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The reuse of images, plots and genres from film history has become prominent in contemporary culture. In this study, Vera Dika explores this phenomenon from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Dika provides an in-depth analysis of works in several media, including performance, photography, Punk film, and examples from mainstream American and European cinema. Proclaiming the renewed importance of the image and of genre, she investigates works as diverse as Cindy Sherman's Untitled Film Stills, Amos Poe's The Foreigner, Terence Malick's Badlands, and Francis Ford Coppola's One from the Heart. Her study positions avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment.
Former member of the Vandal Squad - a New York police unit devised to protect the subway from hardcore crime and vandalism - Joseph Rivera recounts the days and nights spent in pursuit of the city's most notorious vandals. As the only book on graffiti told from the side of the law, it gives the reader new perspective on the fast-paced cat and mouse tales, presented alongside professional disregard within the department. Featuring unseen images and stories of graffiti's infamous Top 40, this is an unprecendented look at graffiti from the other side of the game.
Bringing together prominent transatlantic film and media scholars, Was It Yesterday? explores the impact of nostalgia in twenty-first century American film and television. Cultural nostalgia, in both real and imagined forms, is dominant today, but what does the concentration on bringing back the past mean for an understanding of our cultural moment, and what are the consequences for viewers? This book questions the nature of this nostalgic phenomenon, the politics associated with it, and the significance of the different periods, in addition to offering counterarguments that see nostalgia as prevalent throughout film and television history. Considering such films and television shows as La La Land, Westworld, Stranger Things, and American Hustle, the contributors demonstrate how audiences have spent more time over the last decade living in various pasts.
"QBR's evolving canon is a splendid way to begin honoring black artists." -Charles Johnson, from the Foreword "From critiques of W. E. B. Du Bois's Black Reconstruction in America to Alex Haley's Roots to Langston Hughes's The Ways of White Folks, these short, trenchant essays stimulate and challenge."-Booklist "A celebration of black literature. . .insightful commentary."-Ebony "A rich and surprising assortment." -American Legacy "Delving into a book is an entertaining and edifying way to celebrate and reflect on the rich tapestry of African American history. A great way to start is with Sacred Fire: The QBR 100 Essential Black Books." -Atlanta Journal-Constitution Capturing the full sweep of writing from the diaspora-from Africa to the Caribbean to America-Sacred Fire is a soul-stirring collection of provocative analysis on 100 works of literature that have shaped and defined black culture for over 200 years.
When Christopher Faraday moves into the town of Spectral Lakes to study for his criminal justice degree, the fact that his family helped to found the town isn't the foremost thing on his mind. He feels relaxed in this cozy little community, save for the strange girl named Charlotte he keeps spotting at every turn. It's not until he meets her while walking along the lake's shore at night that he first encounters the Lady of the Lake, the town's mysterious cryptid whose rotting specter he spies floating over dark waters. He can scarcely believe his eyes and determines he must have been seeing things. However, soon a horrific paranormal incident shakes the town and Chris's own heart to the core. By throwing himself into solving the mystery of the Lady and carving deep into the legacy of his ancestors, he may soon find that there are some things indeed worse than death. Containing a plethora of illustrations, this novella is a ghostly experience you won't ever forget... (This is the black and white interior edition of the novella). InkRoseInc.com
Monograph covering the career of artist Rex Ray
Through images of hands, this book conveys the strength, beauty, diversity, depth, and power of the blues, the root of all American music. It features photographs from Joseph A. Rosen's 30-plus years of adventure in blues and music photography. Included are such noted music personalities as B.B. King, Gary Clark, Jr., Buddy Guy, Al Green, Willie King, Susan Tedeschi, Derek Trucks, The Blind Boys of Alabama, James Brown. The book holds rich treasures for lovers of music, photography, and the human form. One need not be deeply versed in the blues to appreciate the beauty, strength, and diversity of those who make it. With powerful imagery, as well as anecdotes and biographical information, Blues Hands tells a story of human experience.
An unprecedented look at a moving photographic series that chronicles the gay communities of Los Angeles and San Francisco from 1969 to 1972 For more than forty years, American photographer Anthony Friedkin (b. 1949), creating full-frame black-and-white images, has documented people, cities, and landscapes primarily in his home state of California. During the culturally tumultuous years of 1969 and 1970, Friedkin made a series of photographs that together offer an eloquent and expressive visual chronicle of the gay communities of Los Angeles and San Francisco at the time. This is the first book to explore the series, titled The Gay Essay, in depth, within the broader historical context that ...