You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book presents the history of a gentlemen’s club in London that was founded in 1866 for the purpose of exhibiting private art collections. It takes the main exhibition themes as a starting point to explore approaches to art, connoisseurship and display in a unique setting.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
None
The 17th congress of the Association Internationale pour l'Histoire du Verre (AIHV), held in Antwerp, Belgium from 4 to 8 September 2006, brought together scholars from all over the world specialized in the history of glass. AIHV is an international organisation whose membership spans the globe, from Los Angeles to Tokyo and from Helsinki to Adelaide. Since its creation 50 years ago, AIHV members have studied and reported on the extraordinary development of glass in all historical periods in the Annales of the AIHV. Next to containing numerous contributions on the use, manufacture and trade of glass in the Antique period, also the importance of glass in more recent historical periods, starting from the 15th century and ending in the 21st century, are dealt with in detail. Additionally, apart from contributions on stained glass, on glass decoration and the use of enamelling, a substantial series of papers dealing with the chemical analysis of glass form part of this proceedings volume. --Book Jacket.
Publisher description
Ono examines cross-cultural artistic exchange between the West and Japan from the late nineteenth century to the early twentieth century. Studies of Japonisme have been dominated by searching out relationships of influence between artworks–trying to identify which specific works influenced a particular artist. Ono argues that a more holistic understanding of 'spillover effects' is necessary in fully comprehending the nuances of these relationships. She bases this argument on documents and works of art in the context of globalisation, looking at the relationships between James McNeill Whistler and others with their contemporaries in the Japanese artistic and literary worlds. This was a more...