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Women Warriors in Early Modern Spain
Although scholars often depict early modern Spanish women as victims, history and fiction of the period are filled with examples of women who defended their God-given right to make their own decisions and to define their own identities. The essays in Women Warriors in Early Modern Spain examine many such examples, demonstrating how women battled the status quo, defended certain causes, challenged authority, and broke barriers. Such women did not necessarily engage in masculine pursuits, but often used cultural production and engaged in social subversion to exercise resistance in the home, in the convent, on stage, or at their writing desks. Distributed for the University of Delaware Press
Frida
Told by Frida Kahlo's sister Cristina, this is the story of the great artist and her marriage to another great artist, the muralist Diego Rivera.
I Am Venus
This fictional account of the seventeenth-century Spanish painter’s life is “a very enjoyable read . . . A portrait of Velázquez and a meditation on love” (Washington Independent Review of Books). Narrated by the mysterious model who posed for Rokeby Venus, Diego Velázquez’s only surviving female nude, I Am Venus is the riveting account of a great artist’s rise to prominence, set against the backdrop of political turmoil and romantic scandal. A sweeping story of scandal and passion, and a vivid recreation of a corrupt kingdom on the brink of collapse, I Am Venus is a thrilling novel that brings to life the public and private worlds of Spain’s greatest painter. “A well-plotted...
I am Venus
The year is 1619, and Diego Velázquez is a rising star at an art academy in Seville run by his father-in-law. But even as his young wife builds him a family, the painter yearns for a larger canvas, and soon his ambition lands him at the court of King Philip IV, where he quickly gains prominence, just as Spain is plunged into military defeat and domestic chaos. But as he gains nobility and privilege, Velázquez encounters the sinful decadence that defines the regime. At the heart of this most conservative country, its ruling class breaks every rule that the masses must obey. As he finds himself torn between loyalty to family and the easy seductions of power, Velázquez decides to take on his riskiest painting yet, which could, in a stroke, land him in the claws of the Inquisition. A sweeping story of scandal and passion, and a vivid recreation of a corrupt kingdom on the brink of collapse, I Am Venus is a thrilling novel that brings to life the public and private worlds of Spain's greatest painter.
Milenio
Publisher Description (unedited publisher data) Counter This one-volume anthology surveys the major works of Spanish literature of the millennium! An introduction with historical and literary data as well as information on critical trends puts each section into its historical context. A brief introduction to the author's work precedes each selection.
Miss del Río
“Dolores del Río bursts to life in this vivid, well-researched portrayal. Her iconic feline elegance and brash spirit dominates every page, but it’s her defiance to live life on her own terms that sets her apart—and what an extraordinary life she led.”—C.W. Gortner, bestselling author of Marlene 1910, Mexico. As the country’s revolution spreads, Dolores, the daughter of a wealthy banker, must flee her comfortable life in Durango or risk death. Her family settles in Mexico City, where, at sixteen, she marries the worldly Jaime del Río. But in a twist of fate, at a party she meets an influential American director who recognizes in her a natural performer. He invites her to Hollyw...
Miss Del Río
"Dolores del Río bursts to life in this vivid, well-researched portrayal of her challenging life during Hollywood's golden era. Her iconic feline elegance and brash spirit dominates every page, but it's her defiance to live life on her own terms that sets her apart--and what an extraordinary life she led." --C.W. Gortner, author of Marlene 1910, Mexico. As the country's revolution spreads, Dolores, the daughter of a wealthy banker, must flee her comfortable life in Durango or risk death. Her family settles in Mexico City, where, at sixteen, she marries the worldly Jaime del Río. But in a twist of fate, at a party she meets an influential American director who recognizes in her a natural pe...
A New Anthology of Early Modern Spanish Theater
An anthology of plays from the Spanish Golden Age contains the full text of 15 plays; an introduction to each play with information about the author, the work, performance issues and current criticism; and glossaries with definitions of difficult words and concepts.
Collateral Damage
From Homer to Tim O’Brien, war literature remains largely the domain of male writers, and traditional narratives imply that the burdens of war are carried by men. But women and children disproportionately suffer the consequences of conflict: famine, disease, sexual abuse, and emotional trauma caused by loss of loved ones, property, and means of subsistence. Collateral Damage tells the stories of those who struggle on the margins of armed conflict or who attempt to rebuild their lives after a war. Bringing together the writings of female authors from across the world, this collection animates the wartime experiences of women as military mothers, combatants, supporters, war resisters, and victims. Their stories stretch from Rwanda to El Salvador, Romania to Sri Lanka, Chile to Iraq. Spanning fiction, poetry, drama, essay, memoir, and reportage, the selections are contextualized by brief author commentaries. The first collection to embrace so wide a range of contemporary authors from such diverse backgrounds, Collateral Damage seeks to validate and shine a light on the experiences of women by revealing the consequences of war endured by millions whose voices are rarely heard.
Women Religious and Epistolary Exchange in the Carmelite Reform
The sixteenth century was a period of crisis in the Catholic Church. Monastic reorganization was a major issue, and women were at the forefront of charting new directions in convent policy. The story of the Carmelite Reform has been told before, but never from the perspective of the women on the front lines. Nearly all accounts of the movement focus on Teresa de Avila, (1515-1582), and end with her death in 1582. Women Religious and Epistolary Exchange in the Carmelite Reform: The Disciples of Teresa de Avila carries the story beyond Teresa's death, showing how the next generation of Carmelite nuns struggled into the seventeenth century to continue her mission. It is unique in that it draws primarily from female-authored sources, in particular, the letters of three of Teresa's most dynamic disciples: María de San José, Ana de Jesús and Ana de San Bartolomé.
