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The American Bibliography of Slavic and East European Studies
This bibliography, first published in 1957, provides citations to North American academic literature on Europe, Central Europe, the Balkans, the Baltic States and the former Soviet Union. Organised by discipline, it covers the arts, humanities, social sciences, life sciences and technology.
The Explosive World of Tatyana N. Tolstaya's Fiction
This study of the work of Tatyana N. Tolstaya initiates the reader into the paradoxes of her fictional universe: a poetic realm ruled by language, to which the mysteries of life, imagination, memory and death are subject.
Late Soviet Culture
As the Soviet Union dissolved, so did the visions of past and future that informed Soviet culture. With Dystopia left behind and Utopia forsaken, where do the writers, artists, and critics who once inhabited them stand? In an "advancing present," answers editor Thomas Lahusen. Just what that present might be--in literature and film, criticism and theory, philosophy and psychoanalysis, and in the politics that somehow speaks to all of these--is the subject of this collection of essays. Leading scholars from the former Soviet Union and the West gather here to consider the fate of the people and institutions that constituted Soviet culture. Whether the speculative glance goes back (to czarist R...
Regime and Society in Twentieth-Century Russia
This book contains fresh approaches to the interaction between regime and society in twentieth-century Russia. It offers new answers to familiar questions: * How useful is 'totalitarianism' as a model to categorise authoritarian regimes? * What chances existed for tsarism to establish itself as a constitutional monarchy? * Were Trotsky and Lenin dictators in waiting? * How did the Bolsheviks make the Lenin cult? * What opposition did intellectuals offer in the Soviet regime? * What is the nature of contemporary Russian constitutionalism? It is required reading for historians, political scientists, sociologists and everyone interested in modern Russia.
After Intimacy
Divorce is a conspicuous character trait of modernity, commonly portrayed in texts and on screen, with its moral and social rationalisation firmly rooted in Enlightenment and Romantic thought. The aim of this volume is to bring into focus this contemporary cultural fascination by assembling the variety of academic responses it has started to create. Bringing together the reflections of scholars from the UK and North America who have worked in this domain, this study offers for the first time a genuinely wide-ranging account of the depiction of divorce across the northern hemisphere in a number of media (fiction, journalism, film and television). It reaches historically from the intellectual and legal aftermath of the Enlightenment right up to the present day. As such, the collection shows both the roots of this apparently contemporary phenomenon in nineteenth-century literary practice and the very particular ways in which divorce characterises the different narrative media of modernity.
Gender, Nationalism, and War
Virginia Woolf famously wrote 'as a woman I have no country', suggesting that women had little stake in defending countries where they are considered second-class citizens, and should instead be forces for peace. Yet women have been perpetrators as well as victims of violence in nationalist conflicts. This unique book generates insights into the role of gender in nationalist violence by examining feature films from a range of conflict zones. In The Battle of Algiers, female bombers destroy civilians while men dress in women's clothes to prevent the French army from capturing and torturing them. Prisoner of the Mountains shows a Chechen girl falling in love with her Russian captive as his mother tries to rescue him. Providing historical and political context to these and other films, Matthew Evangelista identifies the key role that economic decline plays in threatening masculine identity and provoking the misogynistic violence that often accompanies nationalist wars.
Literature, History and Identity in Post-Soviet Russia, 1991-2006
"The aim of this book is to explore some of the main pre-occupations of literature, culture and criticism dealing with historical themes in post-Soviet Russia, focusing mainly on literature in the years 1991 to 2006." --introd.
Joseph Brodsky
The work of Joseph Brodsky (1940-;1996), one of Russia';s great modern poets, has been the subject of much study and debate. His life, too, is the stuff of legend, from his survival of the siege of Leningrad in early childhood to his expulsion from the Soviet Union and his achievements as a Nobel Prize winner and America';s poet laureate.In this penetrating biography, Brodsky';s life and work are illuminated by his great friend, the late poet and literary scholar Lev Loseff. Drawing on a wide range of source materials, some previously unpublished, and extensive interviews with writers and critics, Loseff carefully reconstructs Brodsky';s personal history while offering deft and sensitive commentary on the philosophical, religious, and mythological sources that influenced the poet';s work. Published to great acclaim in Russia and now available in English for the first time, this is literary biography of the first order, and sets the groundwork for any books on Brodsky that might follow.
