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Women in Independent Publishing
Women in Independent Publishing is a collection of interviews with and resources about women actively engaged in small-press publishing between the 1950s and the 1980s. The interviewees include Hettie Jones, Margaret Randall, Bernadette Mayer, and many others. The scope and range of the interviews showcase a variety of types of publishing possible within the small press community. These interviews illuminate the unifying and diverging elements between multiple publishing “scenes” and reveal their particularities and commonalities. Women in Independent Publishing is a timely and urgent documentation of literary history and reveals and celebrates the multifaceted roles of women editors and publishers and the communities they built. The book includes a critical introduction, an afterword by contemporary small-press publisher M. C. Hyland and a robust resources section that provides further paths for reading and literary recovery.
The Poetry Toolkit
The Poetry Toolkit: For Readers and Writers provides students with the essential intellectual and practical tools necessary to read, understand, and write poetry. Explains the most important elements of poetry in clear language and an easily accessible manner Offers readers both the expertise of an established scholar and the insights of a practicing poet Draws on examples from more than 1,500 years of English literature
Transcendental Studies
From the jungles of Rwanda to the ruined streets of Somalia to the craggy mountains of Afghanistan, a Pulitzer Prize-winning journalist offers this intimate portrayal of war from the front lines.
Elizabeth Bishop
In this book, the first study of Elizabeth Bishop's whole career, Travisano explores her development as an artist. Through sensitive reading of the poems, supported by comparison with Bishop's letters, interviews, stories, memoirs, and critical essays, he defines the traditions that shaped Bishop's introspective early work and the evolution of her later work toward a more public style.
The Revolt of the Oyster
I hope I am not snobbish. Indeed, I think I have proved over and over again that I am not, by frankly confessing that I am an American. But at the same time I could not repress a little exclamation of pleasure at the fact that we were haunted by the ghost of a member of the English aristocracy. You may say what you will, but there is a certain something—a manner—an air—I scarcely know how to describe it, but it is there; it exists. In England, one meets it so often—I hope you take me...FROM THE BOOKS.
Mark Twain
The great writer's irascible wit shines in this comprehensive collection. This volume is an annotated and indexed scholarly edition of every known interview with Mark Twain spanning his entire career. In these interviews, Twain discusses such topical issues as his lecture style, his writings, and his bankruptcy, while holding forth on such timeless issues as human nature, politics, war and peace, government corruption, humor, race relations, imperialism, international copyright, the elite, and his impressions of other writers (Howells, Gorky, George Bernard Shaw, Tennyson, Longfellow, Kipling, Hawthorne, Dickens, Bret Harte, among others). These interviews are both oral performances in their...
St. Nicholas
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Walch Toolbook
Illuminates the basics of literature, including setting, plot, character, mood, theme, and point of view. Develops literary vocabulary. Demystifies poetic terms and forms.
Postcards in the Library
Postcards, individually and collectively, contain a great deal of information that can be of real value to students and researchers. Postcards in the Library gives compelling reasons why libraries should take a far more active and serious interest in establishing and maintaining postcard collections and in encouraging the use of these collections. It explains the nature and accessibility of existing postcard collections; techniques for acquiring, arranging, preserving, and handling collections; and ways to make researchers and patrons aware of these collections.Postcards in the Library asserts that, in most cases, existing postcard collections are a vastly underutilized scholarly resource. E...
Sight Map
In Sight Map Brian Teare blends the speculative poetics of the San Francisco Renaissance with a postconfessional candor to embody the "open field" tradition of such poets as Robin Blaser and Robert Duncan. Teare provides us with poems that insist on the simultaneous physical embodiment of tactile pleasure—that which is found in the textures of thought and language—as well as the action of syntax. Partly informed by an ecological imagination that leads him back to Emerson and Thoreau, Teare's method and fragmented style are nevertheless up to the moment. Remarkable in its range, Sight Map serves at once as a cross-country travelogue, a pilgrim's gnostic progress, an improvised field guide, and a postmodern "pillowbook," recording the erotic conflation of lover and beloved, deity and doubter.
