Of Buddhism To Greek Cosmology, Its Contacts With West Asia, And Parallels To Christianity. The Interpretation In Adibuddha As A Theistic Concept Has Been Elucidated. Buddhist Period Of Classical Afghanistan, A New Identification Of The Colossi Of Bamiyan, And The 108 Symbols On The Feet Of The Buddhas Are The Way On The Physical And Divine Planes. Several Khotanese Panels, Murals And Icons Have Been Identified Anew On The Basis Of The Six Annals Of The Kingdom In Tibetan. The Role Of The Suvarabhasa-Sutra In The Polity Of Central Asia And Thence In East Asia Has Been Discussed. The Lotus Sutra Was Transmitted To China And Japan And Became A Dominant Underpi...