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The Complete Poems of C. Day Lewis
C. Day Lewis (1904-1972) was one of the leading young poets of the 1930's who - along with W. H. Auden, Louis MacNeice, and Stephen Spender - broke away from the staid poetic establishment to dominate British poetry in the middle third of the century. Here, for the first time, are all the poems Day Lewis wrote, including occasional verse which has never appeared in book form and a number of poems previously published only in limited editions. The Complete Poems has been edited, with an introduction and textual notes, by Jill Balcon, the poet's widow.
C Day-Lewis
Poet, translator of classical texts , novelist, detective writer (under the pen-name Nicholas Blake), performer and, at that time , Professor of Poetry at Oxford, C Day-Lewis had many careers all at once. This first authorized biography tells the private story behind the many headlines that this handsome Anglo-Irish Poet Laureate generated in his lifetime. Day-Lewis made his name as one of the 'poets of the 1930s', launching a communist-influenced poetic revolution alongside W. H. Auden and Stephen Spender that aspired to spark wholesale political change to face down fascism. In the 1940s, 'Red Cecil', as he had become known, broke with communism, and with Auden. He went on to produce some o...
Living in Time
Albert Gelpi explores in three expansive sections the major periods of the poet's development, beginning with the emergence of Day Lewis in the thirties as the most radical of the Oxford poets. An artist who sought through poetry a way of "living in time" without traditional religious assurances, Day Lewis went further than his friends in seeking to forge a revolutionary poetry out of his commitment to Marxism. When Stalinism led to his resignation from the Communist Party, Day Lewis in the forties went on to shape a rich, fiercely perceptive poetry out of the convergence of the wartime crisis with the explosive events of his own inner life, intensified by the erotics of a decade-long affair.
The Poetic Image
This book - a most important and original contribution to the literature of interpretative criticism -contains the Clark Lectures delivered at Cambridge University in 1946. Its theme is poetic imagery, not only in its stricter sense of simile, metaphor and image, but in the wider application of the term, by which every good poem is itself a total image made up of a multiplicity of component images. The book is therefore more than an academic study of one aspect of poetic material and technique: it is an investigation into the nature of poetry itself, taking as its clue the belief, as old as Aristotle, that the power of image-making is the one sure sign of poetic genius. Beneath all the manifestations of the poetic image, Mr. Day Lewis traces one principle at work - the ' abiding impulse in every human being to seek order and harmony behind the manifold and the changing'.
The Otterbury Incident
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Poetic Image
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The Whispering Roots
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