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This book presents a fresh perspective on eleventh- and twelfth-century Irish architecture, and a critical assessment of the value of describing it, and indeed contemporary European architecture in general, as “Romanesque”. Medieval Irish Architecture and the Concept of Romanesque is a new and original study of medieval architectural culture in Ireland. The book’s central premise is that the concept of a “Romanesque” style in eleventh- and twelfth-century architecture across Western Europe, including Ireland, is problematic, and that the analysis of building traditions of that period is not well served by the assumption that there was a common style. Detailed discussion of importan...
The storied landscapes of Ireland are dotted with holy wells--hallowed springs, pools, ponds, and lakes credited with curative powers and often associated with Catholic and indigenous saints. While many of these sites have been recently lost to development, others are visited daily for devotions and remain the focus of annual community gatherings. Encouraging both their use and protection, Holy Wells of Ireland delves into these irreplaceable resources of spiritual, archaeological, and historical significance. Reserves of localized spiritual practices, holy wells are also ecosystems in themselves and provide habitats for rare and culturally meaningful flora and fauna. The shift toward a "pos...
In Exiles in a Global City, Clare Carroll explores Irish migrants’ experiences in early modern Rome (1609-1783) and interprets representations of their cultural identities in relation to their interaction with world-wide Spanish and Roman institutions. This study focuses on some sources in Roman archives not previously considered by Irish historians. The book examines a wide array of cultural productions—Ó Cianáin’s account of O’Neill’s progress from Ireland to Rome, Luke Wadding’s history of the Franciscan order, the portraits at S. Isidoro, the first printed Irish grammar, the letters of Oliver Plunkett, the records of a hospice for converts, Charles Wogan’s memoir, and reports on the national college—for how they transformed emerging senses of an Irish nation.
This is the first book devoted to churches in Ireland dating from the arrival of Christianity in the fifth century to the early stages of the Romanesque around 1100, including those built to house treasures of the golden age of Irish art, such as the Book of Kells and the Ardagh chalice. � Carrag�in's comprehensive survey of the surviving examples forms the basis for a far-reaching analysis of why these buildings looked as they did, and what they meant in the context of early Irish society. � Carrag�in also identifies a clear political and ideological context for the first Romanesque churches in Ireland and shows that, to a considerable extent, the Irish Romanesque represents the perpetuation of a long-established architectural tradition.
Explores the tremendous discoveries historical archaeologists have made about English life in the Americas during the seventeenth century.
In this first volume of the Royal Irish Academy's multi-volume A New History of Ireland a wide range of national and international scholars, in every field of study, have produced studies of the archaeology, art, culture, geography, geology, history, language, law, literature, music, and related topics that include surveys of all previous scholarship combined with the latest research findings, to offer readers the first truly comprehensive and authoritative account of Irish history from the dawn of time down to the coming of the Normans in 1169. Included in the volume is a comprehensive bibliography of all the themes discussed in the narrative, together with copious illustrations and maps, and a thorough index.
Ireland in the Virginian Sea: Colonialism in the British Atlantic
"Holy Landscape" is a term frequently used to describe a multidimensional phenomenon. What this actually comprises is hard to define. Precisely this question is addressed in this volume. The "holy landscape" depends on people's Weltanschauung and is influenced by their respective culture and ethos. It is not just a question of religious buildings and rituals, nor is a mere matter of explicating terms such as "pure" and "impure", magic and myths; it is about an expressive space in which the "ceremony and mood of rites and cults" take place. The contributions also deal with the emergence and continuing development of the term "holy landscape" and the changing expressions of religious mood.