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C. George Benello (1927-1987) was professor of sociology at Cornell University, the University of Massachusetts, Goddard College, McGill University, and Concordia University. He was active in the anti-war movement, and he founded the Federation of Economic Democracy and the journal Changing Work.
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The greatest contribution of the New Left of the 1960s was its determination to build a culture and politics of popular participation at every level of society. A radical conception of democracy, it inspired the movements for civil rights, for peace and solidarity, and for gender and sexual equality. It framed the social debate, in terms of community-centered democratic theory, which continues to guide and inspire well into the twenty-first century. As the contributors to this anthology revisit the 1960s to identify its ongoing impact on North American politics and culture, it becomes evident how this legacy has blended with and influenced today’s worldwide social movements, in particular,...
Explores an elaborate genealogy of anti-authoritarian thought.
James Polk explores the mundane symbols, interests, and power structures that increasingly permeate and define American society.
As Brazil and other countries in Latin America turned away from their authoritarian past and began the transition to democracy in the 1980s and 1990s, interest in developing new institutions to bring the benefits of democracy to the citizens in the lower socioeconomic strata intensified, and a number of experiments were undertaken. Perhaps the one receiving the most attention has been Participatory Budgeting (PB), first launched in the southern Brazilian city of Porto Alegre in 1989 by a coalition of civil society activists and Workers&’ Party officials. PB quickly spread to more than 250 other municipalities in the country, and it has since been adopted in more than twenty countries world...
Originally published by Westview in 1993.
The largely successful trajectory of participatory democracy in post-1988 Brazil is well documented, but much less is known about its origins in the 1970s and early 1980s. In Participatory Democracy in Brazil: Socioeconomic and Political Origins, J. Ricardo Tranjan recounts the creation of participatory democracy in Brazil. He positions the well-known Porto Alegre participatory budgeting at the end of three interrelated and partially overlapping processes: a series of incremental steps toward broader political participation taking place throughout the twentieth century; short-lived and only partially successful attempts to promote citizen participation in municipal administration in the 1970...
Interprets popular art forms as exhibiting core anarchist values and presaging a more democratic world. Situated at the intersection of anarchist and democratic theory, Anarchism and Art focuses on four popular art formsDIY (Do It Yourself) punk music, poetry slam, graffiti and street art, and flash mobsfound in the cracks between dominant political, economic, and cultural institutions and on the margins of mainstream neoliberal society. Mark Mattern interprets these popular art forms in terms of core anarchist values of autonomy, equality, decentralized and horizontal forms of power, and direct action by common people, who refuse the terms offered them by neoliberalism while creating pr...