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The bibliographer's manual of english literature
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
British Museum
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Revelations
Pestilence, floods, war, social upheaval, drug crime, wicked leaders, conspiracies, corruption even visions of death-dealing aliens -- this superb collection of stories takes an unforgettable imaginative journey into terror and transcendence. Each decade of the twentieth century is assigned to one of the top fantasy/horror authors of the modern age who evokes the particular madness of that decade as it contributes to a prophecy for the next century. Decade by decade as the millennium approaches in these powerful, chilling tales, the tension builds toward a dramatic revelation that is both a prophetic warning and a visionary answer for all humankind. A singular publishing event, "Revelations is a stunning anthology-novel by modern superstars of fantasy and horror, including" New York Times -- bestselling author Clive Barker, David J. Schow, and Remsey Campbell.
Journal
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The Dunning School
From the late nineteenth century until World War I, a group of Columbia University students gathered under the mentorship of the renowned historian William Archibald Dunning (1857--1922). Known as the Dunning School, these students wrote the first generation of state studies on the Reconstruction -- volumes that generally sympathized with white southerners, interpreted radical Reconstruction as a mean-spirited usurpation of federal power, and cast the Republican Party as a coalition of carpetbaggers, freedmen, scalawags, and former Unionists. Edited by the award-winning historian John David Smith and J. Vincent Lowery, The Dunning School focuses on this controversial group of historians and ...
The Day after Domesday
Though more than four hundred years have elapsed since the Bishops' Bible was first published in 1568, its story has never been adequately told. No book-length evaluation has been published, and no adequate bibliography is available for guidance in studying this least known of the Tudor-period Bibles. This neglect is surprising in that Shakespeare's earlier plays reflect his use of the Bishops' Bible and that the Bishops' Bible was used by the translators of the King James Version as the basis for their revision. This study depicts the religious, literary, and intellectual atmosphere that produced the Bishops' Bible, describes its place in sixteenth-century translations, re-evaluates its contribution to the study of the English Bible, and investigates the history and qualifications of the men invited to participate in the translation project. Attention is given to the artwork, the most elaborate of any in first editions of early English Bibles, and to the notes designed to correct the objectionable Calvinistic notes of the Geneva Bible. A presumption that the bishops would not prepare a better Bible until "a day after domesday" gives the title to this study--The Day after Domesday.
